Murder in Wartime: Mystery Readers Journal

Since today is Veterans Day, I thought I'd repost a link to Mystery Readers Journal: Murder in Wartime. Check out the Table of Contents and links below. Great articles and reviews by and about your favorite authors. 110 pages! Thanks to everyone who contributed to make this such a terrific issue. This issue is available for purchase. Buy this back issue! Available in hardcopy or as a downloadable PDF.

MYSTERY READERS JOURNAL: Murder in Wartime (Volume 33:2)

Buy this back issue! Available in hardcopy or as a downloadable PDF.

TABLE OF CONTENTS

• World War II and the Golden Age Tradition by Kate Jackson

AUTHOR! AUTHOR!

• The Making of Heroes by Suzanne M. Arruda
• It Never Happened by Mary Adler
• On Edge by Albert Ashforth
• Between Lost and Dead by Rona Bell
• A Half Century Later, Vietnam Is Still a Mystery by R.G. Belsky
• Harry Lime Was Wrong by James Benn
• My Wartime Connection by Cara Black
• The Secrets of Bletchley Park by Rhys Bowen
• Passing On the Memory of Wars I Never Knew by William Broderick
• Don’t Mention the War by Frances Brody
• Why Care About a Murder in Wartime? by Rebecca Cantrell
• The Green Corn Rebellion by Donis Casey
• War Is Hell… but Hell Makes Good Mysteries by John A. Connell
• Murder and Ancient War by Gary Corby
• The Real and Recent Wars Behind My Fiction by Diana Deverell
• Spoils of War by David Edgerley Gates
• You Say Conflict, I Say War by Chris Goff
• Mystery in The First World War by Dolores Gordon-Smith
• Civil War Crime by Paul E. Hardisty
• War Stories by Libby Hellmann
• Body of Evidence by Graham Ison
• Wartime in England by Maureen Jennings
• The Mysteries of War by Kay Kendall
• From Bomb Shelters to a B&B by Kate Kingsbury
• Bombs and Short Legs by Joan Lock
• Rough Cider in the Making by Peter Lovesey
• If It’s War, It Can’t Be Murder? by Michael Niemann
• Echoes of Vietnam by Neil Plakcy
• When the Investigator Wears Boots by Ben Pastor
• His Debts Were Settled At Last by Mary Reed
• Murder in Wartime by Gavin Scott
• The Time Traveler As Writer by Sarah R. Shaber
• A Coin for the Hangman: The Home Front and the Returning Soldier by Ralph Spurrier
• The Solitary Soldier by Kelli Stanley
• Wartime in New York by Triss Stein
• Writing About War by Charles Todd
• It’s Not Our War: Writing a WWI-Era Mystery Series Set in New York by Radha Vatsal
• Fading Away by Sharon Wildwind
• Bloodshed Behind the Lines by Sally Wright
• Fate, Facts, and War Stories by Ursula Wong

COLUMNS

• Mystery in Retrospect: Reviews by Kristopher Zgorski, Craig Sisterson, L.J. Roberts, Sandie Herron, Kate Jackson, Kate Derie
• Khaki Cops by Jim Doherty
• True Crime in Wartime by Cathy Pickens
• The Children’s Hour: War Mysteries by Gay Toltl Kinman
• Just the Facts: The Military Mutilator by Jim Doherty
• Crime Scene: Murder in a Time of War by Kate Derie
• From the Editor’s Desk by Janet Rudolph

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Murder in Wartime: Mystery Readers Journal (33:2)

The latest issue of Mystery Readers Journal: Murder in Wartime is now available. Check out the Table of Contents and links below. Great articles and reviews by and about your favorite authors. We had so many articles that we increased the size of this issue to 110 pages! Same cost. Same quality. Different binding (but same size). Thanks to everyone who contributed to make this such a terrific issue.

MYSTERY READERS JOURNAL: Murder in Wartime (Volume 33:2)

Buy this back issue! Available in hardcopy or as a downloadable PDF.

TABLE OF CONTENTS

• World War II and the Golden Age Tradition by Kate Jackson

AUTHOR! AUTHOR!

• The Making of Heroes by Suzanne M. Arruda
• It Never Happened by Mary Adler
• On Edge by Albert Ashforth
• Between Lost and Dead by Rona Bell
• A Half Century Later, Vietnam Is Still a Mystery by R.G. Belsky
• Harry Lime Was Wrong by James Benn
• My Wartime Connection by Cara Black
• The Secrets of Bletchley Park by Rhys Bowen
• Passing On the Memory of Wars I Never Knew by William Broderick
• Don’t Mention the War by Frances Brody
• Why Care About a Murder in Wartime? by Rebecca Cantrell
• The Green Corn Rebellion by Donis Casey
• War Is Hell… but Hell Makes Good Mysteries by John A. Connell
• Murder and Ancient War by Gary Corby
• The Real and Recent Wars Behind My Fiction by Diana Deverell
• Spoils of War by David Edgerley Gates
• You Say Conflict, I Say War by Chris Goff
• Mystery in The First World War by Dolores Gordon-Smith
• Civil War Crime by Paul E. Hardisty
• War Stories by Libby Hellmann
• Body of Evidence by Graham Ison
• Wartime in England by Maureen Jennings
• The Mysteries of War by Kay Kendall
• From Bomb Shelters to a B&B by Kate Kingsbury
• Bombs and Short Legs by Joan Lock
• Rough Cider in the Making by Peter Lovesey
• If It’s War, It Can’t Be Murder? by Michael Niemann
• Echoes of Vietnam by Neil Plakcy
• When the Investigator Wears Boots by Ben Pastor
• His Debts Were Settled At Last by Mary Reed
• Murder in Wartime by Gavin Scott
• The Time Traveler As Writer by Sarah R. Shaber
• A Coin for the Hangman: The Home Front and the Returning Soldier by Ralph Spurrier
• The Solitary Soldier by Kelli Stanley
• Wartime in New York by Triss Stein
• Writing About War by Charles Todd
• It’s Not Our War: Writing a WWI-Era Mystery Series Set in New York by Radha Vatsal
• Fading Away by Sharon Wildwind
• Bloodshed Behind the Lines by Sally Wright
• Fate, Facts, and War Stories by Ursula Wong

COLUMNS

• Mystery in Retrospect: Reviews by Kristopher Zgorski, Craig Sisterson, L.J. Roberts, Sandie Herron, Kate Jackson, Kate Derie
• Khaki Cops by Jim Doherty
• True Crime in Wartime by Cathy Pickens
• The Children’s Hour: War Mysteries by Gay Toltl Kinman
• Just the Facts: The Military Mutilator by Jim Doherty
• Crime Scene: Murder in a Time of War by Kate Derie
• From the Editor’s Desk by Janet Rudolph

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Is Short the New Long? guest post by Libby Fischer Hellmann

Author Libby Fischer Hellmann, a transplant from Washington DC, moved to Chicago over 35 years ago, where she naturally began writing gritty crime novels. Her 14th book, WAR, SPIES, AND BOBBY SOX, a collection of stories about World War Two on the homefront, will be released March 1, 2017. She has been nominated for a lot of awards in the crime writing community and has even won a few.

Libby Fischer Hellmann
Is Short the New Long?

I’ve never been one to follow trends. When I try, I always seem to catch them just when they’re on their way out. That goes for my writing too. Today’s bulky 400-500 page thrillers are popular, and I envy authors who can write long. I’m not one of them. Here’s my idea of a story:

Well, okay. It’s not that bad. I love creating stories in my head. Figuring out who does what and why. Dreaming up brave protagonists and evil-but- sympathetic villains. That’s the fun part. It’s the writing part that intimidates me. I’ve always felt insecure about the level of my craft, and writing is still the hardest thing I’ve ever done. So I stop when I think I’ve told the story.

The same goes for subject matter and setting. Over the years an enormous body of fiction has been written about World War Two, and I love reading it. In fact, when I recall novels like Nightingale, All The Light We Cannot See, The Book Thief, Sarah’s Key, the Bernie Gunther and Alan Furst crime novels, Unbroken, and The Winds of War, I am gob-smacked by their beauty and power. What could I possibly add?

Still, part of me yearns to write something about that time period, mostly because World War Two was the last era in which there was such clarity between good and evil…such opportunities to create complex, conflicted characters, or explore the timeless themes of heroism, cowardice, and sacrifice.

Another World War Two junkie, herself a prolific reader, encouraged me to try. The very first short story I ever wrote was set in the late ‘30s in Chicago’s Lawndale as the country geared up to fight Hitler. But she nudged me to write more, to go farther. I knew I didn’t have the wherewithal to write about battlegrounds of Europe, Nazis, or the Resistance, but she planted a seed and eventually a story came to me. What if (the two most powerful words for a storyteller, btw) a German refugee was forced to spy on the early years of the Manhattan Project in Chicago? I had been studying espionage techniques for another story, and this was the perfect opportunity to try them out on paper.

But I couldn’t commit to a novel. It was too scary. So I wrote a novella, The Incidental Spy, which begins in 1935 and ends in 1942. It turned out rather well, I thought, so I started to think about a companion novella. I had visited Bletchley Park in the UK and planned to write a novella about spies and espionage across the pond, but it didn’t go well – I just couldn’t make it compelling.

Then, as fate would have it, I was in exercise class when someone started talking about the German POW camp that lay just a mile down the road.

The what? Where?

My ears perked up, and something in my brain clicked. Suddenly I had that feeling that comes to a writer when they know what story they’re going to write next. I started doing research and found that nearly half a million German and Italian POWs were incarcerated in the US between 1943 and 1945. Half a million! That’s all I needed. The companion story to Spy, POW, basically wrote itself. Again, POW was a novella—I told the story in about thirty thousand words. Then I packaged the two novellas together, added the short story I mentioned, and the result is this:

Why novellas instead of a novel? Writing shorter takes enormous pressure off me. Given my insecurities about the era and writing in general, it’s comforting to know I don’t have to sustain a story over seventy thousand words. I can, as Elmore Leonard advised, “leave out the part that readers tend to skip.” I can strip the story down to its essential elements of plot, character, dialogue, and narrative and make sure they work. Plus, I don’t need to do as much research for a shorter story.

In fact, I’m growing fonder of the novella format every day. As a reader, what do you think? Are two novellas as satisfying as one novel?