Showing posts with label Texas. Show all posts
Showing posts with label Texas. Show all posts

Tuesday, November 2, 2021

"Don't expect me to wear a dress." Guest Post by Kathryn Casey

Kathryn Casey: “Don’t expect me to wear a dress.”

“If you’re going to go for it, why not go for the best?” Marrie Aldridge told me. “I knew I could do the job.” 

I first met Marrie at her ranch outside San Antonio in 2008. At the time, I was a magazine writer and a true crime author. Marrie was a Texas Ranger, the first female Ranger in the elite organization’s storied history. When we got together that day, we’d talked about her career, her life. 

The reason for my visit wasn’t idle curiosity. I’d started writing a mystery, the first in my Sarah Armstrong Series, and I’d made my main character a Ranger. Decades writing about real murders, I’d had one foot in the criminal justice world for a very long time, much of it investigating sensational Texas murders. A Ranger as the protagonist seemed a perfect choice, because I didn’t want Sarah hemmed in by jurisdictions. I wanted her free to investigate a car theft ring in Abilene, a kidnapping in Dallas, a spate of drug cartel killings on the border, or a stalker in Texarkana. 

Since Rangers have state-wide authority, that fit the bill. But what did I know about being a Texas Ranger? 

To get ready, I’d hung out with Rangers in Company A, Houston, my hometown. But it was really Marrie I most wanted to talk to. Although women officers seem like the norm on TV, nationally they make up only 12 percent of officers. A woman Texas Ranger? Very rare. 

Recently, I reconnected with Marrie for this piece for Mystery Readers Journal. I’d been asked to write about how I came up with my character, and Marrie, of course, came to mind. She’s still living on her ranch, and it’s been thirteen years since she retired and took off her badge. That’s a long time, but her memories were vivid when I asked her about those early days, when she was the first woman to enter the most traditional of male worlds. 

Like all Texas Rangers, Marrie started as a state trooper. It was 1977, and there was a push underway to bring in more “minorities,” women and people of color. When she filed her application, there were only a handful – ten or less – female troopers in the state. 

One memorable occurrence was the day of her preemployment physical. The doctor walked into the exam room and asked, “Where’s the trooper applicant?” 

“I’m here,” she said, and he looked dumbfounded. 

It didn’t end there. Once hired, there were other hurdles. Marrie chuckles at the assumptions those in charge made about what it would be like to have a woman in their ranks. For instance, someone decided the semi-automatic the men carried wouldn’t be appropriate, and they issued Marrie a Colt. “They thought a Smith & Wesson would be too heavy for a woman,” she says. They also gave her a leather bag with a pocket for handcuffs. “Later, I gave it back to them—unused. I wasn’t carrying that ridiculous purse.” 

After nearly sixteen years as a trooper, all of it in the driver’s license division and working highway patrol, Marrie applied to the rangers. She’d wanted to for a couple of years, but she’d seen other women try and fail. But by 1993, she’d worked her way up to sergeant, and she felt confident that she’d proved her worth. When the news that she’d been accepted came, she truly made history. 

Yet again those around her seemed uncertain about how she would fit in. It still makes her laugh when she talks about how someone in the higher-ups thought that rather than a uniform like the men, she should wear a dress. “I said if that happens, I will quit,” she remembers. The idea died, and she ended up in the traditional starched shirt and slacks. “The only thing I changed was that I wore kind of a floppy bowtie, not the standard man’s tie. But I had no problem wearing the cowboy hat. When they questioned if I wanted to, I told them I look good in them.” 

Out on the job there were hurdles as well. In the beginning, the other rangers were told to watch their language around Marrie. Determined to be accepted as one of them, “I had to convince them that their words weren’t going to shock me. I’d heard them all before.” 

Gradually, the men relaxed around her. And when it came to her job, Marrie took on everything they gave her: crooked politicians, a triple murder case where they wrapped the bodies in a rug and burned it, the kidnapping of a five-day-old baby. And then there were the death investigations. “They called me the autopsy queen. I went to the first one, and I was fascinated. Pretty soon, I was going to them all.” 

What she was hooked on were the clues that came out in the morgues and how being on site and could speed up investigations. Those bodies incinerated in a rug? At the autopsy, Marrie recovered a charred envelope with a name and address on it, information that justified a search warrant and ultimately led to a conviction. There was the time the officers on the crime scene thought that a victim had been shot through the head, but during the autopsy a piece of plastic dropped onto the stainless-steel table—a chunk of a trigger guard. Marrie called the ranger in charge of the case and told him, “If you find a gun with a broken trigger guard, you may have your murder weapon.” 

He did, and it led to the killer. 

Ranger Marrie Aldridge loved her job, and she found it disappointing that few women followed in her footsteps. Rarely throughout her years on the force were there more than two or three women rangers at any one time. 

Why? When asked, Marrie gives it some thought. Ultimately, she speculates that some of the women who became rangers found it wasn’t a good fit. Rangering can be a hard life. On the road investigating cases for days at a time, called out in the middle of the night to a crime scene, covering multiple counties that spread for hundreds of miles; none of it melds easily with maintaining a relationship and raising children. “I lucked out because my husband was in law enforcement. He understood,” she says. “But that kind of schedule can be tough on a family.” 

Even in 2021, only four of the state’s 166 rangers are female. Yet some things have changed: for the first time, two of the women have climbed the ranks and become captains. 

Since my first meeting with Marrie, I’ve written four books in the Sarah Armstrong series, and I’m currently working on the fifth. I’ve never been sorry that I made my protagonist a Texas Ranger. It’s given me the latitude to have Sarah chase a serial killer from one end of the Lone Star State to the other. She’s investigated Big Thicket church burnings, a Houston child abduction, and the assassination of a Fort Worth doctor. In one book, she unraveled the twisted intentions of an aging oil man intent on leaving behind a legacy. 

“Looking back?” Marrie tells me, “I wouldn’t change a thing.” 

I have to agree.

***

Kathryn Casey is the creator of the Sarah Armstrong and Clara Jefferies mystery series. She’s also the author of eleven highly acclaimed true crime books. True crime matriarch Ann Rule called Casey, “One of the best.” And #1 NYTimes bestselling author Gregg Olsen has said, “Casey is a true crime great.” www.kathryncasey.com

Wednesday, October 6, 2021

LONE STAR MYSTERIES: MYSTERY READERS JOURNAL (37:3)

Mystery Readers Journal: Lone Star Mysteries (Volume 37:3// Fall 2021) is now available as PDF and hardcopy. If you're a PDF subscriber, you should have received download instructions. Hard copy subscription copies should arrive soon. PDF Contributor copies will go out shortly. Thanks to everyone who contributed to this issue.

Lone Star Mysteries

Volume 37, No. 3, Fall 2021

Buy this back issue! Available in hardcopy or as a downloadable PDF.

TABLE OF CONTENTS
ARTICLES

  • Welcome to Texas by Michael Bracken
  • Lone Star Dragnet—Joel McCrea as the Joe Friday of Texas by Jim Doherty
  • Watch Your Back: Bloody Mayhem Lurks Around the Corner in Small Texas Towns by D.L.S. Evatt
  • Texas, the Perfect Setting by Sandra Murphy
  • The Essential Western: The Searchers, Violence, Rescue, and Family by Jay Gertzman

AUTHOR! AUTHOR!

  • Texas History, Mystery, and Myth by Judy Alter
  • Five (and a Half) Reasons I Love Writing Texas Ranger Books with James Patterson by Andrew Bourelle
  • Strange Beginnings: Or My Week in Another World by Kathryn Casey
  • Frank Hamer, Gus Hachette, and Me by Jim Doherty
  • Growing Up in Freeport, Texas by Les Edgerton
  • Two for Texas by Elizabeth Elwood
  • Discovering West Texas—and the Importance of a Rand McNally Road Atlas by Tricia Fields
  • Two Sides of Texas by Kaye George
  • From Westerns to Mysteries by James J. Griffin
  • West Texas by Russell Hill
  • Thunder Road by Colin Holmes
  • Deep in the Heart… by Diane Kelly
  • Death in San Antonio: Mystery Short Stories by Gay Toltl Kinman
  • The Basis for The Bottoms by Joe R. Lansdale
  • Where Jack Ryan Meets Gus McCrae by Taylor Moore
  • An Eye of Texas by Josh Pachter
  • Alright, Alright, Alright: Why I Love Setting My Mystery Series in Texas by S.C. Perkins
  • Texas Wind Revisited by James Reasoner
  • Writing About the Texas Gulf Coast by Amber Royer
  • My Grandfather and Samuel Craddock by Terry Shames
  • Tracking the Manhunter: Frank Hamer, Texas Ranger by Gene Shelton
  • My First Time by Marilyn Todd
  • Writing a Story About Texas, Even If You Don’t Live Here by Teresa Trent
  • Texas: A State of Crime by Bev Vincent
  • Never Go to a Peach Festival with Phyllis Newsom by Livia J. Washburn
  • I’m From Texas, Did You Have to Ask? by Reavis Z. Wortham

COLUMNS

  • Mystery in Retrospect: Reviews by Lesa Holstine, Dru Ann Love, S. Lee Manning, L.J. Roberts, Lucinda Surber
  • Wearing the Cinco Peso Star by Jim Doherty
  • Just the Facts: A Ranger Hall of Fame by Jim Doherty (Online Only)
  • Children’s Hour: Texas Mysteries by Gay Toltl Kinman
  • In Short: The Private Eyes (and Others) of Texas by Marv Lachman
  • Texas True Crime by Cathy Pickens
  • From the Editor’s Desk by Janet A. Rudolph

***

SUBSCRIBE to Mysteries Readers Journal for 2021

Themes in 2021: History Mysteries 1; History Mysteries 2; Texas; Cold Cases. 

Themes in 2020: New England Mysteries; Art Mysteries; African Mysteries; Legal Mysterie

Call for articles: We're looking for reviews, articles, and Author! author! essays. Review: 50-150 words, articles, 500-1000 words. Author Essays: 500-1000 words, first person, upclose and personal about yourself, your books, and the "theme" connection. Deadline for Texas: July 20, 2021.  

Send queries to Janet Rudolph: janet @ mysteryreaders . org

Friday, July 9, 2021

Last Call for Articles: Texas Mysteries: Mystery Readers Journal: Articles, Reviews, Author Essays



LAST CALL FOR ARTICLES: Texas Mysteries:
 
Mystery Readers Journal (Volume 37: 3)

The next issue of Mystery Readers Journal will focus on Texas Mysteries. We're looking for Reviews, Articles, and Author! Author! essays.

Reviews: 50-250 words; Articles: 250-1000 words; Author! Author! essays: 500-1000 words.

Author Author! Essays are first person, about yourself, your books, and your unique take on "Texas Mysteries." Think of it as chatting with friends and other writers in the bar or cafe (or on Zoom) about your work and your 'Historical Mystery' connection. Add a title and 2-3 sentence bio/tagline.

Deadline: July 20, 2021

Here's a link to Mystery Readers Journal past themed issues.

Send to: Janet Rudolph, Editor. janet @ mysteryreaders.org

Please forward this request to anyone you think should be included.

Subscribe to Mystery Readers Journal. Themes in 2021 (Volume 37): History Mysteries 1; History Mysteries 2; Texas; and Cold Cases.

Friday, June 18, 2021

Call for Articles: Mysteries set in Texas: Mystery Readers Journal (37:3)



CALL FOR ARTICLES: Texas Mysteries:
 
Mystery Readers Journal (Volume 37: 1 & 2)

The next issue of Mystery Readers Journal will focus on Texas Mysteries. We're looking for Reviews, Articles, and Author! Author! essays.

Reviews: 50-250 words; Articles: 250-1000 words; Author! Author! essays: 500-1000 words.

Author Author! Essays are first person, about yourself, your books, and your unique take on "Texas Mysteries." Think of it as chatting with friends and other writers in the bar or cafe (or on Zoom) about your work and your 'Historical Mystery' connection. Add a title and 2-3 sentence bio/tagline.

Deadline: July 20, 2021

Here's a link to Mystery Readers Journal past themed issues.

Send to: Janet Rudolph, Editor. janet @ mysteryreaders.org

Please forward this request to anyone you think should be included.

Subscribe to Mystery Readers Journal. Themes in 2021 (Volume 37): History Mysteries 1; History Mysteries 2; Texas, and Cold Cases.

Monday, August 1, 2016

Camille Lerens: Guest post by Mark Pryor

Mark Pryor is the author of the Hugo Marston novels The Bookseller, The Crypt Thief, The Blood Promise, The Button Man, and The Reluctant Matador, and the stand-alone Hollow Man. He has also published the true-crime book As She Lay Sleeping. A native of Hertfordshire, England, he is an assistant district attorney in Austin, Texas, where he lives with his wife and three children. The Paris Librarian (Seventh Street Books) will be out August 9, 2016.

Mark Pryor:
Camille Lerens
 
The question has been posed to me in several ways, by numerous people, and with varying degrees of politeness: how and why did I create a transgender French police Lieutenant for my Hugo Marston series, and did doing so cause me any concerns?

Allow me to explain, using geraniums and pastries as props.

My first novel, The Bookseller, is set in Paris during the winter, and at one point my protagonist Hugo Marston is wandering the streets and enjoying the old buildings, appreciating the hotels with their window boxes that “spilled red geraniums.” Later in the story, Hugo takes a trip to the Pyrenees Mountains where he enjoys a nice meal followed by a crème patisserie layered with strawberries.

A year or two after the book came out, I received an email from a reader who said she’d enjoyed the story and characters very much, but she felt the need to point out two things: that geraniums don’t flower in the winter, and one can’t get strawberries in the Pyrenees in winter.

On that second point, I phoned my dear old mum who lives in the very village Hugo visited and asked whether that was true, whether she could get strawberries during winter.

“Can I buy strawberries here?” She was confused by the question. “Yes, but I’m sure it’d be easier for you to buy your own, rather than me send you some,” she said. “They’d be mushy by the time they got to Texas.”

“No, mum, I meant do they sell strawberries there in winter? If you want some, can you get them?”

“It’s not 1950 here, you know. Of course you can, they’re just a bit more expensive,” she said. “Why are you asking silly questions?”

I emailed my reader back and politely pointed out the availability of fresh fruit in the Pyrenees. Ever the gentleman, I declined to point out that many of the geraniums in Paris’s window boxes are fake. Pretty, but fake.

All of this is to say that I hesitated before I created the character of Camille Lerens because I knew that if I got her wrong, there would be consequences.

I hesitated a lot.

You see, there’s an old writers’ saw that says, “Write what you know.” It’s obviously a recommendation and not a rule but generally speaking it’s a good one. It doesn’t mean, by the way, that you should only write about things you already know. I take it to mean that if you can research a subject or visit a place to give your story authenticity, that’s just fine. Plastic flowers and strawberries in winter? Check.

But a transgender, black police woman ain’t no bowl of strawberries. Characters are people, not mere places or objects, and for a book to convince and charm its readers the characters have to be real. I didn’t want to create a character I couldn’t make real, I couldn’t do justice to. And on a topic like this, there was a lot of room to not just get it wrong but to get it insultingly wrong.

But I also wanted to create a book, or series of books, that reflect the changing world around us—I gave my first Paris detective a Spanish name, because Europe today is more of a melting pot than ever. I made Hugo’s first love interest a confident, professional woman because, as my mother pointed out, this isn’t the 1950s.

This wasn’t enough, though, because I realized that with just one exception, all of my major characters in that first book were middle-aged white guys. So sure, the characters themselves might seem real but they lived in a world that was pretty homogenous. Take a look around, I told myself, that world is long gone. And yet I stuffed my book with… middle-aged white men.

Including the bad guy.

I introduced Camille Lerens in the third novel, The Blood Promise, after the untimely demise of her colleague (no names, no spoilers, but I’ll admit I even surprised myself!). Right there and then it seemed like a good time to change things up a little. We hear about the need for diversity a lot in today’s world and I agree that it’s important. Important in books, too, and by bringing Camille into that novel I now have wonderful dose of diversity for the series. But why specifically her, the way she is?

There’s a reason, sure enough. You see, the older I get, the more keenly I become aware of how lucky I am. With my writing career, my legal career, with my family and friends. Sure, I worked hard to get here but I’ve had help along the way. And there’s one thing I’ve not had to deal with, ever: discrimination. (Apart from the time a criminal defense lawyer filed a motion to prevent me using my English accent in trial! (http://www.daconfidential.com/2009/10/i-say-tom-ah-to-you-try-to-stop-me.html.))

The combination of good fortune and my realization that others aren’t as lucky have combined for the past fifteen years or so to make me strive to understand people who are different, either through choice or by dint of nature. I’m as straight as an arrow but I’ll fight for anyone in the LGBT community. I’m as white as snow, but heaven help you if you utter racist slurs in my presence.

Which is all to say that writing Camille Lerens is a way to understand a different world view. To explore it. For me, yes, but also a way to subject my other cis-gendered characters to someone different from them. And this isn’t a purely political exercise, not at all. In every book I strive to put my protagonist Hugo in situations that test him in one way or another. Maybe physically, maybe mentally, maybe emotionally. For a straight Texas male to come across, and have to work with, a black transgender cop was a reminder to him, as well as to me and my readers, that the world is changing in wonderful ways and welcoming that change moves us all forward.

In talks and at book signings I often describe Hugo as a “fish out of water,” a cowboy-boot wearing Texas lawman on the streets of Paris. And any story is enhanced, I think, by that concept of a character not just fighting the bad guys but fighting a part of himself, striving to find himself in his new location. Camille Lerens was a fish out of water for much of her life, right up until she was able to live as herself, realize her true self. I like that she can do that on the pages of my books, with good people like Hugo, Tom, and Claudia to support her.

Not that she should get comfortable.

Camille’s predecessor learned that in crime fiction anything can happen at any time, which means that no one is ever completely safe from the knife or the bullet. Oh no, because as much fun as I have with my gaggle of good guys, I really love dreaming up the wicked characters and when it comes to carrying out their evils deeds, Hugo, Tom, and Camille need to understand that they don’t discriminate either.

Wednesday, June 29, 2016

Literary Salon Wednesday, July 6: Bill Crider

Join Mystery Readers NorCal for an afternoon Literary Salon with award winning Texas author Bill Crider. A prolific writer, Bill Crider has been an Edgar Award Nominee, a Two-time Anthony Award Winner, and a Derringer Award Winner.

Bill Crider has written over 75 novels. He is the author of the Professor Sally Good series, the Carl Burns mysteries, the Sheriff Dan Rhodes series, the Truman Smith PI series, and  three books in the Stone: M.I.A. Hunter series under the pseudonym "Jack Buchanan." He has also written stand-alone mystery and suspense novels, as well as Westerns, Horror, Short Stories, and books for Young Readers.

Bill Crider is a native Texan who’s lived in that state all his life. He’s been reading, writing, and collecting mystery and western fiction for most of that time. He received a PhD from The University of Texas at Austin, where he wrote his dissertation on Dashiell Hammett, Raymond Chandler, and Ross MacDonald. He taught both high school and college before his retirement, and he combined his teaching career with his writing career, publishing more than 75 novels and an equal number of short stories. He’s best known for the Sheriff Dan Rhodes series, which features a sheriff in a small Texas county. Though contemporary in setting, the Sheriff Rhodes books have many of the qualities of the classic western.

Crider is also a fan. He has contributed to fanzines for decades, has been to just about every Bouchercon, publishes a daily Blog about Pop Culture, watches and enjoys noir and Western films, and so much more.  He recently took in three rambunctious kittens aka The VBKs (the Very Bad Kittens). You can follow their antics on his Facebook page.

And, did I mention he's a nice guy!

I'm thrilled that he'll be in Berkeley for a Literary Salon next week!

Wednesday, July 6, Berkeley, California, 3 p.m.
Please RSVP for directions and to attend. Make a comment below with your email address.