Showing posts with label Sujata Massey. Show all posts
Showing posts with label Sujata Massey. Show all posts

Saturday, July 29, 2023

SOHO CRIME PRESENTS: THE LINEUP -July 30


Be sure and register!!!

Wow! This is going to great  fun. Here's the 'skinny.'

SOHO CRIME'S new virtual author event series.
SOHO CRIME PRESENTS: THE LINEUP: a series of live conversations with Mystery & Thriller authors about their books—from new installments of fan-favorite series to captivating debuts. Attendees will have access to special signed editions, bookplates, or other select items available with the purchase of any featured book from their independent bookstore partner, Mystery to Me (quantity limited!)
For the first event: Sunday, July 30

Join authors Katharine Beutner (KILLINGLY), Naomi Hirahara (EVERGREEN), Sujata Massey (THE MISTRESS OF BHATIA HOUSE), and Nilima Rao, Writer (A DISAPPEARANCE IN FIJI) on July 30 @ 8PM ET for a conversation about Historical Mysteries moderated by NYTimes Bestselling author Cara Black.
Tune in to listen to your favorite authors for FREE and secure your copy of a limited item wherever you are. 
 
Register now and discover upcoming events at https://www.sohocrimelineup.com/

Thursday, June 13, 2019

HARPER LEE PRIZE FOR LEGAL FICTION FINALISTS: You can vote!

The Finalists for the 2019 Harper Lee Prize for Legal Fiction have been announced, and now readers will have a chance to weigh in. The books nominated for the ninth annual award are:

The Boat People by Sharon Bala
Class Action by Steven B. Frank
The Widows of Malabar Hill by Sujata Massey

Vote HERE:
http://www.abajournal.com/polls/2019HarperLeePrize

From The ABAJournal
“This year’s Harper Lee Prize was particularly difficult to judge,” said Molly McDonough, editor and publisher of the ABA Journal. “We were evaluating so many gripping and compelling reads.”

The prize, which was authorized by the late Harper Lee, was established in 2011 by the University of Alabama Hugh F. Culverhouse Jr. School of Law and the ABA Journal to commemorate the 50th anniversary of the publication of To Kill a Mockingbird. It is given annually to a book-length work of fiction that best illuminates the role of lawyers in society and their power to effect change.

“The finalists represent the diversity of this year’s submissions, from a novel about Sri Lankan refugees seeking a new start, to the story of a trailblazing woman lawyer fighting for her clients in 1920s India, and finally a charming middle school book featuring a spunky student who goes to court after he’s suspended for protesting homework,” said McDonough. “The characters are as inspiring as they are engaging.”

The Harper Lee Prize for Legal Fiction will be awarded at an August ceremony at the Library of Congress in Washington, D.C., in conjunction with the National Book Festival. The winner will receive a copy of To Kill a Mockingbird signed by Harper Lee. The authors whose books have previously won the prize are John Grisham (in 2011 and 2014), Michael Connelly, Paul Goldstein, Deborah Johnson, Attica Locke, James Grippando and C. E. Tobisman.

Voting closes at 11:59 p.m. CT on Sunday, June 30.

VOTE HERE!
http://www.abajournal.com/polls/2019HarperLeePrize

Monday, January 15, 2018

Sujata Massey Literary Salon: January 29

Sujata Massey Literary Salon: 
An Evening in India
Monday, January 29, 7 p.m.  
Berkeley, CA

RSVP in a comment below for address and directions. Be sure and leave your email.

Join Mystery Readers NorCal for an evening with award winning mystery writer Sujata Massey in Berkeley.

Sujata Massey is the author of thirteen novels, two novellas, and numerous short stories. Her work is published in seventeen countries. Her novels have won the Agatha and Macavity awards and been finalists for the Edgar, Anthony, and Mary Higgins Clark prizes. Sujata writes a modern mystery series set in Japan starring the young female amateur sleuth Rei Shimura, and suspense and mystery fiction set in late British colonial India featuring different heroines. Her latest novel is The Widows of Malabar Hill.

Thursday, December 7, 2017

A Childhood Christmas in India: Guest Post by Sujata Massey

Sujata Massey is the Macavity and Agatha-winning author of many mystery novels. A childhood Christmas in India partially inspired her short mystery story in The Usual Santas: a Soho Collection of Soho Crime Christmas Capers. Sujata’s first historical mystery novel featuring Indian lawyer Perveen Mistry is titled The Widows of Malabar Hill and releases in January 2018.

Sujata Massey:
A Childhood Christmas in India

Just how far will Santa fly his sleigh? And will he cross borders of religion and nationality? I suspect this conversation goes on across the world in millions—if not billions--of homes. It happened for my sisters and me in 1973, when we were informed our upcoming holiday would be spent not in Minnesota but in Calcutta, India. Furthermore, we’d be staying in a Hindu monastery dedicated to disciples of Sri Ramakrishna, the patron saint of the Vedantic spiritual movement. Disclaimer: we were not going for reasons of religion, but for the reasonably priced guest rooms and a location within walking distance of our Indian relatives.

Calcutta, the base for my father’s family, was the first long stop on a three-month sabbatical trip to India. Missing Christmas wasn’t a huge deal for my father, who was a rational geophysicist and had grown up as a Hindu in India. My German mother, though, has Christmas in her DNA—and we’d inherited a love for chocolate, snow, decorated trees and the rest. My mother organized a small Christmas celebration before leaving for India, so we would be able to travel to India with new, unwrapped toys. I wasn’t quite a believer in Santa anymore, but I was trying hard for my sisters’ sake, and this early gifting just felt different.

I liked India right away—it was beautiful, warm, friendly. We hit it off with our relatives and were captivated by monkeys scampering through the streets, glittering stacks of bangles in the bazaar, and ice cream fantasies at the Kwality Café. However, our month-long stay at the Rama Krishna Mission, a monastery and learning center built in the 1930s, had its challenges.

First and foremost, this was a monastery dating from the waning years of the British Raj. It was meant as a peaceful home for devotees and scholars. Few children were staying on the premises, and there were constant calls for us to quiet our giggling and shouting. Of course there was no television; but I was an avid reader, and there was a small library onsite that we could use. We girls played independently throughout the mission’s courtyard and garden. The food wasn’t a hit: either plain Indian vegetarian fare or bland Anglo-Indian dishes. There were no holiday cookies, and certainly no Christmas trees.

A few days before Christmas, I took my sisters into the mission library and discovered an exciting-looking old book. It was printed in an elegant copperplate on delicate paper; I don’t remember the book’s theme, because I was quickly stopped from being allowed to check it out. A stern Canadian monk on duty chastised me for breaking the rules and leaving the children’s section.

From that point on, I was too humiliated to return to the library. All I had left to occupy myself was chasing after the monkeys who always jumped out of reach and recording the day’s events in my journal.

On Christmas Eve, my mother produced the same Christmas stockings from home and hung tinsel around the rooms that she’d found at a bazaar. My parents told us that in England, children hung stockings at the foot of their beds. India was occupied by the British until just a quarter century before our trip. Father Christmas—as they called him here--would find his way past the mission’s bougainvillea covered walls and through the tall shutters on the bedroom windows. But it would only happen if we went to bed, closed our eyes, and didn’t open them! 


I was already skeptical, and when I heard rustling in the darkness, I tried to see what was going on. But it was very dark, and the long mosquito net tucked around the bed barred me from getting out to investigate. Christmas morning, my stocking did hold something—a Five Star chocolate bar, wooden animals, colored pens and pencils, and some colorful bangles. At the breakfast table, my mother broke out a jar of Skippy Peanut Butter we didn’t know she’d brought, and we spread that thickly on toast. There were a few more gifts bought in India: pretty Indian clothes and Enid Blyton children’s novels. The monks wished us Happy Christmas and produced a fruitcake at tea time. Also, to our surprise, a family with two daughters in our age range checked in!

Decades later, I spent Christmas in Calcutta again, staying with relatives and with my six-month old daughter. This time, I saw more evidence of Christmas decoration in shops, though most people worked that day. On my walk to St. Paul’s cathedral, scores of beggars greeted me, for Christmas was known as the most generous day for giving. I wondered what Christmas was like during the British rule of India, and how people of various faiths—Hindu, Muslim, Zoroastrian, Jewish, Sikh—felt about the conquerer’s holiday.

 I revisited the idea of an old-fashioned Indian Christmas in my story, “Hairpin Holiday,” that appears in The Usual Santas, an anthology of stories by 18 Soho Press authors. My short mystery story is set in Bombay, which like Calcutta, had a grand, British department store. In Calcutta, that venue was Whiteaway’s, which is now Cottage Industries, a government-sponsored handicrafts store. In Mumbai, the former Army-Navy Store is now occupied over by an Indian retailer, Westside.

Last year, as I gazed at a family of mannequins dressed in trendy Indian clothing in the Army-Navy/Westside window last year, I imagined what the displays would have been like in 1921, when the department stores were mostly shopped in by the British and Anglo-Indians. I imagined a red-suited Father Christmas surrounded by glittering gifts. The lavish display would have satisfied nostalgic Britishers and intrigued Indian children, too. From there, my story was launched.

The story’s heroine is a 23-year-old Indian woman named Perveen Mistry with a giant challenge: she is the city’s first female lawyer, and she only has her job because her father hired her to join his practice. The Mistrys are Parsis, Indian-born followers of an ancient Persian religion known as Zoroastrians. While Parsis are a tiny minority within India, they make up one third of Bombay’s lawyers and served clients of all faiths. In Hairpin Holiday, she assists a Jewish hotel owner who’s frantic about a controversial spiritual leader staying in the hotel. The Widows of Malabar Hill, the first full-length Perveen Mistry novel, gives Perveen an opportunity to help three Muslim widows she thinks are at risk of losing everything. But while Perveen knows plenty about the law and how it affects women of all faiths, it turns out the widows teach her a lot about herself.

When I was spending my first months in India, I journaled almost every day. It was my first experience regularly writing. It seems sweetly ironic now that the child prohibited from reading old books about India wound up writing many such books later on.

Monday, December 15, 2014

Sujata Massey: The Kizuna Coast, Guest Post & Give-Away

Today I welcome mystery author Sujata Massey. Sujata was born in England to parents from India and Germany and grew up mostly in St. Paul, Minnesota. She holds a BA in Writing Seminars from Johns Hopkins University and started her working life as a features reporter for the Baltimore Evening Sun. After leaving the newspaper, she moved to Japan, where she studied Japanese, taught English and began writing her first novel, The Salaryman’s Wife. This novel became the first of many in the Rei Shimura mystery series, which has won Agatha and Macavity awards and been nominated for the Edgar, Anthony, and Mary Higgins Clark awards. Her August 2013 release, The Sleeping Dictionary, is a trade paperback with Simon & Schuster’s Gallery line, and also an audiobook published by Dreamscape. It’s the first in a series of historical suspense novels featuring Bengali women who each play a role in making modern India.

Sujata Massey's new book, The Kizuna Coast, comes out today, December 15,  as an Amazon release and March 15 as a worldwide, multi-bookstore, multiplatform release. It's a mystery set right after the 2011 tsunami, and is the 11th Rei Shimura mystery, the first one to be published since 2008.

GIVE AWAY! Sujata Massey is giving away two eBooks of The Kizuna Coast to Mystery Fanfare blog readers. Enter the drawing by December 21 by writing “Mystery Fanfare” in the subject line of your email message sent here. http://sujatamassey.com/contact/

SUJATA MASSEY:

I met my first mystery novel at age twelve. It was The Moonstone, a prescient holiday gift from my father. In the years since, I grew into my life as a mystery and historical fiction writer. Turning bits and pieces of my imagination into something others can read is a thrilling experience.

From 1997 to 2008, I wrote ten novels in an amateur sleuth series about a young Japanese-American antiques dealer. Twentysomething Rei Shimura left California to build a creative life in Tokyo; however, she kept stumbling upon the darnedest secrets. Due to Japan’s low crime rate, Rei’s mysteries involved very few guns, but did have a lot of art, sociology and romantic fun.

Then, in March, 2011, a 9.0 Richter earthquake occurred 200 miles from Sendai, Japan. A powerful shifting of plates under the Pacific built a lethal tsunami wave that hammered the northeastern Tohoku region. More than fifteen thousand people died in one afternoon. An estimated one million buildings suffered damage and hundreds of thousands of Tohoku residents became homeless. Historians declared this was the toughest time for Japan since World War II, and TV footage made it look as if the country had suffered an irreversible fall.

In the weeks after the tsunami, I tried to learn whether my Japanese friends’ families were safe and how people were coping with gasoline, electricity and food shortages. I also wondered if the light-hearted, beautiful world I’d written about could continue. The Rei books were already in hiatus. I wasn’t sure what to do.

So I did what a lot of other people did: I followed the news. I learned that even as the wave was approaching, police, medical personnel and municipal employees stayed in the danger zone to help fleeing people reach higher ground. After the waters had subsided, survivors assisted others, not talking about the losses they were going through. Fukushima nuclear plant workers stayed onsite to shut down the reactor. As the nuclear situation worsened with persistent fires, soldiers, sailors and firefighters came from all over Japan, risking their lives for the safety of the nation.

Kizuna, a uniquely Japanese word meaning “bonds of loving kindness,” was used to describe this selfless behavior toward others. And as I heard even more stories of bravery, self-sacrifice and kindness, I felt these events were worth recording somewhere beyond short news reports that I knew would trickle into nothing after a year. But I had some worries about writing a tsunami book.

My first concern was that the tragedy was still ongoing, if you counted the thousands mourning the dead and suffering from health problems and loss of their homes. I considered making up a fictitious earthquake hitting a different part of Japan. However, that didn’t seem like it would be any more sensitive to survivors’ feelings. It also wouldn’t satisfy my desire to credit the citizens of Tohoku for what they’d endured.

Ultimately, I decided to write about the real tsunami, deliberately setting the book in a fictitious town close to real places. I brought back the same characters my longtime readers know, and I introduced new people of all ages from Tohoku. As well as a dog! I incorporated scenes of stylish Tokyo trying to pull itself back on track, as well as the battered coast. I found myself moving between two worlds—just like my protagonist had always done.

And with her voice in my head, I began understanding that beauty endures. While I needed to describe the impact of millions of dead fish on a town, I also could note the Buddha statues placed respectfully by residents to overlook the shattered streets. In my mind’s eye I saw children happily playing on a jungle gym washed clean by their loving parents; and the pleasure shelter residents took sipping the first hot bowls of miso-vegetable stew.

By the time I’d finished writing The Kizuna Coast, I felt grateful for what the people of Tohoku had taught me. Just as I felt blessed by the power of fiction, which allows us all to take the long view past misery and onward to hope.

Sujata Massey: Japan in Snow

Monday, September 16, 2013

Sujata Massey: The Sleeping Dictionary

Today I welcome Sujata Massey. Sujata Massey was born in England to parents from India and Germany and grew up mostly in St. Paul, Minnesota. She holds a BA in Writing Seminars from Johns Hopkins University and started her working life as a features reporter for the Baltimore Evening Sun. After leaving the newspaper, she moved to Japan, where she studied Japanese, taught English and began writing her first novel, The Salaryman’s Wife. This novel became the first of many in the Rei Shimura mystery series, which has won Agatha and Macavity awards and been nominated for the Edgar, Anthony, and Mary Higgins Clark awards. Her August 2013 release, The Sleeping Dictionary, is a trade paperback with Simon & Schuster’s Gallery line, and also an audiobook published by Dreamscape. It’s the first in a series of historical suspense novels featuring Bengali women who each play a role in making modern India.

SUJATA MASSEY:

Right now, I’m traveling around launching my new book in five years: a 524-page historical fiction novel called The Sleeping Dictionary. And while I’m really happy to be in the position to finally sign the title page for whoever wants one, I’ve come up against an interesting moral question--where to have the booksignings.

After so many great experiences at independent mystery bookstores, launching with old friends is awfully tempting. But my new book is not a mystery. Would seeing this book on a store’s reading schedule, or finding it on a new books rack, perplex and annoy mystery readers?

Pat Frovarp and Gary Shulze at Once Upon a Crime in Minneapolis said: come back to us! Kathy and Tom at Mystery Loves Company Bookshop agreed: of course you’ll come down to Oxford. These bookstore friends reassured me that past readers would come to hear about the new book, which I like to call HER (History, Espionage and Romance). But that still leaves the larger question of whether mystery readers typically read fiction that doesn’t have crime in it.

I do see some overlap between history and mystery. Many of the best-loved books in the genre are set in the past. Usually these mysteries aren’t considered different enough to garner their own award categories, although the Malice Domestic mystery convention has created a new Agatha for historical fiction (the 2011 winner was Rhys Bowen for Naughty in Nice, set in 20s Europe). A delightful bookstore in Forest Park, IL, Centuries and Sleuths, carries books about history (fiction and non) as well as mystery. And the readers I’ve met there are among the knowledgeable you can find anywhere. Which reminds me of a crucial trait in mystery readers: we don’t like the books where we anticipate the outcome. We want to be surprised. And that’s probably why reading many different sources about one historical event fascinates me.

I’d always yearned to stretch my storytelling to India, a country I love every bit as much as Japan, but differently. My father is from India, and I’ve enjoyed five long visits there, my first occurring when I was nine years old and wrote in a travel diary.

Each time I’ve visited Calcutta over these three decades, the residential streets change, because a few 19th century buildings are felled for the sake of modern commerce. These places—the old bungalows of the British and the Indian intelligentsia—were elegant as palaces and the object of my endless fascination.

Of course my India book would be set in the past, to tell stories about the people who once lived within. I’d always wanted to delve deeper into the specifics of how the British felt losing the jewel in their crown, and to what lengths Indian freedom fighters would go despite the danger of their yearning for freedom. And what about the characters who rarely appeared in colonial novels—Indian women?

The setting of 1930s and ‘40s Bengal was so wide and grand—and actual events oof the time so compelling—to put one dead body in the middle of things was not compelling. There was so much death at that time, and with my story bracketed by a deadly cyclone, a rice famine and murderous riots, there were enough hurt people for me to worry about. Death was a part of life—yet I was intent on creating a story that was not a downer, but had the same kind of beauty and warmth that I feel whenever I’m in India.

 I still needed suspense, because I find it painful to read any book without an element of wonder or uncertainty—no matter what its genre. I strived to write a story that would make me breathless at the end of a chapter and ready to move onward. In the stacks of the British Library’s Asian and African Studies Reading Room, I was stunned to read recently declassified materials proving the existence of a secret spy unit within Calcutta’s Indian Civil Service branch. I’ll get revenge on you bastards, I thought, all the while taking careful notes.

Next I traveled to India, where after a great struggle I earned an admission card to the National Library of India’s newspaper archives in Calcutta. Here, in several newspaper articles in the Sunday ‘women’s pages,’ I found the voices of strong young Indian women breaking free from traditional roles to enter freedom fighting and politics. College girls raised money for the cause, smuggled arms, and even assassinated British officials. They even put on military uniforms and trained to fight the British-led Indian Army in World War II. It was much more than I’d imagined when I’d first dreamed up the project. But it was true.

This is why I like historical writing so much. The fabric of the past is often largely unknown. All that a writer needs to do is find a few sympathetic characters to bring a story to life. Like a good marriage, the two genres of mystery and history can coexist happily. For me, this is a real happy ending.