Showing posts with label Soho Press. Show all posts
Showing posts with label Soho Press. Show all posts

Saturday, July 29, 2023

SOHO CRIME PRESENTS: THE LINEUP -July 30


Be sure and register!!!

Wow! This is going to great  fun. Here's the 'skinny.'

SOHO CRIME'S new virtual author event series.
SOHO CRIME PRESENTS: THE LINEUP: a series of live conversations with Mystery & Thriller authors about their books—from new installments of fan-favorite series to captivating debuts. Attendees will have access to special signed editions, bookplates, or other select items available with the purchase of any featured book from their independent bookstore partner, Mystery to Me (quantity limited!)
For the first event: Sunday, July 30

Join authors Katharine Beutner (KILLINGLY), Naomi Hirahara (EVERGREEN), Sujata Massey (THE MISTRESS OF BHATIA HOUSE), and Nilima Rao, Writer (A DISAPPEARANCE IN FIJI) on July 30 @ 8PM ET for a conversation about Historical Mysteries moderated by NYTimes Bestselling author Cara Black.
Tune in to listen to your favorite authors for FREE and secure your copy of a limited item wherever you are. 
 
Register now and discover upcoming events at https://www.sohocrimelineup.com/

Tuesday, October 5, 2021

Who is Maud? Guest Post by Helene Tursten

Helene Tursten: Who is Maud? 

The first time Maud and I met was in the spring of 2011. During fall and winter I had a stressful schedule with tours, book fairs and the work on my new book. I was feeling pretty worn out as spring began. On a dreary Monday morning at the beginning of April, I looked at my calendar to see if there was anything special I had to do during the coming week. Then I saw the notice “deadline Christmas novella”. The date made me freeze. It was coming up in two days! I had completely forgotten my promise to contribute a short story for an upcoming Christmas anthology. When the first panic had subsided I said to myself, “you have written many short stories, both crime and ghost stories, so it won’t be a problem for you to put together a little Christmas novella”. 

Before I begin a new project I always think through what it should be about. When I have decided that, I continue with how I plan to build the story. Then comes research. If I am writing a novel it can take several months. 

It also takes time to turn a novella into a good story. Since the format is shorter, the story can’t be too complicated, which means that it doesn’t demand as much research. But it must always maintain a high quality, both when it comes to content and language. Therefore you must be very careful. The slightest mistake shows up much more in a short story than in a book of several hundred pages. In the book the mistakes can hide among the large amount of text. 

Now I only had two days to try to create a Christmas novella. There was no time for research, so I had to write it immediately. That shouldn’t be so difficult since at my age I had memories from at least fifty Christmasses. Full of optimism I sat down in my most comfortable armchair trying to come up with a good story. 

My head was empty. Totally empty! For the first time as an author I was hit with a case of total writer’s block. For several hours I sat in the chair and looked out at the large birch tree outside our house. It had leaves the size of mouse ears... Soon the new leaves would open up… No, concentrate! Forget spring and focus on Christmas! 

It was hopeless. My thoughts went in all directions. Christmas felt, mildly said, distant. Towards evening I tried to write down some different plots, but none were worth developing further. 

The night I slept badly. Santas, Chrietmas trees, decorations and shining eyes of children kept dancing inside my eyelids. Family holiday. Relatives that gather to celebrate Christmas, tensions that result in arguments and perhaps even murder. No! A used up theme that had often been filmed. 

Now I know! Christmas foods! You can poison it, Great idea, I thought, and fell contentedly asleep. When I awoke at dawn there was still nothing more than poisoned Christmas foods in my head. What was I to do with it? Sigh! 

The day dragged on. I had to think of something within a few hours. If no idea appeared I would have to contact the publisher and try to get a few days extension. Towards afternoon I made a cup of tea and went back to the armchair. The scent of the good Darjeeling tea at least gave me some comfort. When I had finished the tea I leaned back in the chair and tried to relax. 

Then she suddenly was standing right in front of me. 

A slim older lady with snow white hair in a smart updo. She was dressed in a stylishly cut medium blue dress and comfortable pumps. It was hard to make out her age. The look in her cold grey blue eyes was sharp. No sign of dementia there! Around her thin lips she had a look of discontent. 

“Why are you sitting there? Write about me”, she said. 

With a start I sat up in the chair. The lady was gone. 

It took me three hours to write “An Elderly Lady Seeks Peace at Christmastime”. The Usual Santas, Soho Crime, 2017. 

It was with an enormous feeling of relief that I sent the story to the publishing house. Inside myself I sent a grateful thought to the old lady who I had named Maud. How lucky that she showed up! The thought that we would see each other again never hit me. 

But we met again. Several times. The secretive, lonely old lady in the gigantic apartment fascinated not only me, but also my readers. More novellas followed, which now have been turned into two books. 

Who is Maud? Why did she become a murderer? Those are appropriate questions. One reason is probably because she has had a strenuous life with lots of responsibilities. After her father died she learned that his company had gone bankrupt. All that was left was the family’s large apartment. Maud was then eighteen and had just started her education to become a language teacher. The Second World War was raging in Europe and she had to care for her neurotic mother and her mentally ill sister. The mother died after two years and the sisters were alone in the big apartment. Because of the sister’s serious mental illness the two sisters lived very isolated. It was also very difficult to make ends meet. 

But that is not the whole explanation. Maud has a very special personality. She has always had difficulty with social contacts. Other people create problems for her. When a problem comes up that threatens her existence she solves it in her own way. 

Maud’s solution is to eliminate the person who she sees as a threat. It is not always that the victim dies, but they are always rendered harmless. 

Some critics have called Maud a serial killer, which she is absolutely not. She is not actively looking for victims, or a certain type of victims, has no rituals or sexual fantasies about them. She quite simply solves her problems with very coldblooded methods. 

But the answer to the question of who Maud is, I don’t think anyone can really provide.

***

Helene Tursten was a nurse and a dentist before she turned to writing. She is the author of the Irene Huss series, including Detective Inspector Huss, Night Rounds, Who Watcheth, and Protected by the Shadows; the Embla Nyström series; and the short story collection An Elderly Lady Is Up to No Good, which also features Maud. Her books have been translated into 25 languages and made into a television series. She was born in Gothenburg, Sweden, where she now lives with her husband.

***

Guest Post translated by Kerstin Trowbridge 

Friday, December 4, 2020

PETER LOVESEY 50th ANNIVERSARY GALA TODAY!


CELEBRATE 50 YEARS OF PETER LOVESEY'S CRIME FICTION

2020 marks the 50th anniversary of the publication of WOBBLE TO DEATH, Peter Lovesey's debut mystery

Join Murder by the Book and Soho Press in celebrating the Golden Anniversary of the Diamond Dagger Winner and MWA Grand Master with a virtual gala.

FRIDAY, DECEMBER 4: 7 p.m. EST  (4 p.m. PST)

Toastmakers include Louise Penny, Peter Robinson, Jeffery Deaver, Lawrence Block, and Cara Black. Peter Lovesey will announce the winner of the Peter Lovesey First Crime Novel Contest.

Event can be watched live on the Murder By The Book YouTube page, which can be found HERE.

When it’s time for the event to begin, you should be able to refresh the page until the live video shows up as a new post.

If you miss the beginning of the talk, as soon as it wraps up you can find it on Murder by the Book's YOUTUBE CHANNEL to watch from the beginning.

 

Sunday, November 11, 2018

Juris Jurjevics: R.I.P.

Juris Jurjevics, Publisher and Novelist, Dies at 75

From the New York Times:

Juris Jurjevics, a founder of Soho Press, an independent publisher that gambled on unsolicited manuscripts by emerging writers and produced serious novels and exotic crime stories, died on Wednesday in the Bronx. He was 75. The cause was heart disease. 

A Latvian-born refugee, Mr. Jurjevics (pronounced YUR-yeh-vitz) joined the publishing industry in 1968. He, Laura Chapman Hruska and her husband, Alan, founded Soho Press in 1986. 

“We want to publish the books that deserve to be published but that the bigger houses can’t afford to do,” Mr. Jurjevics told The New York Times at the time. Larger publishers needed to sell as many as 12,000 copies of a book just to break even, he said, but Soho, with lower overhead, could make a profit on sales of as few as 4,000. “Our ambitions,” he added, “are not to have a certain percentage of growth a year and not to be bought by anybody.” Soho, headquartered on Union Square in Manhattan, now publishes about 90 books a year under its imprints Soho Press, Soho Crime and Soho Teen. 

Mr. Jurjevics retired from Soho Press in 2006 to write full time. His first novel, The Trudeau Vector (2005), is a thriller that focuses on an American epidemiologist who travels to northern Canada, near the Arctic, to determine why scientists at a research center have mysteriously died. 

His Red Flags (2011) draws on his wartime experience in Vietnam, where an Army police officer finds himself in an American outpost seething with spies, South Vietnamese profiteers and battle-weary troops as Vietcong battalions prepare to descend from the hills.

Read more Here.


Tuesday, August 23, 2016

Understanding Over-Rice Dishes: Guest post by Ed Lin

Ed Lin is a journalist by training and an all-around stand-up kinda guy. He’s the author of several books: Ghost Month; Waylaid, his literary debut; and his Robert Chow crime series, set in 1970s Manhattan Chinatown: This Is a Bust, Snakes Can’t Run, and One Red Bastard. Lin, who is of Taiwanese and Chinese descent, is the first author to win three Asian American Literary Awards. Lin lives in New York with his wife, actress Cindy Cheung, and their son.

“Come for the exotic food and fascinating setting; stay for the characters.”
—The Boston Globe

Ed Lin:
Understanding Over-Rice Dishes

If you’re dining solo and looking for cheap eats in Chinatown, it’s a buyer’s market.

The sub-$6 meal in Manhattan’s enclave is ubiquitous, though one should be picky even at that price point.
Roast Pork, the Chinatown Happy Meal, $5.50

The bottom of the rung is the carton of streetcart noodles at $2 a pop. They are never really that good (noodles strewn across a hot grill tend to harden into plastic-sheathed wire) and are meant to satisfy a craving rather than hunger.

Instead, one should pay up the $5.95 or so for an over-rice dish, which many restaurants list on a separate section on the menu. For one thing, it allows one to have a meal while seated and for another thing, an over-rice dish is a solid meal.

The bonus is that there’s an endless variety, sometimes even more so than the offered entrees, and they accommodate all diets and allergies. Gluten-free, vegetarian, vegan, seafood only, no seafood, no problem. Every taste is accounted for except for those of people who don’t like white or brown rice. And if you don’t like rice, then get the hell out of Chinatown—now.

Also, never confuse over-rice dishes with fried rice. Fried rice is essentially leftovers thrown together in a wok and has its own charms, especially to those nursing hangovers. Over-rice dishes are single-portion meals.

I’ll tell you two of my favorites.

In the early 90s, my favorite bachelor meal was lemongrass chicken over broken rice at a Vietnamese restaurant that was run by ethnic Chinese. That sauce alone had a distinctive flavorpoint and yet hit several notes simultaneously like a two-handed piano chord: lemon, lime, mint, salt, chili, and scallion so fresh it nipped my tongue like a raw onion. The broken rice was a perfect vehicle to deliver the sauce since a rice grain broken in half has more surface area (and a larger interface through which to soak up sauce) than a single whole grain.

The chicken itself? I like to think of chicken as a good rhythm guitarist. Show up, play on the beat, have a meaty texture, never be cut and dried, and let the sauce/seasoning play lead.

I think fish sauce was in there, as well, and even though I’m allergic to all seafood (I break out), I still scraped it all up with the flat side of my fork.

Wait, you say, a fork? Yes, a fork! Chopsticks are for eating out of a bowl. Over-rice dishes are served on plates, so don’t reach for the chopsticks—grab a fork.

My other favorite over-rice dish is that Cantonese soul food, roast pork. Your typical Cantonese place has a number of meats hanging in the window. Make sure you get roast “pork” and not roast “pig.” The former is roasted with barbeque sauce and the latter is an entire pig roasted plain until the skin is crisp, similar to lechón. For the purposes of an over-rice dish (simple, tasty and filling), you will want the barbequed pork. The roast pig is best as an entree as it needs to have its profile filled out with added sauces and stewed vegetables. You start futzing with what needs to be added, it reminds me of the mid-80s, when people began walking around with portable equalizers to supposedly get better sound from their Walkmen. You want the best sound possible from your music? Stay at home and fire up your stereo system. You want to eat your roast pig properly? Bring out your friends and have a full meal with it.

I digress.

Roast pork, also known as char siu, with its sweet and tangy glaze, only needs the plainest of rice to complement it. The pleasant patches of fat in the meat nearly serve as the vegetable component to the dish by providing a contrast in texture.

In the late 90s, when I was working at a wire service on the 5pm-to-midnight shift, I would pick up a carton of roast pork over rice for $1.85 and head to the much-missed Music Palace movie theater for a double feature before work. They didn’t care if you brought in outside food, even though they certainly were no slouches with their own offerings, which included several different herbal iced teas, almond cookies and packages of dried squid.

I would chow away while watching Stephen Chow with the other working stiffs in the theater, which really brought home the original support base of over-rice dishes. They are inseparably a food of the working class, the people who didn’t have the time or money for otherwise eating out and worked odd-enough hours so they’d likely be eating alone.

While rice itself is a staple of the Chinese diet, one must also consider that when Chinese people try to go upscale, they eliminate it. The hoity-toitiest meals at weddings and other festivities are all meat and seafood dishes to show how prosperous the hosts are. Whenever I find myself at such functions, I always miss the rice. And my fork.

Monday, May 11, 2015

COLIN COTTERILL LITERARY SALON: Tuesday, May 26

Join Mystery Readers NorCal for an International Literary Salon with Colin Cotterill, author of Six and a Half Deadly Sins (Soho) and 9 previous books in the Dr. Siri Paiboun Series. All of the books are set in Laos.

Date: Tuesday, May 26, 2015, 7 p.m.
Location: Berkeley, CA (please leave a comment below with email for address)

Colin Cotterill lives in Thailand, where he teaches at the University. Collin Cotterill has received the Dilys Award and a Barry Award nomination. He was the 2011 Bouchercon International Guest of Honor. Colin is a great speaker with a wide range of interests.

Space limited. Please RSVP.

Monday, November 3, 2014

NOIR CON AWARDS

NoirCon took places this past weekend in Philadelphia.

Bronwen Hruska, Publisher at Soho Press received the Jay and Deen Kogan Award for Constant Excellence in the Field. "In recognition of her tireless dedication to the advancement of crime/mystery fiction as publisher of Soho Press." 

Fuminori Nakamura of Tokyo, Japan, received the David Goodis Award for excellence in writing.

The Czar of Noir, Eddie Muller, received the Anne Friedberg Award for his contribution to noir education and preservation.

Monday, July 29, 2013

Leighton Gage Obituary from SOHO Press

From Juliet Graves, Senior Editor, SOHO Press

I grieved to learn of the passing of Leighton Gage on Saturday, July 27th. I speak not only as his editor but on behalf of Soho Press, his publisher, and his Soho Crime confederates when I say we are bereft, both at the loss of the gentleman himself and at the reality that his last book will, indeed, be his last book. Each of Leighton’s six published novels—Blood of the Wicked, Buried Strangers, Dying Gasp, Every Bitter Thing, A Vine in the Blood, Perfect Hatred—have each been critical gems, and I am heartbroken to think that Leighton will not witness the critical reception of his forthcoming The Ways of Evil Men, which is due to be published in January 2014—I am certain it will be the warmest yet.

Leighton’s work is quite unlike anything else being written or published, and time will only prove its mettle. The novels—procedurals following a team of Brazilian federal police investigators under the phlegmatic command of Chief Inspector Mario Silva—are simultaneously taut and cinematic in their execution, noir confections of sharply drawn scenes and grisly ethical choices. I love them for their clever balance of thought-provoking social commentary and sheer entertainment. As Tom Nolan wrote in March 2012 in a Wall Street Journal piece on the entire Silva series, “Despite their social conscience and ambitious reach, there’s nothing stiff or programmatic about Mr. Gage’s lively, action-filled chronicles. They have finely sketched characters, vivid geographic detail and their own brutal sort of humor.” That vivid geographic detail is another very special feature of the books: Leighton takes the reader all over the massive country of Brazil and deep into its microcosms and remotest pockets in a way that only someone intimately and lovingly familiar with a subject can. His expertise allows him to offer the reader an immersive experience of something unfamiliar as well as a critical lens for observing our own respective societies—the noblest achievement, in my opinion, toward which modern fiction can aspire.

Leighton was a backbone of the crime fiction community as well as the Soho Crime family. A tireless author advocate with a powerful social media presence (he founded the blog Murder Is Everywhere, which is devoted to international crime fiction), Leighton was a mentor and friend to many authors at various stages in their careers. I only had the privilege of working with Leighton editorially on his three most recent books, and I am of heavy heart in acknowledging there will be no more, that we will not be toasting to his success at future crime conventions. On behalf of everyone at Soho, I extend our deepest condolences to Leighton’s lovely and gracious wife, Eide, and to the rest of his family.

In lieu of flowers, the family would truly appreciate donations to pancan.org, the Pancreatic Cancer Action Network.

Juliet Grames
Senior Editor, Soho Press