Showing posts with label Cozies. Show all posts
Showing posts with label Cozies. Show all posts

Friday, May 14, 2021

COZY CON 2021: May 15

Cozy Con 2021! May 15

Scrawl Books Hosts Cozy Con! 

Cozy Mystery authors from across the country will gather virtually to talk books, murder, mystery, cooking, and all things "cozy" with their fans. Don't miss your opportunity to hear about new books in popular series, new debuts, and new authors. 
 
12:00 pm: Cozy Con kicks off with a Cozy Cooking session! Author Libby Klein invites readers into the kitchen to cook with her. Join for an interactive kitchen session with one of our favorite authors!

12:20: Cozy Trivia with Darci Hannah and Melissa Bourbon. They will talk about their new books and lead us in a great game of Cozy Trivia. (PRIZES!)

12:40: From Crypt Suzette to Deputy Donuts, food plays a big role in Cozy Mysteries!  Join Maya Corrigan and Ginger Bolton to find out how our authors make it work and how many taste tests they need to take to find the perfect food to complete the perfect crime!

1:00 PM - BREAK

1:30: It's 5:00 o'clock somewhere! Cozy Author Sherry Harris teaches us how to make a cozy cocktail to sip on when it's Time to Swill!

1:50: Keep that cocktail in hand to chat with Team Hollis! Brother and sister writing duo Rick Copp and Holly Simason aka Lee Hollis talk about the food, drink and murder!

2:20: The Cozy Con finale!  Wrapping up our day with Sarah Fox, Cheryl Hollon and Krista Davis lead us in a fun game of Cozy Family Feud!

RSVP to receive the link to the event:

https://www.scrawlbooks.com/rsvp-receive-link-event

Tuesday, January 5, 2021

A TIME FOR COZIES: Guest Post by Clea Simon

Clea Simon:

A Time for Cozies 

Now that the holidays are well and truly over, winter is really here – as harsh as a “Game of Thrones” nightmare. Not only are the days short and cold, between the pandemic and the ongoing political rancor, I cannot remember a darker, or scarier, era. Which makes this the perfect season for a cozy, right? 

I know the arguments. The arts – including fiction – should reflect the era. Artists should mine the zeitgeist for meaning to help us understand our conflicts and travails. And I do believe there will be time for that in coming years. (Full disclosure, I’ve got a post-pandemic short story, featuring a woman whose life has been permanently changed by the extended lockdown, in Masthead: Best New England Crime Stories.)

I tend to read all over the spectrum. Only two years ago, I was entranced by Karen Thompson Walker’s The Dreamers, a novel about a strange plague that caused people to fall into a deep, coma-like sleep. Some woke up, others did not, and the reactions of both those affected and the government made for intriguing drama. But just as I don’t believe in hitting myself over the head every time I forget how horrible things are out there, I also don’t think such dystopian books are what I want to read right now. 

I suspect I’m not alone. When I tell people that my latest – A Cat on the Case – is a cozy (a feline cozy, no less), increasingly they sound relieved. Whereas, in better times, when I’d mention my kitty-centered books at, say, a cocktail party, I’d expect to see smiles start to freeze or eyes drift over my shoulder in search of a more interesting guest, these days it’s just the opposite. Maybe it’s because these parties are on Zoom now, but increasingly I’m seeing people light up, smiles appearing on mask-less faces. Actual cheer. 

“Cat mysteries?” Even newcomers to the genre sound intrigued. “Do the cats solve the mysteries?” 

“Well, yes and no,” I explain. At which point, I tend to go off into the intricacies of my fictional world, in which my three witch cats are in fact the ones who do much of the sleuthing but who are also all very aware that their decidedly un-magical human thinks she’s the one in charge. More often than not, Thisbe has joined me by this point – prompting pets being picked up and displayed on other screens, and sometimes sitting on the keyboards. And just like that, we’re all distracted – thinking not of the cold, cruel world outside but the pups and pusses we love, or the ones we visit remotely as they sniff our screens. If I’m still talking about my books at all, at this point I’ll point out that they’re puzzle mysteries – the kind of adventure that engages the reader, providing the kind of agency that we’re feeling the lack of in reality. That they have happy endings is a given, but sometimes I bring that up too – because we need happy endings right now. 

I like to think we’ll be seeing more of those beyond the pages of our books soon. Spring will come, and it seems like the end of this pandemic is in sight as well. But until those joyful days when we can gather, perhaps at a mystery con or even just a bookstore event, I think cozies fit the bill. If I can engage a reader, distract and amuse, then I’ve done my job. Right now, that’s what I’m looking for as reader, too.

***

Clea Simon’s latest, A Cat on the Case, will be published by Polis Books on Jan. 26. “Fans of feline cozies will be charmed,” says Publishers Weekly. Her previous “witch cat” books, A Spell of Murder and An Incantation of Cats, are available in all formats now, as are her more than two dozen other mysteries, most of which involve cats. Currently hunkered down in Somerville, Massachusetts, Clea can be reached at http://www.cleasimon.com

Tuesday, December 15, 2020

Chocolate Maker vs. Chocolatier: How Choosing a Protagonist’s Focus Changes the Parameters of Cozy: Guest Post by Amber Royer

AMBER ROYER:

Chocolate Maker vs. Chocolatier: How Choosing a Protagonist’s Focus Changes the Parameters of Cozy 

When you think of cozy mysteries set in a chocolate shop, you probably picture someone making bonbons and fudge, dipping candied oranges in coverture, and stacking toffee into glass cloches. These chocolatiers can be true artists, working with flavor, design and texture to create memorable experiences. And there are a number of excellent mystery series with chocolatiers at their centers. But when I decided to write a mystery about chocolate, I wanted to do something different. I wrote a science fiction trilogy about chocolate first, and while researching and publicizing those books, I met a number of people in the craft chocolate industry. These artisans have much in common with coffee roasters and wine makers. Many of them travel to the countries where chocolate is grown, or work with farmers to increase the quality of cacao beans. Chocolate makers often build or repair their own equipment, and some have developed the ability to judge bean roasts by smell alone. 

I chose a craft chocolate maker as my sleuth for the Bean to Bar Mysteries for several reasons. Obviously, I didn’t want to waste all that research. I’ve taken bean to bar chocolate making classes from some of the founders of the craft chocolate movement, winnowed cacao beans with a hairdryer on my patio, visited chocolate shops in multiple countries, taken a jeep down a dry-ish riverbed river to visit a cacao plantation, even started growing cacao trees as houseplants. 

But having a passion doesn’t make a good book – unless you have a protagonist who uses that passion to fulfill the needs of the plot. I needed this character to be a chocolate maker, because she has to feel a bit larger than life for some of the plots I have planned for later books – while at the same time being a 32-year-old widow who owns a lop-eared bunny and lives with her aunt and uncle. The drive to problem solve, and the innate taste for adventure I’ve seen in many of the real-world craft chocolate professionals I’ve interviewed seemed like a perfect fit. 

Every novel has a scope and a scale. Scope is the amount of time and space covered in a story. Scale is the magnitude of what is included (like the budget for a film – more characters, more settings = larger scale productions). Scale also includes the sweep – the grandness of the events at hand. In the cozy starring a character working in a shop, both of those elements are usually very small. Small scopes allow for a sense of intimacy, which is why the majority of these are written first person (the confessional voice, after all) and some of them are present tense (throwing the reader into the midst of the events). Limiting the number of settings and the size of the cast (at least as far as suspects) allows for a shorter book with a tighter focus. 

NOTE: With cozy series, there tend to be cameo appearances from characters that were important to earlier books who still live in the setting, but this doesn’t necessarily broaden the scale, as their stories have already been explored. 


I wanted to stick with a tight scope (most every book I’ve ever written takes place in less than a week), but I want to gradually broaden the scale. I tried to imply that with the plot of the first book, where the conflict turns out to be over more than a single murder. Almost immediately, Felicity finds herself teaming up with a guy who used to be private security to the stars – and who has a muddled past. As the series progresses, this is going to develop into larger scale conflicts, as his world starts colliding with hers – and she has to start making decisions about the scale of the world she’s prepared to live in. 

Several aspects of Felicity’s life make chocolate maker a better fit for her than chocolatier, because that different lens of looking at what chocolate is changes her way of looking at everything – and everyone. Her being a chocolate maker changes the parameters of what potential plots can fit into her ‘verse, because suddenly she’s dealing with import laws and international influences. It becomes a different KIND of cozy, than if she was ordering and working with pre-made chocolate. That difference is subtle in the first book, when she is still struggling with fitting back into the island community she left a decade before. But it will become more pronounced later on. 

The most important aspect of her character is her need for reinvention. Out of all the chocolate makers I’ve spoken with, not one of them said they grew up wanting to be Willie Wonka. This is a career that people fall into because something sparks a passion, and often they are giving up a career doing something only tangentially related. A number of the chocolate makers I’ve met started out as computer guys or engineers – so they geek out over the process or the machines. So it makes perfect sense to have Felicity give up a career as a physical therapist because she can’t stand being around people in pain due to her own grief – to turn to something that involves chemistry, which she excelled at in school, and also makes people happy. 

It has become a trope to have a cozy character returning home because of a job failure, often combined with a bad breakup. I wanted to step away from that, and explore other reasons for homecoming. Felicity’s move home doesn’t have failure at its root at all, but rather loss – her husband passed away, which prompts her move/career change. Which, ironically, gives her a less negative place to start from. This isn’t about re-building her self-esteem while others continually underestimate her (which is what the job loss trope lends itself to) – but rather, it is about her figuring out how to build a life that means something to her, since her compass has been stripped away. 

***

Amber Royer writes the CHOCOVERSE comic telenovela-style foodie-inspired space opera series, and the BEAN TO BAR MYSTERIES. She is also the author of STORY LIKE A JOURNALIST: A WORKBOOK FOR NOVELISTS, which boils down her writing knowledge into an actionable plan involving over 100 worksheets to build a comprehensive story plan for your novel. She blogs about creative writing technique and all things chocolate at www.amberroyer.com.