Monday, September 28, 2026

PETER MAY: R.I.P.


This is such very sad news. Peter May, one of my favorite mystery authors and friend, passed away suddenly Saturday. He was truly one of a kind. 

I had the pleasure of hosting Peter at several literary salons when he and his wife Janice were in town.  Peter won our Macavity Awards for The Black House, and, of course, he won many other awards. He also contributed many articles to both the Mystery Readers Journal and Mystery Fanfare. His essay Why France? appeared in the most recent issue of Mystery Readers Journal: Mysteries set in France.

He was an amazing writer, a kind and generous supporter of other writers, and a friend. Multi-talented, we kept in touch, and I know he said his upcoming novel, Island of the Dead, was to be his last, we all hoped it would not be. Alas, it will.

My heart and sincere sympathy go out to Janice, his family, his friends, and the entire mystery community.

From Janice Haley May and Jon Riley, his publisher and friend:
 
I have to convey the most awful news. Peter, my soulmate, my partner, my greatest love, has died.
There was no warning, we had just spent a perfect day together. He was taken by a heart attack after giving Daftie his evening walk. Paramedics and doctors arrived quickly and fought for an hour to revive him but to no avail.

I have no words to express the loss, so I enclose here the statement from his long term publisher and dear friend, Jon Riley, who pays tribute: Riverrun, an imprint of the John Murray Group, has announced the sad news of the death of the Sunday Times bestselling Scottish crime writer Peter May, on Friday night at his holiday home in the south of France.

Peter May was one of the most popular, and loved writers of crime fiction of his generation, and his books have sold around 15 million copies around the world. The novel which he had announced would be his last, Island of the Dead, is to be published in January 2027.

May began his career as a journalist in Scotland, winning Young Journalist of the Year aged twenty-one, and published his first novel, The Reporter in 1976, at the age of twenty-six. After it was adapted as a BBC drama series, he quit journalism for television, and in the fifteen years that followed he became a successful scriptwriter and producer on two seminal series, Take the High Road and the Gaelic-language, Isle of Lewis-set Machair. It was while working on location on Machair, that his love for the Hebrides, which informed and influenced so much of his writing was formed.

He returned to fiction with a series of China-set thrillers, which was followed by the French-set Enzo Files, both of which featured characters who reflected his growing interest in forensic science. However, it was the publication of the Lewis-set thriller The Blackhouse in 2011, that brought international fame, and bestselling success, and resulted in The Lewis Trilogy. He published a bestseller almost every year between The Blackhouse and his last book, The Black Loch in 2024. His writing will always be associated with the Isle of Lewis, and the Hebrides.

Peter published twenty-six books with Quercus, and his workwas hugely successful in his adopted homeland of France, where his work garlanded many prestigious literary awards.

Peter was a talented musician, and in 2025 he released a CD,‘Towards the Light’, which reflected in song many of his interests as a novelist.

Although he had announced his retirement, which he was looking forward to sharing with his beloved wife, the writer Janice Hally, May found there was one more novel in him, and he delivered Island of the Dead in July this year. He was preparing for a farewell tour of Scotland and Lewis to coincide with publication in January 2027.

Peter May was not only one of the best writers of crime fiction we had, but he inspired enormous affection in his readers and in those lucky enough to work with him. His kindness, generosity and largeness of spirit, loyalty, engagement with life, and the world, made him a much-loved,as well as much- admired figure. He is irreplaceable.


Thursday, September 24, 2026

2026 PETRONA AWARD SHORTLIST: Best Scandinavian Crime Novel of the Year


2026 PETRONA AWARD Shortlist for the Best Scandinavian Crime Novel of the Year 

Seven impressive crime novels from Finland, Iceland, Norway and Sweden have been shortlisted for the 2026 Petrona Award for the Best Scandinavian Crime Novel of the Year. The shortlist was announced September 24. Winning title will be announced on October 22, 2026.

Snæbjörn Arngrímsson - One True Word tr. Larissa Kyzer (Pushkin Vertigo, Iceland)

Stella Blómkvist - Murder Tide tr. Quentin Bates (Corylus Books, Iceland)

Jón Atli Jónasson - Broken tr. Quentin Bates (Corylus Books, Iceland)

Ørjan N Karlsson - Into Thin Air tr. Ian Giles (Orenda Books, Norway)

John Ajvide Lindqvist - The Writing in the Water tr. Michael Meigs (Amazon Crossing, Sweden)

Satu Rämö - The Grave in the Ice tr. Kristian London (Zaffre, Finland)

Antti Tuomainen - The Winter Job tr. David Hackston (Orenda Books, Finland)

The award is open to crime fiction in translation, either written by a Scandinavian author or set in Scandinavia and published in the UK in the previous calendar year. More information on the history of the Award and previous winners can be found on the Petrona Award website.

Sunday, September 20, 2026

BLOODY SCOTLAND AWARDS 2026


Bloody Scotland International Crime Writing Festival 
announced the winner of two crime fiction prizes Friday night. Yes, I said winner, not winners. What an upset. 

A Bad, Bad Place (Bantam) by debut author Frances Crawford won both the 2026 Bloody Scotland Debut Prize and the McIlvanney Prize for 'best Scottish Crime book of the year. Wowza!!

***

2026 McIlvanney Prize Scottish Crime Novel of the Year
A Bad, Bad Place by Frances Crawford 
 (Bantam) 

Other Shortlisted novels:
The Hollow Boys, by Tariq Ashkanani (Viper)
138 Main Street, by Gavin Bell (Simon & Schuster UK)
The Diary of Lies, by Philip Miller (Polygon)
The Vanishing Place, by Zoë Rankin (Viper)

2026 Bloody Scotland Debut Prize Winner

A Bad, Bad Place by Frances Crawford (Bantam)

Other Shortlisted novels:
Original Sins, by Linda Duncan McLaughlin (Into Books)
We Know What You Did, by Kirsty Lockwood (Orion)
The Vanishing Place, by Zoë Rankin (Viper)
Liar Thief, by May Rinaldi (Black Spring Crime)

Saturday, September 19, 2026

Crafting a Whodunnit for Our Time: Guest post by Jonathan Santlofer

I grew up on Edgar Allan Poe, the Hardy Boys, Agatha Christie, Patricia Highsmith, and comic books. In between, I read a few adventure stories, The Three Musketeers, Robinson Crusoe (though it’s possible I read the latter in a Classic Comic version and only think I read the book). Reading was difficult for me, so I concentrated on what I considered my only gift: art. Though a poor student, I could draw anything, and that got me into art school where I learned I had slight dyslexia and after a year-long series of exercises, became a voracious reader making up for lost time.
 
When I started writing my first novel—after a successful career as a painter, sidetracked by a fire that destroyed 10 years of my artwork—I chose to write a semi-autobiographical novel (auto-fiction in today’s literary lingo). It was about a mid-career artist who had lost all his work and was professionally and emotionally adrift. Sound familiar?
 
At the time, I was living at the American Academy in Rome where I had a large airy studio with a spectacular view overlooking the eternal city. The only problem was I couldn’t paint; the fire and the loss had left me in doubt, questioning why I had become an artist in the first place. 
 
It was a difficult time, but Rome was glorious, the perfect city in which to be depressed. Every morning, after coffee and a cornetto (a sweet, crescent-shaped pastry that looks like a croissant only denser and sweeter and filled with crema or albicocca, apricot jam), I’d find a church and make exact replications of the interiors and the artwork, eventually filling several sketchbooks. (Little did I know I was in training to later become a legal art forger, but that’s another story). 
 
When I got home to NY and reread the 200 or so pages I had written, I couldn’t stand the main character, a 40-something artist, whiney and entitled. So, I killed him. Instant catharsis. That’s how I found what I wanted to write: a crime story. The book ended up being my first novel The Death Artist, about a serial killer loose in the New York art world. The New York Times Magazine did a feature on me (the well-known artist turned writer) and People Magazine chose my novel as their Page Turner of the Week, both of which helped make the book a success.
 
It followed with a contract to write two more books, but I never wrote a good old-fashioned whodunit until now, Ten Perfect Guests, my ninth book. I wanted to give readers a gift, an entertainment and escape from our troubled times, something fun, and more than a little sinister. But that’s half the fun, isn’t it? If you’re writing a book about a group of nasty characters lured to a deserted island for the memorial of a rich and famous artist with the promise of an inheritance (but only if they show up), you can be sure there will be in-fighting, backstabbing and nefarious goings on.
 
I wanted to take all the whodunit tropes, a large cast (but of fully developed) characters, an isolated locale (in this case a deserted island), and update the genre to the present day with angst and drama and lots of dark humor. I also added drawings, illustrations I made for the five parts of the story, all painted in gouache with the same frame, to give it the look of an illustrated manuscript.

 
I reread Christie’s And Then There Were None and Highsmith’s Ripley books, and caught a fortuitous production of Hamlet at BAM which had me rereading Macbeth, Othello, and King Lear (which I saw three times in different productions over the past few years), and the idea of Shakespearean tragedy and the five-act structure—from exposition and accelerating action to the climactic fall and catastrophic resolution—took root. The challenge was how to keep it all fast and fun, Shakespearean comedy as well as tragedy. I reminded myself that one of my all-time favorite movie directors and writers, Billy Wilder—The Apartment, Some Like It Hot, Double Indemnity, A Foreign Affair (his Nazi rom-com!), always said that the tougher the subject matter the more you’d better make them laugh, something I took to heart.
 
The book required more plotting than I usually do, though the characters often refused to stay in their lanes, the plot deepened, and the climactic confession, which I had imagined as a few pages, ended up closer to 30—I just couldn’t get the killer to stop talking, but I enjoyed recounting that story almost as much as the killer enjoyed telling it. (I know I am the one writing, but the characters always know what they want to say).
 
In the end, Ten Perfect Guests is as much an homage to classic whodunnits as it is a study in greed and how it corrupts, a social satire with plenty of bite and wit and hopefully people will enjoy reading it as much as I enjoyed writing it.
 
 
Jonathan Santlofer

 

Friday, September 18, 2026

SLOW HORSES, Season 6, release

Slow Horses, Season 6, released this week on AppleTV. It's a 6-episode season in which two Mick Herron novels,  Joe Country and Slough House, are adapted. I think this is a sensational series. If you haven't seen the previous seasons, I advise you to watch those first, as the back story on the characters builds through each season. More of a book person? You can't go wrong with any Mick Herron mystery. 

Slow Horses is a great series about a very dysfunctional team of MI5 agents and their obnoxious boss, Jackson Lamb (Gary Oldman), and how the navigate the espionage world to defend England from evil forces. This is television at its best! 

Thursday, September 17, 2026

LUDWIG: Season 2 News


Good news. Just had word that Ludwig, Season 2, will premiere on Britbox on October 13. There will be  6 episodes. David Mitchell returns as John ‘Ludwig’ Taylor and Anna Maxwell Martin as sister-in-law Lucy Betts-Taylor.

Ludwig centers on John Taylor, an introverted Cambridge man who leads a quiet life. He has never married, never started a family, and never really ventured beyond his front door. He doesn’t have a computer, mobile phone or even a TV, preferring to live in quiet solitude working as a puzzle designer under the pen name, Ludwig.

But, when his identical twin James (also played by Mitchell) disappears off the face of the Earth, all of that changes. In order to find out what happened to his brother, John takes over James’ identity – big shoes to fill when your brother is a DCI leading Cambridge’s major crimes team. John may be a master of cryptic puzzles, but will he be able to crack the biggest puzzle of his life?

Ludwig series 2 picks up where things left off during season 1, with master puzzle-setter John ‘Ludwig’ Taylor now a Crime Scene Consultant for the Cambridge Police Authority.

Can't wait!

Wednesday, September 16, 2026

Call for Articles: Mysteries set in India



Call for Articles: Mystery Readers Journal: Mysteries set in India (42:4); Winter 2026

For our next issue, we are looking for articles, reviews, and author essays about crime fiction set in India.

DEADLINE: November 5, 2026

If you have a mystery that fits this theme, please consider writing an Author! Author! essay: 500–1500 words, first person, up-close and personal about yourself, your books, and the theme connection. 
We’re also looking for reviews and articles. 

Send submissions to janet @ mysteryreaders . org 

Deadline: November 5, 2026. 

Author Essays are first person, about yourself, your books, and the "India" connection. 500-1000 words. Treat this as if you're chatting with friends and other writers in the bar or cafe (or on zoom) about your work and India in your mysteries. Be sure and cite specific titles, as well as how you use France in your books. Add title and 2-3 sentence bio. 

Reviews: 50-250 words. 

Articles: 500-1000 words. 

Deadline: November 5, 2026  

Send to: Janet Rudolph, Editor. janet @ mysteryreaders . org  

Subject Line:  Mysteries set in India.

Please let me know if you're planning to send an article, review, or author essay--or if you have any questions! 



Themes in 2026: Fairs, Fetes, & Festivals; Mysteries set in France, Cross-Genre Mysteries; Mysteries set in India.


Northern California Mysteries I: Mystery Readers Journal
Senior Sleuths: Mystery Readers Journal
Irish Mysteries: Mystery Readers Journal
Hobbies & Crafts in Mysteries: Mystery Readers Journal
Mysteries set in France: Mystery Readers Journal
Art Mysteries: Mystery Readers Journal

And so many more... We are now in our 42nd year. 4 themed issues a year! 

Have a look at our index of fabulous issues with articles, reviews, and essays from your favorite authors and reviewers. 
***

Cartoon of the Day: The Novel

 

Tuesday, September 15, 2026

HAPPY BIRTHDAY, AGATHA CHRISTIE!


Happy Birthday, Agatha Christie!

Over the years, I've read just about every novel and story, play, and reference book on or by the Queen of Crime, Agatha Christie. I've taught classes on Agatha Christie at UC Berkeley, UC Santa Cruz, and St. Mary's College, as well as lectured to several book clubs. 

Agatha Christie visited the UC Berkeley Botanical Garden and was particularly taken by the Peruvian Lily. Poisonous? Yes. In honor of that long-ago visit, I organized a poison tour at the UC Botanical Gardenfor my own weekly mystery book group. We had a very knowledgeable guide.

For Agatha Christie's Centennial, I attended the CWA (Crime Writers Association - UK) conference in Torquay which included an Agatha Christie Centennial Celebration Banquet. Everyone was there, and, by that, I mean all my favorite British crime writers and several of the actors who portrayed Christie's characters over the years. David Suchet sat at the next table. I saw Joan Hickson in the Ladies Room. During that same trip, I went with CWA to visit Greenway. This was long before the house opened to the public. The family was in residence at the time, and either they forgot that a group of mystery writers was stopping by or they didn’t care, as the house, and especially the dining room table, was in a bit of disarray after what must have been Sunday dinner (lunch to us!). It was a very lovely (and intimate) tour of the house.

When I returned to the States that year, I joined the organizing committee of the U.S. Agatha Christie Centennial Celebration. There were reading challenges, library talks, courses, and lectures, and I even wrote an 'Agatha-Christie inspired' interactive mystery event. It was great fun!

Today there are many Agatha Christie celebrations, but the 'official' Agatha Christie Literary Festival looks to be absolutely smashing. It's this coming weekend (mostly), so if you find yourself in that neck of the woods, I highly recommend attending! September 12-20, 2026. Oh to be in England....

And here's a real treat: A Video of a 1955 interview with Agatha Christie from the BBC Archives in which Agatha Christie talks about her lack of formal education and how boredom during childhood led her to write The Mysterious Affair at Styles. She outlines her working methods, Miss Marple, Herculte Poirot, and discusses why it is much easier to write plays than novels. 

Raise a glass today to Agatha Christie, the Queen of Crime!
 

Monday, September 14, 2026

The Armchair Traveler Strikes Again: Guest post by D.R. Ransdell

I was silly in my youth; I thought, oh, the Côte d’Azur can’t be that great. Then, a friend wanted to visit Nice. It was great! The whole city lies along the beach! We enjoyed visiting art museums in the mornings, swimming in the afternoons, and watching World Cup Soccer at outdoor cafés in the evenings. We didn’t care about the games, but we did appreciate watching men’s legs on a large screen. At the end of the evening, we would stroll along the Promenade des Anglais. We also took day trips to nearby wonders: Antibes, Cannes, Eze, Grasse, and Monaco. We couldn’t have asked for a better holiday.
            
But what do mystery writers do in a “perfect” setting? Kill somebody off, of course! Given that so many artists have flocked to the French Riviera (Matisse, Chagall, Renoir, Dufy, Saint Phalle, to name a few), when I wanted to start a new series, I decided to create a protagonist who was a landscape watercolorist, give him a witty, persnickety wife with whom he could argue about possible clues, and set him down in a beautiful spot. Remy and Vero travel to France expecting to spend a lovely summer, one painting, one relaxing, but their plans get ruined almost immediately—alas! That’s the fate of mystery characters.
            
In the meantime, I spent my time editing Remy’s first outing, The Cézanne Chihuahua, while luxuriating in the French coast of my mind. Using my old pictures, guidebooks, and Google maps, I set the action in and around Nice. I planned on making Remy and Vero’s temporary home the nearby Villefranche, a cute seaside resort twenty minutes away.
            
When I returned to Nice after a third draft, I dragged my husband up and down streets just west of the tram line between Boulevard Victor Hugo and the Plage Carras. “Look, this could be Frenchie’s apartment building! Look, this is the café where he has a last supper with Remy!” David and I walked the neighborhood, sipped cocktails at nearby cafés, and dined under the stars. We visited art galleries, pretending to be interested in purchasing pieces of art that were too big, too expensive, and often too ugly to seriously consider. While David chatted with trapped gallery attendants, I paid attention to details. What’s selling these days? How do this many art galleries stay in business? Who might be a good murder suspect?
            
I populated the Nice of my novel with locals and transplants, which reflects the nature of the city itself. The Greeks named it after Nike, the goddess of victory, but its ownership went back and forth between Italy and France a couple of times. It wasn’t annexed to the latter until 1860. By then English tourists were already using the city as a winter retreat. Between carnival, car racing, relaxing public squares, and a mild Mediterranean climate, many find the place irresistible!
            
Villefranche didn’t meet my expectations, however (too snooty and fancy), so I created my own setting for Remy and Vero’s residence, but I borrowed details from neighboring areas. I gave the town a comfortable promenade right above the beach, a delicious bakery, junk stores (the kind I love to visit), a café where Remy paints and gathers clues, and a pleasant house I wouldn’t mind owning myself. 
            
In the novel, Frenchie asks Remy to paint his Chihuahua in the style of his favorite artist, Cézanne. Naturally, Remy agrees, but when Frenchie is found murdered, the artist is the first suspect. He clears his name, but unfortunately, another family member looks even guiltier! He has no choice but to help the inexperienced local detective, Bellefleur, the only authority on hand during the height of summer vacation.
            
Luckily, they are successful, and thus, Remy will soon be painting another pet, this time a Siamese, for an Englishwoman who has spent decades in Nice. However, while the cat survives without a problem, its owner might not be so lucky! The Saint Phalle Siamese will be the second title in the series. (The Cézanne Chihuahua will come out in French, German, Spanish, and Italian shortly.)
            
Meanwhile, I have another excuse to visit the French coast. I offer readers a cheap armchair excursion, but as always, I also hope to inspire them to take trips of their own or return to places they already love. There are terrific beaches all over the world, but for swimmers who appreciate boulevards populated by a friendly, eclectic population in a city easily connected to the airport by tram, Nice hits the spot.
            
Hope to see you all there!
 
***
When in town, Ransdell writes from Tucson, Arizona, but her characters report from all over the world. In addition to other mysteries, she writes the Campanello Travels novels, set in Europe, Asia, and even the Midwest. www.dr-ransdell.com
 

Friday, September 11, 2026

2026 McIlvanney Prize Shortlist


Bloody Scotland International Crime Writing Festival announced the shortlist of nominees for the 2026 McIlvanney Prize. The winner will be awarded on September 18.

2026 McIlvanney Prize Shortlist

The Hollow Boys, by Tariq Ashkanani (Viper) 
138 Main Street, by Gavin Bell (Simon & Schuster UK)
A Bad, Bad Place, by Frances Crawford (Bantam) 
The Diary of Lies, by Philip Miller (Polygon) 
The Vanishing Place, by Zoë Rankin (Viper) 

Wednesday, September 9, 2026

2026 Golden Poppy Book Awards Finalists: California Indie Booksellers Alliance


The California Independent Booksellers Alliance (CALIBA) announced the 2026 Golden Poppy Awards in recognition of the most distinguished books written and illustrated by creators who have made California their home. Committees for each category are made up of booksellers throughout the state tasked with developing a list of five finalists and one winner.

For the complete list in all categories, go here.

Here are the finalists in Mystery. Congratulations to all!

A Violent Masterpiece by Jordan Harper (Mulholland Books)
Get Lost by Justin Halpern (Cardinal)
The Cormorant Hunt by Michael Idov (Scribner)
The Tree of Light and Flowers by Thomas Perry (The Mysterious Press)
The Haul by Gary Phillips (Soho Crime)





Tuesday, September 8, 2026

Mysteries set during the Days of Awe: Rosh Hashanah through Yom Kippur

According to Jewish religion, the Days of Awe are the days between the beginning of the New Year (Rosh Hashana) and Yom Kippur. 
There are 10 days of repentance and renewal that begin at sunset on Rosh Hashanah and close with Yom Kippur, the Day of Atonement. Rosh Hashanah starts Friday night, but you'll have 10 days to read these books - or longer. LOL.

Yom Kippur, the Day of Atonement, is the holiest day in the Jewish calendar. That a murder would take place on Yom Kippur (or during the Days of Awe) runs counter to Jewish belief or action. Let's hope murders only take place in fiction!

Here's an updated short list of Mysteries that take place on Rosh Hashana, during the Days of Awe, and on Yom Kippur. As always, I welcome any additions to this list. May you be inscribed in the Book of Life for another year!

Mysteries set during the Days of Awe

Three Weeks in October by Yael Dayan
The Auschwitz Detective by Jonathan Dunsky
The Day of Atonement by Breck England
Hot Time: A Mystery by W. H. Flint

Days of Atonement by Michael Gregorio
The Yom Kippur Murder by Lee Harris
A Guide for the Perplexed by Dara Horn
Day of Atonement by Faye Kellerman
Saturday the Rabbi Went Hungry by Harry Kemelman
The Day of Atonement by David Liss
A Possibility of Violence by D.A. Mishani

Nights of Awe by Harri Nykanen
A Pain in the Tuchis by Mark Reutlinger
Yom Killer by Rabbi Ilene Schneider
Devil Among Us by Jack Winnick
Puppet by Eva Wiseman

Short Stories:  

Murder is no Mitzvah: Short Mysteries about Jewish Occasions
Mystery Midrash: An Anthology of Jewish Mystery & Detective Fiction, edited by Lawrence W. Raphael

Jewish Noir, edited by Kenneth Wishia
Jewish Noir II: Tales of Crime and Other Deeds, ed. by Kenneth Wishnia and Chantelle Aimee Osman

"The Lord is my Shamus" by Barb Goffman 

Children's Books

Pinky Blog and the Case of the Silent Shofar by Judy Press and Erica-Jane Waters

Young Adult

The Renegade Reporters by Elisa Brent Weissman

Non-Fiction

Family Blood: The True Story of the Yom Kippur Murders by Mr. Marvin J. Elf and Mr. Larry Attebery


May you be inscribed in the Book of Life for another year! And, may we have Peace in the World!

Friday, September 4, 2026

LABOR DAY AND LABOR UNION MYSTERIES: Updated Lists


Labor Day Weekend! With the holiday weekend beginning, I give you my updated lists of Mysteries that take place during the holiday weekend, as well as Labor Union Mysteries. These lists are quite expanded since last year, but I appreciate any updates. 

LABOR DAY CRIME FICTION

Susan Wittig Albert's The Darling Dahlias
Sandra Balzo's Running on Empty
Laurien Berenson's Peg and Rose Play the Ponies
Nancy Coco's Forever Fudge
Carrie Doyle's Death on Bull Path
Seraphina Nova Glass's Too Close to Home
Rachel Howell Hall's City of Saviors
Lee Harris's Labor Day Murder
Tonya Kappas's Forests, Fishing, & Forgery
Gilly Macmillan's The Long Weekend
Meg Macy's Bearly Departed
Sharyn McCrumb's Highland Laddie Gone
Korina Moss's Fondue or Die
Emma Rosenblum's Bad Summer People
Daphne Silver's The Tell-Tale Homicide

There's also the short story "Labor Day" by R.T. Lawton in Alfred Hitchcock Mystery Magazine. 

There are a few other "Summertime Mysteries" that take place Labor Day, but not as the main theme.

Labor Unions, on the other hand, are rife with settings and situations for crime fiction. This is an UPDATED Crime Fiction list involving Labor Unions with links to two great articles. Please let me know any books that should be added to this list.

LABOR UNION CRIME FICTION

The Knife Behind You by James Benet (Department Store Union Organizer)
For the Love of Mike by Rhys Bowen (Garment Workers Union)
White Hot by Sandra Brown (Labor Dispute)
Big Boned by Meg Cabot (Graduate Student Union)
Double Indemnity by James M. Cain (Insurance)
All Men Fear Me by Donis Casey (IWW)
Beneath It All by Lee Conrad

Cactus Blood by Lucha Corpi (Farm Workers' Union)
Airframe by Michael Crichton (Union Trouble)
Red Herring by Jonothan Cullinane (Waterfront Strike)- coming out this Fall
The Valley of Fear by Arthur Conan Doyle (Union Group called the Scowrers)
Third Strike by Philip Craig and William Tapply (Steamship Authority Strike)
Murder in Burnt Orange by Jeanne M. Dams

October Heat by Gordon DeMarco (1934 San Francisco General Strike-Longshoremen)
Valley of Fear by Arthur Conan Doyle (The Scowrers)
The Bramble Bush (aka Worse than Murder) by David Duncan (San Francisco General Strike)
American Tabloid by James Ellroy (Teamsters)
LA Quartet by James Ellroy (Movie Unions)
The Man Who Changed Colors by Bill Fletcher Jr. (investigative reporter -shipyards)

A Place Called Freedom by Ken Follett (Coal Mines)
The Peripheral Son by Dorien Gray
Dead Reckoning by Patricia Hall (Union Strike)
Red Harvest by Dashiell Hammett (IWW organizer & Copper Workers; Strike Breaking)

"Busting Red Heads" by Richard Helms in EQMM (short story)
A More Perfect Union by J.A. Jance (Iron Workers' Union)
As Dead As it Gets by Cady Kalian (Creative Artists' Union)
Forests Fishing ad Forgery by Tonya Kappes

The Longer the Thread by Emma Lathen (Garment Workers)
Death at the Old Hotel by Con Lehane (Hotel Workers' Union); Murder in the Taxi Drivers' Union
The Given Day by Dennis Lehane (Police Union)
Through a Glass Darkly by Donna Leon (Unsafe environmental pollution in Venetian glass factories effecting workers) 

Black Water Rising by Attica Locke (Long Shoremen's Union)
Deadly Dues by Lulu Malone (Actors' Union)
Stiff by Shane Maloney (Meat Packing)
Lorraine Connection by Dominique Manotti  (Union rep in Cathode-ray Tube industry)
Champawat by Lia Matera A Novella in Ellery Queen Mystery Magazine (Labor Unions & the Clash between Anarchists & Democrats)
Organize or Die! by Laura McClure (Union organizing)
Conferences are Murder by Val McDermid (Journalists' Union); Darker Domain (UK Miners Strike)
A Sense of Entitlement by Clara McKenna

Death at Pullman by Frances McNamara (American Railway Union)
Violation of Trust by Hugo D. Menendez
The Viewless Winds by Murray Morgan (Murder of a Labor Leader's wife)
A Red Death by Walter Mosley (Aircraft Manufacturer and Labor Union organizer)
Blanche on the Lam by Barbara Neely (Domestic Workers)
The Thursday Murder Club Series by Richard Osman (Ron uses his union organizing skills to solve murders)
Indemnity Only by Sara Paretsky
The Union by Peter David Perry

Mr Campion's Fault by Mike Ripley (Mineworkers)
Death and Blintzes by Dorothy and Sidney Rosen (Garment Workers Union)
A Bitter Feast by S. J. Rozan (Restaurant Workers' Union)

Waterfront by Budd Schulberg
Some Cuts Never Heal, All Bleeding Stops Eventually, One Foot in the Grave, This Won't Hurt a Bit and others (The Shop Steward Series) by Timothy Sheard (Shop Steward)
Judas Incorporated by "Kurt Steel" (Rudolf Kagey) (Pro-Union)
The Big Both Ways by John Straley (Lumber)
The Labor Union Murder aka Fourth of July Picnic by Rex Stout (novella)
The Guernica Project by Glenn A. Sunness

Absolute Rage by Robert K. Tanenbaum (Coal Miners' Union)

Fallout by Paul Thomas
The Porkchoppers, Yellow Dog Contract by Ross Thomas (Politics & Unions)
Union Jacked by Diane Vallere
Byline for the Dead by Ray Welling
Killy by Donald Westlake (Manufacturing Union)

Short Story: Richard Helms's Busting Red Heads (EQMM)

For further reading:

The Strange Connection Between Detective Fiction and Union Busting by Erica Eisen

Radical Noir: 26 Activist Crime Novels by Molly Odintz

Have a great Labor Day Weekend!


Wednesday, September 2, 2026

The Detection Club: A new Golden Age Mystery series


Britbox has announced a new detective drama, The Detection Club, a 10-part mystery series. It's just begun filming, so no news on when it will air, but the show looks very promising. As well as talented actors and writers, it has a terrific premise. Who doesn't love a golden age mystery? Hats off, too, to our friend Simon Brett for the original idea!

From Britbox:

Set against a backdrop of literary glamour, social change and deadly intrigue, The Detection Club follows the mysterious society formed by three of Britain's most celebrated crime writers Agatha Christie, Dorothy L. Sayers, and G.K. Chesterton, as they are drawn into a series of real-life murder investigations.

Produced by BBC Studios Drama Productions and filming across the West Midlands, The Detection Club stars Miles Jupp (Belgravia: The Next Chapter, Napoleon) as G.K. Chesterton, Bryony Hannah (Call the Midwife, Rivals) as Agatha Christie, Cara Theobold (Downton Abbey, The Syndicate) as Dorothy L. Sayers with Viraj Juneja (Little English, Get Duked!) as detective D.I. Greenway.

Created for television by Kit Lambert (Father Brown, Cooper & Fry, Whitstable Pearl) and based on an original idea by acclaimed author Simon Brett, the series, set in 1930s London, follows the legendary crime writers as they hone their craft within the hallowed walls of a secret London location. After receiving an invitation that leads them to their first real murder case, our famous trio work together to solve a series of exciting mysteries.

Their amateur sleuthing brings them into the path of D.I. Greenway, an out-of-his-depth young police detective whose determination to prove himself is both helped and hindered by our writers’ extraordinary instincts.
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THE ORIGINAL DETECTION CLUB: 
The Detection Club was formed in 1930 by a group of British mystery writers and still exists to this day. They meet up several times a year to socialize, compare notes and share ideas.  Historically, the Detection Club not only helped each other with technical aspects of their individual writings, but they also wrote a number of works together, with members of the club contributing one or more chapters in turn. G.K. Chesterton was the original president from 1930. Dorothy L. Sayers was President of the Detection Club from 1949 until 1957. She was followed by Agatha Christie who held the post until her death in 1976. 

Tuesday, September 1, 2026

The Art Heist: Guest Post by Claudia Hagadus Long


I have a really hard time killing anyone.

For a normal person, not being able to murder would be, well, expected. Or at least hoped for. But for a mystery writer, it’s a real challenge. 

Mysteries need a certain framework: there’s a killing. Dead people don’t tell tales (though as many forensic mysteries have taught us, their bodies do!) There’s a sleuth. If it’s a police procedural, we learn how a brilliant homicide detective solves the killing, against the interests of his department superior. If it’s a “retired, damaged cop/investigator/PI” we watch as the sleuth overcomes his or her personal demons to uncover Truth. And when it’s an amateur sleuth, we follow her through the unwilling stage, the compelling part, and the final-danger-discovery, to bring the malefactor to justice in time to feed her cat. 

But every one of those stories needs a body.

What’s a deeply empathetic mystery writer to do?

Enter the Art Heist. Art Heist mysteries are a hoot to write, and a pleasure to read. 

A heist mystery may have a body somewhere, but it’s the theft of the precious art object that starts the ball rolling. Something valuable, possibly well-known, certainly well-guarded, emphatically precious, is going to disappear. Sometimes, the plot allows us to side with the thief: maybe the object was originally theirs, or their people’s, and was taken unfairly or with malice. If the thief or thieves are charismatic enough, if the plan to steal the art is complex enough, and the current owner is on the wrong side of virtue, we root for the success of the heist. Think Oceans 11.

If the thief is a villain, though, then thwarting the theft, at great personal risk, or recovering the object after the theft, also with great personal danger, becomes the engine of the story. Justice still has to prevail and a real villain must be brought to justice.

All three of the Zara and Lilly adventures are heist mysteries. In Nine Tenths of the Law, Zara and Lilly chase a menorah, stolen from their mother in 1939 by the Nazis, through modern-day New York City. It had been shown at a museum, and before they could make a claim, it had disappeared. Zara and Lilly learned more about their mother’s past, and their own relationship, than they could ever have dreamed of in that chase. In Our Lying Kin, a vengeful thief seeks the recovery of the Archives of Degenerate Art, journals belonging to the Reich. 

In the newest Zara and Lilly adventure, Sisters at an Exhibition, a Caravaggio sketch is declared a fraud. 

Before the curator who authenticated it can defend her findings, the Caravaggio, and the curator, disappear. Zara and Lilly find themselves drawn into the chase, which takes them from San Francisco to New York City, and then to Alsace, France, where another story lies buried deep below a farmhouse that was burned to the ground during the War.

Is there humor? Well, Lilly never met a man—or a scam—that she didn’t at least wink at! And cynical, methodical Zara’s sarcastic tongue may get them in more trouble than they can handle. (Just wait until you read about the change in Zara’s hairstyle…) But interlaced with the humor, the heist and the hair, there is a twisted tale of a journal kept by the “children of the forest” (children, mostly boys, who hid in the forests to try to survive during World War II), the realities of rebuilding a life torn apart by loss, and the love that binds the sisters, no matter what their differences. 

Maybe with so much loss, there’s no need to have a murder. Certainly, there can be a mystery, and amateur sleuths, and a complex plot full of danger, without adding to the toll of bodies in literature. 

There’s even a cat.

Come for the art heist, stay for the family stories!
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Claudia Hagadus Long is a lawyer and bookstore owner in Calistoga, California. Her nine novels the Zara and Lilly mystery series, including SISTERS AT AN EXHIBITION (Sibylline Press) and NINE TENTHS OF THE LAW (Kasva Press); and the Simpato Mysteries, BEYOND A REASONABLE DUCK, TRUCK A DUCK, and MURDER WITHOUT A DUCK (Sibylline Press Digital First), humorous mysteries with cannabis-cookie-selling nuns and plenty of duck puns! www.claudiahlong.com