Cartoon of the Day: Writer

Anthony Awards

The Anthony Awards were presented yesterday at Bouchercon. Congratulations to all the winners and nominees. Great work all!!

BEST NOVEL A Trick of the Light by Louise Penny [Minotaur]

BEST FIRST NOVEL Learning to Swim by Sara J. Henry [Crown]

BEST PAPERBACK ORIGINAL Buffalo West Wing by Julie Hyzy [Berkley Prime Crime/Tekno]

BEST SHORT STORY "Disarming" by Dana Cameron, EQMM June'11

BEST CRITICAL NONFICTION WORK The Sookie Stackhouse Companion by Charlaine Harris, ed. [Ace]

Barry Awards

The Barry Awards were given out on Thursday night. Sorry for the delay. The awards are nominated by and voted on by subscribers to Deadly Pleasures Magazine.

Barry Awards

 

Best novel – The Keeper of Lost Causes (aka Mercy) by Jussi Adler Olsen

Best first novel – The Informationist by Taylor Stevens

Best British Novel – Dead Man’s Grip by Peter James

Best Paperback Original – Death of the Mantis by Michael Stanley

Best Thriller – The Informants by Thomas Perry

Best Short Story – The Gun Also Rises by Jeff Cohen

Don Sandstrom Fan Award was awarded to Allen J Hubin

Shamus Award Winners

The Private Eye Writers Association presented the Shamus Awards last night. With thanks to Ali Karim for the results..

Best Hardcover P.I. Novel:
A Bad Night’s Sleep, by Michael Wiley (Minotaur)

Best First P.I. Novel:
The Shortcut Man, by P.G. Sturges (Scribner)

Best Paperback Original P.I. Novel:
Fun & Games, by Duane Swierczynski (Mulholland)

Best P.I. Short Story:
“Who I Am,” by Michael Z. Lewin (Ellery Queen Mystery Magazine, December 2011)

The Hammer--a commendation celebrating a memorable private-eye character or series, and named after Mickey Spillane’s Mike Hammer--was presented to Nate Heller the character created by Max Allan Collins.

Macavity Award Winners!

Last night I presented the Macavity Award winners at the Rock and Roll Hall of Fame in Cleveland during Bouchercon, the World Mystery Convention.

Congratulations to all the Nominees and Winners.

And the winners are... Fanfare, please!

Best Mystery Novel:  Claire DeWitt and the City of the Dead by  Sara Gran

Best First Mystery Novel:  All Cry Chaos by Leonard Rosen

Best Mystery Related Non-Fiction:  The Sookie Stackhouse Companion, edited by Charlaine Harris

Best Mystery Short Story:  "Disarming" by  Dana Cameron

Sue Feder Memorial Historical Mystery:  Dandy Gilver and the Proper Treatment of Bloodstains by Catriona McPherson

Partners in Crime: Joanne Dobson & Beverle Graves Myers

Today I renew the Partners in Crime feature on Mystery Fanfare with this post by Joanne Dobson who writes with Beverle Graves Myers.

Joanne Dobson is the author with Beverle Graves Myers of Face of the Enemy: A New York Wartime Mystery. Joanne is also the author of the Professor Karen Pelletier mystery novels. Check out her website at: www.joannedobson.com

JOANNE DOBSON: NEW YORK IN WARTIME

When Bev Myers and I first considered writing a series of WWII mystery novels set in New York City, we had to ask: on America’s homefront, did even our largest city experience enough action, conflict, suspense and terror to make for compelling wartime stories? When it comes to WWII narrative, the great European cities—Berlin, Paris, Prague—had terror in spades. Nazi evil threatened personal safety and human decency at every turn, and no one knew whom to trust. In London, during the Blitz, bombs rained indiscriminately down from Luftwaffe planes, destroying homes, churches, schools, and killing men, women, and children. Life was precarious, tense, dangerous. The days were shadowed with fear, the nights, with dread.

Over there, people were desperate—scant food, no heat, homes destroyed. Nothing was certain; either their country had already been invaded, or could be at any moment. Treachery, betrayal, and disaster lurked around every corner. What more could a mystery novelist ask for? Conflict, danger, and uncertainty built right into the shared set of historical images that makes up our common story of the past. Popular history is a powerful thing, providing us with highly colored lenses through which we know the past—and through which readers read, supplying mood and image to supplement what might not appear on the page.

But, when we think of New York City during WW II, what springs to mind? The Stage Door Canteen, Liberty bonds, scrap drives, the Coney Island dim-out, rationing of sugar, coffee, cigarettes, and gasoline. The Greatest Generation: war bringing out the best in everyone. GI Joe and Rosie the Riveter. Brave men, resourceful women, and spunky girls drawing seams up the back of their legs once nylons became impossible to find.

In the current popular imagination, New York, safe on the far side of the vast Atlantic and thousands of miles from the Pacific theater, simply does not offer the same dramatic narrative opportunities as do other settings. What endures is the inspirational story Americans needed to hear during wartime: we were strong, we were brave, we were ingenious, we were moral. We could fight this war, and we could handle deprivation on the homefront. We were all those things. But what we weren’t—at least in New York, and, I suspect, in many other places in the nation—was safe and predictable and boring. Historical memory is a tricky thing.

 In actuality, WWII New York City was bursting with the stuff of narrative drama. The city was overrun with imperiled European refugees desperate for safety—royals, intellectuals, artists, scientists. U-boats lurked just offshore, even infiltrated New York harbor, attacking merchant ships and troop carriers, landing enemy saboteurs on Long Island. Profiteers and black marketers made fortunes exploiting wartime necessities, while neighbors scrutinized each other for signs of hoarding. Scientists worked on the top-secret Manhattan Project at Columbia University uptown and in office buildings downtown. The OSS recruited the city’s young men and women for training as spies and code breakers. G-men and the New York City police battled over jurisdiction in criminal cases. Even the Mafia got involved; with the U.S. Navy decimated, mob boats agreed to patrol the city’s waterfront against sabotage or possible U-boat attack.

Perhaps provoking the most dread was the possibility of aerial bombardment. Early on, our government announced that Hitler’s engineers were developing a long-range bomber that could possibly reach America’s East Coast—and that New York City would be the primary target. We know that the city was never bombed during the war, but they didn’t know it wouldn’t happen. In short, the stuff of narrative energy—anxiety, conflict, mystery, suspense, betrayal, and dread—abounded on this side of the Atlantic, as it did in Europe and elsewhere. New York had different stories than London or Paris or Manila, but, boy, did it have stories!

Did you know that on the night of December 7, 1941 and on into the next morning, the FBI pulled out the secret dossiers they’d been keeping on prominent New York residents of Japanese origin? In company with New York City police detectives, G-men prowled from household to household snatching up influential residents and taking them to detention on Ellis Island. No? You didn’t know that? Well, read FACE OF THE ENEMY (Poisoned Pen Press, September 2012), and meet Masako Fumi Oakley, celebrated avant garde artist and extremely convenient suspect, both of espionage and murder. Was Masako guilty? Or was she a victim of racial hysteria and paranoia?

And FACE is only the first of the compelling mysteries New York City has offered for our New York in Wartime series. Next, we tackle the re-e-e-al story behind the inferno that destroyed the French luxury liner, the Normandie, as it was being converted into an American troopship in its Hudson River pier at West 48th Street. Love and loss, secrets and betrayal, from Brooklyn to the Bronx. Maybe even some cannoli. You’re gonna love it!