From the Detroit News:
Surrounded by family, Leonard died at 7:15
a.m. Tuesday at his Bloomfield Village home from complications of a
stroke. He had been hospitalized since suffering the stroke in early
August.
A worldly former advertising man,
Leonard had a particular gift for the snappy, visceral dialogue of the
street and of the cop shop. He started out writing Westerns in his spare
time from his work as a Detroit ad man, but he lived long enough that
his name became a byword for tightly written urban noirs shot through
with mordant humor.
He was so admired by
the crew of “Justified,” the F/X series based upon his novella “Fire in
the Hole,” that they wore bracelets emblazoned “WWED” (for “What would
Elmore do?).
The writer also particularly
got a kick out of “Justified,” based on his novella “Fire in the Hole,”
and was inspired to write a novel, “Raylan,” in 2012, about the title
character.
Leonard never let up on his work
schedule, writing longhand on unlined legal pads. He ordered a thousand
of the writing pads a year.
“He’s very much into his 46th novel,” Sutter said when Leonard was first hospitalized. “He’s been working very hard.”
In November, the National Book Foundation honored Leonard with its medallion, an award saluting lifetime achievement.
In
Leonard’s colorful world of dumb but entertaining crooks and bemused
cops, there was always more than a whiff of postwar seediness and
amorality. That blend of violence and comedy could often produce
wonderful films.
Some movies based upon
Leonard works include “Hombre” (starring Paul Newman), “Get Shorty,”
“Out of Sight” and “Jackie Brown” (based upon his “Rum Punch”).
Leonard was born in New Orleans, but his family moved around in the
South before ending up in Detroit in 1934, when he was 9 years old. He
attended the Blessed Sacrament School on Belmont in Detroit and was
teased about his Southern accent. “The kids used to say, ‘Say, “sugar
chile,” for me.’ I'd say, ‘Why are they asking me that?’ ”
He
majored in English at the University of Detroit, graduating in 1950,
then plunged into an advertising career in Detroit in the 1950s.
Famously,
Leonard started writing Western-themed novels from 5-7 a.m. at home
before going to work at the Campbell-Ewald agency, where Chevrolet
trucks was one of his accounts. He developed a ferocious work ethic,
writing every day in a cinder block basement office that son Peter
described as looking like a prison cell.
After
he quit advertising, he kept up the discipline in his monk-like office,
writing from 10 a.m. to 6 p.m. without a lunch break.
Crime writer Darrell James recently told me he read and studied Leonard to learn Story. Lots of people who write well can say that. I heard Elmore Leonard talk at the Tucson Festival of Books a few years ago. He was over 80 then and sounded like he was 30. Reading about his work ethic, I am now chastened and will now begin today's writing tasks, knowing I'll never go further than Elmore Leonard.
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