Showing posts with label Liam McIlvanney. Show all posts
Showing posts with label Liam McIlvanney. Show all posts

Friday, September 21, 2018

LIAM MCILVANNEY wins Scottish Crime Book of the Year

From the BBC:

Writer Liam McIlvanney has won the 2018 McIlvanney Prize for the crime book of the year at the Bloody Scotland festival in Stirling. 

His book, The Quaker, was described by judges as the standout winner of this year's competition. The prize was renamed two years ago in memory of Liam's father and author, William McIlvanney. Last year's winner was Denise Mina for her book, The Long Drop. 

Among the judges for this year's competition was comedian and television presenter Susan Calman. She said: "The Quaker is one of those novels that, as soon as I finished it, I looked forward to reading it again. "Not only did I love the evocative recreation of Glasgow, but the characters created were refreshing and surprising. It was such a pleasure to read." 

Previous recipients of the prize have included Chris Brookmyre with Black Widow in 2016, Craig Russell with The Ghosts of Altona in 2015 and Peter May with Entry Island in 2014.

Saturday, August 30, 2014

NGAIO MARSH AWARD WINNER

News just in! Thanks to Craig Sisterson for all he does for New Zealand Crime Writers. 

Liam McIlvanney has won the prestigious Ngaio Marsh Award for Best Crime Novel for Where the Dead Men Go!

Dunedin-based McIlvanney was announced as the winner, for his “fascinating, brilliant, and challenging” novel WHERE THE DEAD MEN GO, before a packed house at the conclusion of the lively Great New Zealand Crime Debate event at the WORD Christchurch Writers & Readers Festival on Saturday 30 August. “In a year where we had our strongest, deepest, and most diverse long list ever, and four truly fantastic finalists, WHERE THE DEAD MEN GO got the nod for its terrific, page-turning storytelling powered by superb prose, fascinating characters, and an evocative sense of place,” said Judging Convenor Craig Sisterson. “It’s the kind of book that lingers in your mind beyond the final page.”

In WHERE THE DEAD MEN GO, Glasgow stands on the precipice: of the Commonwealth Games, a national vote on Scottish independence, and an explosive rekindling of a brutal gangland war. Gerry Conway is a jaded, jobbing journo, the golden child fallen, clinging to the coat-tails of his former protégé, Martin Moir. When Moir’s body is discovered as a big story breaks, Conway steps into his shoes; a very dangerous place, as gangsters, politicians, and other predators swirl around.

The judging panel, consisting of crime fiction experts from New Zealand, Australia, and the United States, called WHERE THE DEAD MEN GO “a thought-provoking novel with very real characters and a fascinating, complex plot”. McIlvanney puts a lot into this book: the state of the news media, what it takes to be a good reporter, politics, family life, and even a New Zealand connection, said one judge. “Excellent writing makes it all fit together very nicely indeed.” Conway was described by the judges as “an unlikely hero perhaps, as the mainstream media around the world are going down the gurgler… he keeps digging away like a real reporter should, even when his bosses are less than supportive.”

The Ngaio Marsh Award for Best Crime Novel, established in 2010, is named for Dame Ngaio Marsh, who is renowned worldwide as one of the four Queens of Crime of the Golden Age of Detective Fiction. Dame Ngaio published 32 novels featuring Inspector Roderick Alleyn between 1934 and her death in 1982. With sales in the millions, and her books still in print to this day, Dame Ngaio is one of New Zealand’s most successful authors in history. Dame Ngaio’s closest living relative, John Dacres-Manning, gave his blessing for the New Zealand crime writing award to be named in her honour, saying that “I know that Dame Ngaio would be so proud… to know that her name is associated with the award”.

In addition to the award itself, McIlvanney wins a set of Dame Ngaio’s novels, courtesy of HarperCollins, and a cheque for $1,000 from the Christchurch Writers’ Festival Trust.