Film Noir Festival president Eddie Muller will be presenting films again at this year's TCM Classic Film Festival, April 28 – May 1.
Eddie will be introducing two FNF restorations, Los tallos amargos and Repeat Performance (1947). He will also be introducing Carl Reiner's comic valentine to film noir, Dead Men Don't Wear Plaid (1982). The film features a series of clips from famous film noirs, intercut with new footage of a hardboiled detective (Steve Martin) and a possible femme fatale (Rachel Ward) to form a new and suitably convoluted noir plot. The film was the last project of both costume designer Edith Head and composer Miklós Rózsa. Eddie will also be introducing a series of critically acclaimed sports films, including John Huston's Fat City (1972), based on Leonard Gardner's 1969 gut wrenching novel about small hall boxing.
This year's overarching theme is Moving Pictures, focusing on the films that, "bring us to tears, rouse us to action, inspire us, even project us to a higher plane." These films range from Carl Theodor Dreyer's silent classic The Passion of Joan of Arc (1928) accompanied by a live orchestra and vocalists performing Richard Einhorn's oratorio Voices of Light, a piece specifically written for this purpose in 1994, to John Singleton's heartbreaking Boyz in the Hood (1991), a semi-autobiographical depiction of African-American youths struggling with gang violence in South Central L.A., with a soundtrack of rap songs by Run-D.M.C., 2 Live Crew and Ice Cube reflective of the characters' lives.
Showing posts with label Film Noir Festival. Show all posts
Showing posts with label Film Noir Festival. Show all posts
Sunday, April 24, 2016
Friday, December 18, 2015
Film Noir Festival: The Art of Darkness, San Francisco
The 14th Annual San Francisco Film Noir Festival, January 22-31, 2016, The Castro Theatre, San Francisco
The most popular film noir festival in the world returns to San Francisco's majestic Castro Theatre for its 14th edition, January 22-31, 2016. Its timely theme, given the threat traditional arts face from the technology revolution and its skyrocketing living costs, is “The Art of Darkness”—a collection of 25 noir-stained films exploring the pressures, pitfalls, paranoia and pain of being an artist in an indifferent and often cruel world. This time the tortured protagonists aren't felons or fall guys, they're writers, painters, dancers, photographers, and musicians.
Some of the best art-flavored classic noirs will screen, including Nicholas Ray's In a Lonely Place and Fritz Lang's Scarlet Street. However, along with the traditional choices, we're including some unexpected selections. "We're expanding the limits of traditional noir to enhance this year's theme," said NOIR CITY producer, host and co-programmer Eddie Muller, “There's always been a dark side to the way The Arts are represented in film, and I thought it would be intriguing to include some unexpected films, like Love Me or Leave Me and Blow-Up, that have trace elements of noir in the way they explore the more treacherous aspects of creativity.”
Check here for Tickets and more.
The most popular film noir festival in the world returns to San Francisco's majestic Castro Theatre for its 14th edition, January 22-31, 2016. Its timely theme, given the threat traditional arts face from the technology revolution and its skyrocketing living costs, is “The Art of Darkness”—a collection of 25 noir-stained films exploring the pressures, pitfalls, paranoia and pain of being an artist in an indifferent and often cruel world. This time the tortured protagonists aren't felons or fall guys, they're writers, painters, dancers, photographers, and musicians.
Some of the best art-flavored classic noirs will screen, including Nicholas Ray's In a Lonely Place and Fritz Lang's Scarlet Street. However, along with the traditional choices, we're including some unexpected selections. "We're expanding the limits of traditional noir to enhance this year's theme," said NOIR CITY producer, host and co-programmer Eddie Muller, “There's always been a dark side to the way The Arts are represented in film, and I thought it would be intriguing to include some unexpected films, like Love Me or Leave Me and Blow-Up, that have trace elements of noir in the way they explore the more treacherous aspects of creativity.”
Check here for Tickets and more.
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