Showing posts with label Donna Andrews. Show all posts
Showing posts with label Donna Andrews. Show all posts

Tuesday, January 13, 2026

MWA 2026 Grand Masters, Raven, & Ellery Queen Award Recipients

Mystery Writers of America (MWA) announced the recipients of its special awards. The board chose Donna Andrews and Lee Child as the 2026 Grand Masters, the 2026 Raven Award recipient is Book Passage, and John Scognamiglio of Kensington Books will receive the Ellery Queen Award. They will accept their awards at the 80th Annual Edgar Awards Ceremony, which will be held April 29, 2026, at the Marriott Marquis Times Square in New York City.
 
“Donna Andrews has given us more than fifty novels, proving the cozy subgenre is more relevant than ever. In addition to her significant literary accomplishments, she has given back to the community in so many ways, by mentoring aspiring mystery writers, and serving as the MWA EVP. I’m thrilled to see Donna named as MWA Grand Master,” said MWA Executive Vice President James L’Etoile. “And Lee Child’s contributions to the genre are unparalleled. Aside from his thirty critically acclaimed novels featuring the iconic Jack Reacher, Lee Child is considered one of the most thoughtful and generous members of the mystery community. Writer, mentor, and Past President of MWA, he is a role model, and most deserving of being named MWA Grand Master.”
 
MWA’s Grand Master Award represents the pinnacle of achievement in mystery writing and was established to acknowledge important contributions to this genre, as well as for a body of work that is both significant and of consistent high quality. 
 
The Raven Award recognizes outstanding achievement in the mystery field outside the realm of creative writing. For 2026, Mystery Writers of America selected Book Passage in Corte Madera, CA.
 
Book Passage is honored and thrilled to receive the Raven Award from the Mystery Writers of America. Many of the 10,000 or more author events that we’ve had over the years have featured mystery writers. During the last 30 years or so, many of these writers have given of their time to participate in our annual Mystery Writers Conference and have helped nurture new writers towards successful careers,” Book Passage founder and president Elaine Petrocelli said. “We’ve found mystery writers to be resourceful, fearless, and ingenious in describing the problems of the world. More than that, they know how to keep their portrayal of the dark side of humanity on the written page. In person, they are wonderful, personable, and a pleasure to be around.” 
 
The Ellery Queen Award was established in 1983 to honor “outstanding writing teams and outstanding people in the mystery-publishing industry.” This year the Board chose to honor John Scognamiglio of Kensington Books, who began his career 40 years ago as a file clerk in the Contracts Department at Simon & Schuster in 1986 while still a sophomore at New York University. He later moved to where he always wanted to be—editorial—and from 1989 to 1992, Scognamiglio worked as an assistant editor for S&S’s mass-market division, Pocket Books. In February 1992, he joined Kensington Publishing as an editor and he became Editor-in-Chief in 2005. He launched his own imprint, John Scognamiglio Books, at Kensington in 2017.  Among his authors are New York Times bestsellers Lisa Jackson, Joanne Fluke, Ellen Marie Wiseman and Leslie Meier. 

The Edgar Awards, or “Edgars,” as they are commonly known, are named after MWA’s patron saint Edgar Allan Poe and are presented to authors of distinguished work in various categories. MWA is the premier organization for mystery writers, professionals allied to the crime-writing field, aspiring crime writers, and those who are devoted to the genre. The organization encompasses some 3,000 members including authors of fiction and nonfiction books, screen and television writers, as well as publishers, editors, and literary agents. For more information on Mystery Writers of America, please visit the website: www.mysterywriters.org 

Friday, December 22, 2017

Christmas in January: Guest Post by Donna Andrews

Donna Andrews is the author of the Meg Langslow mysteries, including Stork Raving Mad and Swan for the Money. She has won the Agatha, Anthony, and Barry awards, a Romantic Times award for best first novel, and four Lefty and two Toby Bromberg Awards for funniest mystery. When not writing fiction, Andrews is a self-confessed nerd, rarely found away from her computer, unless she's messing in the garden.

Donna Andrews:
Christmas in January

So many Christmas projects to tackle! Planning the decorations, organizing the parties, thinking of appropriate presents, figuring out who to kill and where to hide the body.

Er . . . yes, hide the body. You did realize we were talking about a Christmas mystery, right? Not my actual real-life holiday, which rarely involves homicide. Maybe a few random homicidal urges if I have to hit the mall this time of year, but that's it.

How the Finch Stole Christmas is my fourth Christmas mystery, out of twenty-three books in the series. Why so many Christmas mysteries? Well, my publisher seems to like them—presumably because readers like and buy them. And my editor's big on Christmas in real life, which makes him a good person to have around when you're writing a Christmas mystery. I always imagine him standing over my shoulder jingling a set of sleigh bells while shouting “More tinsel! More carols! More snow! More mistletoe!”

But there's also the fact that Christmas is a particularly effective setting for a mystery. The whole point of a mystery, some say, is that the crime—usually, of course, a murder—rends the fabric of our society, and that watching the protagonist solve the crime gives us the satisfaction of seeing the fabric knit together again. And if a murder rends the social fabric at any time, how much more dramatic is the rending when it happens at Christmas, when most of us are trying so hard to make the holidays perfect, festive, and meaningful for ourselves, our families, and our friends.

In fact, one good thing about a Christmas mystery is that it gives Meg Langslow, my amateur detective, a whole new reason for sleuthing. I'm not big on amateur sleuths who dabble in crime-solving because they think it's fun. And there's a limit to how many times you can get away with your protagonist deciding “the police are idiots, so I have to solve it.” For me, the most effective reason for Meg to get involved is that one of her friends or family members is in danger—suspected of the crime, for example, or thought to be the killer's next possible victim. Meg respects the abilities and integrity of Chief Burke, Caerphilly's top law enforcement officer—but she also knows he's working with the limited resources of a small town police department. So if she thinks that there's a killer loose who might be targeting someone she loves . . . or if every day that passes brings more pain to someone who's under a cloud of suspicion . . . she'll get involved.

And in a Christmas mystery, she can have another compelling motive for involvement—the longer the crime goes unsolved, the more it spoils the festive season. In fact, saving Christmas isn't just a splendid reason for Meg to sleuth—the resulting time pressure adds greatly to the suspense and pacing that's essential for any mystery.

Of course, if you're setting a murder at Christmas, you have to be careful who your victim is. I got away with killing the guy playing Santa in Six Geese a-Slaying—but only because I made it clear he was the meanest, nastiest reprobate ever to don a white beard and grudgingly mutter “Ho, ho, ho!” As a general rule, I try not to kill nice people in my mysteries—or if I must, I try to do it offstage. Obnoxious people make much more satisfactory victims—particularly at Christmas time, when we even feel a little bit sorry for Scrooge, the Grinch, and Henry F. Potter (the curmudgeon who did his best to ruin George Bailey's life in It's a Wonderful Life). I'd tell you why the victim in How the Finch Stole Christmas is the right sort of person to knock off in a holiday mystery . . . but that would be a spoiler.

But the best things about setting a humorous mystery at Christmas? It's the perfect time of year for heart-warming stories . . . and also a season rich in comedy. The crazy or thoughtful things we do while seeking the perfect present for someone . . . the comic or dramatic adventures we have getting home for the holidays . . . the way a sad story of someone in need tugs harder on our heartstrings at Christmas, and makes us happier than ever when we find a way to help . . . things humorous and heartwarming are not only both on our mind at Christmas, but they're closer together—maybe even intertwined.

So perhaps it's not surprising that I'm now working on my fifth Christmas mystery. My publisher plans to have Lark! The Herald Angels Sing out in time for Christmas 2018. Which means I'm hard at work plotting another Yuletide adventure for Meg.

It also means that I'll still be writing about Christmas in January. Probably also in February. Everyone else will have put away their trees and ornaments and moved on to Valentine's Day, and I'll still be immersed in thoughts of Christmas pageants, stockings, carols, trees, decorations, presents . . .

Well, there are worse ways to spend the long cold winter. Here's to Christmas in January!