Showing posts with label Non-Fiction. Show all posts
Showing posts with label Non-Fiction. Show all posts

Wednesday, October 22, 2025

HALLOWEEN NON-FICTION

Last year I added a list on Halloween Non-Fiction. Here's that updated list. Be sure and check out my 2025 Halloween Crime Fiction List, too.

Halloween Non-Fiction

Halloween Merrymaking: An Illustrated Celebration Of Fun, Food, And Frolics From Halloweens Past by Diane C. Arkins
Halloween: An American Holiday, an American History; Halloween Nation: Behind the Scene's of America's Fright Night by Lesley Pratt Bannatyne
Witches, Pumpkins, and Grinning Ghosts: The Story of the Halloween Symbols by Edna Barth, Illustrated by Ursula Arndt
Sundays with Vlad: From Pennsylvania to Transylvania, One Man’s Quest to Live in the World of the Undead by Paul Bibeau
October Dreams: A Celebration of Halloween edited by Richard Chizmar and Robert Moorish
The Pagan Book of Halloween by Gerina Dunwich
Frankenstein: A Cultural History by Susan Tyler Hitchcock
The Book of Halloween by Ruth E. Kelley
The True History of Halloween by Kurt LeRoy
The Pagan Mysteries of Halloween: Celebrating the Dark Half of the Year by Jean Markale
The Halloween Handbook by Ed Morrow
The Halloween Encyclopedia; Trick or Treat: A History of Halloween  by Lisa Morton
The Dead Travel Fast: Stalking Vampires from Nosferatu to Count Chocula by Eric Nuzum
Halloween: Customs, Recipes & Spells by Silver RavenWolf
Halloween: From Pagan Ritual to Party Night by Nicholas Rogers
Death Makes a Holiday by David J. Skal

The Better Days Books Vintage Halloween Reader by Various Authors.

And don't forget to check out my Halloween Mystery List

Monday, April 21, 2025

EARTH DAY: Environmental/Ecological Mysteries


Earth Day: Climate change, environmental issues, and how we can save our planet. So important, now even more. Commit yourself to saving this planet! 

A few years ago I started posting a list of environmental/ecological mysteries. The list has grown. Crime fiction is an excellent way to make readers aware of issues.

Mystery Readers Journal (Volume 36:1) focuses on Environmental Mysteries. This issue is available as a PDF download and hardcopy. Take a look at the Table of Contents and order here. 

For Earth Day 2025, I updated my Earth Day/Environmental Mysteries list. There are many more authors, and certainly more books by many of the authors on the list. As always, I welcome additions of your favorites. I took a few liberties on the list, too, but I think they all fall under the umbrella of environmental/ecological mysteries. 

Scroll down for a second list that deals exclusively with Drowned Towns aka Reservoir Noir.

Be kind to the Earth. It's the only one we have!

ENVIRONMENTAL/ECOLOGICAL MYSTERIES

Edward Abbey's The Monkey Wrench Gang
P.D. Abbey's H2Glo
Liz Adair's Snakewater Affair
Glyyn Marsh Alam's Cold Water Corpse; Bilge Water Bones

Grace Alexander's Hegemon 
Lou Allin's Northern Winters Are Murder; Blackflies Are Murder: Memories Are Murder
Roberto Ampuero's El aleman de Atacama (only in German)

Christine Andreae's A Small Target
Suzanne Arruda's Stalking Ivory
Sarah Andrews' Em Hansen Mystery series
Lindsay Arthur's The Litigators
Anna Ashwood-Collins' Deadly Resolution; Red Roses for a Dead Trucker
Sandi Ault's Wild Inferno; Wild Indigo; Wild Penance; Wild Sorrow
Shannon Baker's Tainted Mountain; Broken Trust; Tattered Legacy; Skies of Fire
Paolo Bacigalupi's The Water Knife

J. G. Ballard's Rushing to Paradise
Michael Barbour's The Kenai Catastrophe; Blue Water, Blue Island
Nevada Barr's Track of the Cat; Ill Wind; Borderline; and others
Lee Barwood's A Dream of Drowned Hollow?
Pamela Beason's Sam Westin wildlife biologist series
Matt Bell's Appleseed

Robert P. Bennett's Blind Traveler's Blues
William Bernhardt's Silent Justice
David Riley Bertsch's Death Canyon
Donald J Bingle's GreensWord
Michael Black's A Killing Frost 
Jennifer Blake's Shameless
Claire Booth's Another Man's Ground
C J Box's Winterkill; Open Season; Below Zero; Savage Run; Out of Range; Trophy Hunt; Free Fire; In Plain Sight; Dark Sky
Lisa Brackmann's Hour of the Rat
Alex Brett's Dead Water Creek
Lisa Brideau's Drift; Amid Rage; Drink to Every Beast
Tobias S. Buckell's Artic Rising
Joe Burcat's Drink to Every Beast
James Lee Burke's Creole Belle
Rex Burns' Endangered Species
Steve Burrow's A Siege of Bitterns
David Butler Full Curl; No Place for Wolverines; In Rhino We Trust
Chester Campbell's The Surest Poison
Christine Carbo The Wild Inside, Mortal Fall, The Weight of Night, A Sharp Solitude
Ann Cleeves' Another Man's Poison; Wild Fire; Blue Lightning; The Crow Trap
Eileen Charbonneau's Waltzing in Ragtime

Rajat Chaudhuri: The Butterfly Effect
Cassandra Clark: Dark Waters Rising
Margaret Coel's The Dream Stalker
Anna Ashwood Collins's Metamorphis for Murder; Deadly Resolutions
Sarah-Jane Collins' Radiant Heat
Kathleen Concannon's A Deadly Bluff
Shawn Connors' Chain Reaction
Robin Cook's Fever
Dawn Corrigan's Mitigating Circumstances
Peter Corris's Deep Water
Donna Cousin's Landscape
Michael Crichton's State of Fear
James Crumley's Dancing Bear
Rich Curtin's Final Arrangements; Deadly Games
Christine D'Avanzo Cold Blood, Hot Sea; Devil Sea; Secrets Haunt the Lobsters' Sea; Glass Eels, Shattered Sea
Cecil Dawkins' Rare Earth
Janet Dawson's Don't Turn Your Back on the Ocean

Mark de Castrique's Fatal Scores
Barbara Delinsky's Looking for Peyton Place
Lionel Derrick's Death Ray Terror
William Deverell's April Fool
Karen Dionne's Boiling Point; Freezing Point; The Marsh King's Daughter, The Wicked Sister
Paul Doiron's The Poacher's Son; Trespasser; Bad Little Falls; The Bone Orchard; One Last Lie, Almost Midnight, Dead by Dawn, and others
David Michael Donovan's Evil Down in the Alley
Mark Douglas-Home's The Sea Detective
Rubin Douglas' The Wise Pelican: From the Cradle to the Grave
Jack Du Brul's Vulcan's Forge; River of Ruin; and others
Robert Dugoni & Joseph Hilldorfer's Cyanide Canary
Toni Dwiggins' Badwater; Quicksilver
Kerstin Ekman's Blackwater
Aaron J Elkins' The Dark Place; Unnatural Selection
Howard Engel's Dead and Buried
Kathleen Ernst's High Stakes in a Great Lake
Eric C. Evans' Endangered

Nicholas Evans' The Divide
Nancy Fairbanks's Acid Bath; Hunting Game; and others
Kate Fellowes' Thunder in the Night
Cher Fischer's Falling into Green
Bill Fitzhugh's Pest Control; The Exterminators
Michael J. Fitzgerald's The Fracking War
Mary Flodin's The Death of the Gecko
G M Ford's Who in Hell is Wanda Fuca?
Clare Francis's The Killing Winds (Requiem)
Jamie Freveletti's Dead Asleep 
Sara Hoskinson Frommer's Death Climbs a Tree

Abby Geni's The Lightkeepers
Jean Craighead George's The Missing 'Gator of Gumbo Limbo; Who Really Killed Cock Robin?; The Case of the Missing Cutthroats; The Fire Bug Connection (young readers)
Matthew Glass's Ultimatum
Kenneth Goddard's Double Blind; Prey; Wildfire
Chris Goff's A Rant of Ravens; Death of a Songbird; A Nest in the Ashes
Jean Craighead George's The Case of the Missing Cutthroats

Steven Gould and Laura J. Mixon's Greenwar
Alexander M. Grace's Hegemon
Scott Graham's Mountain Rampage, Yellowstone Standoff; Mesa Verde Victim
Robert O. Greer's The Devil's Hatband
John Grisham's The Pelican Brief; The Appeal; The Litigators; Gray Mountain
Beth Groundwater's Deadly Currents; Wicked Eddies
Elizabeth Gunn's Eleven Little Piggies
Jean Hager's Ravenmocker
William Hagard's The Vendettists
James W. Hall's Bones of Coral
Patricia Hall's The Poison Pool
Joseph Hall's Nightwork
Karen Hall's Unreasonable Risk, Through Dark Spaces

A.M. Halvorssen's The Dirty Network
Matt Hammond's Milkshake
Vinnie Hansen's Fruit of the Devil 
Paul E. Hardisty's The Descent
Jane Harper's The Dry; The Lost Man
Jonathan Harr's A Civil Action
Alice Henderson's A Solitude of Wolverines, A Blizzard of Polar Bears, and more.
Sue Henry's Termination Dust
Robert Herring's McCampbell's War
Joseph Heywood's Blue Wolf in Green Fire, Ice Hunter, Chasing a Blond Moon; Buckular Dystrophy; Bad Optics
Carl Hiaasen's Skinny Dip; Stormy Weather; Sick Puppy; Strip Tease; Scat; Star Island; Double Whammy, Tourist Season, Skin Tight

Anne Hillerman's Song of the Lion
Tony Hillerman's The Blessing Way
Tami Hoag's Lucky's Lady
John Hockenberry's A River out of Eden
Peter Hoeg's Smilla's Sense of Snow
John Holt's Hunted
Dave Hugelschaffer's Day into Night, One Careless Moment
Judy Hughes' The Snowmobile Kidnapping
Mary Ellen Hughes's A Taste of Death
R.J. Jacobs's Always the First to Die

Dana Andrew Jennings' Lonesome Standard Time
Liz Jensen's The Rapture
Craig Johnson's Hell is Empty; Dry Bones
Sylvia Kelso's The Solitaire Ghost; The Time Seam
Emily Kimelman's Unleashed
Thomas King's Cold Skies
M.T. Kingsley's With Malicious Intent

Henry Kisor's Hang Fire
Linda Kistler's Cause for Concern
Lisa Kleinholz's Dancing with Mr. D. 
Bill Knox's The Scavengers, Devilweed, and others in the Webb Carrick series
Dean Koontz's Icebound
William Kent Krueger's "Cork O'Connor" series, including Manitou Canyon, Sulfur Springs
Janice Law's Infected Be the Air

P.J. Lazos' Oil and Water
Leena Lehtolainen's Fatat Headwind
Stephen Legault's The Cardinal Divide, The Glacier Gallows, The Vanishing Track, The Darkening Archipelago
Donna Leon's Death in a Strange Country; About Face; Earthly Remains; Acqua Alta
David Liss' The Ethical Assassin
Sam Llewellyn's Deadeye
Charles & Lidia LoPinto's Countdown in Alaska; Nukes
Robert Lopresti's Greenfellas
Jim Lynch's The Highest Tide
John D MacDonald's Barrier Island (and other titles)
Ross Macdonald's Sleeping Beauty
Jassy Mackenzie's The Fallen
Larry Maness' A Once a Perfect Place
Elizabeth Manz's Wasted Space
John Marsden's A Killing Frost
Margaret Maron's High Country Fall, Shooting at Loons, Up Jumps the Devil, Hard Row
John Martel's Partners
Steve Martini's Critical Mass

Jean Matthews' Bet Your Bones
Keith McCafferty's The Royal Wulff Murders; Dead Man's Fance; A Death in Eden; The Bangtail Ghost; Buffalo Jump Blues
Charlotte McConaghy's Once There Were Wolves
M.J. McGrath's The Boy in the Snow
John McGoran's Drift; Deadout; Dust Up
Karin McQuillan's Deadly Safari; Cheetah Chase; Elephant's Graveyard
Mindy Meija's Leave No Trace
Anne Metikosh's Undercurrent 
Deon Meyer's Blood Safari, Thirteen Hours; Fever
Shannon Michaud's Still Water
Penny Mickelbury's What Could Be More Than Dead? 
Susan Cummins Miller's Chasm
Kirk Mitchell's High Desert Malice; Deep Valley Malice
Laura J. Mixon & Steven Gould's Greenwar

Margaret Mizushima's Killing Trail; Stalking Ground
Skye Kathleen Moody's Blue Poppy; and other Venus Diamond mysteries
C. George Muller's Echoes in the Blue
Marcia Muller's Cape Perdido
Sandy Neill's Deadly Turn; Deadly Trespass

Judith Newton's Oink
Michael Norman's Skeleton Picnic; On Deadly Ground
Dan O'Brien's Brendan Prairie
Michael Palmer's Fatal
Sara Paretsky's Blood Shot
Brad Parks' The Player
T. Jefferson's Parker's Pacific Beat

James Patterson's Zoo

Ridley Pearson's Killer View
Louise Penny's A Better Man

Cathy Pickens' Southern Fried
Carl Posey's Bushmaster Fall
David Poyer's As the Wolf Loves Winter, Winter in the Heart
Richard Powers' Playground
Katherine Prairie's Thirst
Douglas Preston and Lincoln Child's Reliquary
Kwei Quartey's Murder at Cape Three Points; Gold of our Fathers
Peter Ralph's Dirty Fracking Business

Ben Rehder's Bum Steer; Holy Moly; Hog Heaven; Fat Crazy, and more
Bob Reiss's Purgatory Road
Ruth Rendell's Road Rage 
Geoffrey Robert's The Alo Release
Carolyn Rose's An Uncertain Refuge
Leonard Rosen's The Tenth Witness
Simon Rosser's Tipping Point

Rebecca Rothenberg's The Shy Tulip Murders; The Bulrush Murder
Patricia Rushford's Red Sky in the Mourning
Alan Russell's The Forest Prime Evil 
Kirk Russell's Shell Games
Nick Russell's Big Lake Blizzard

Louis Sachar's Fuzzy Mud
Brenda Seabrook's The Dragon That Slurped the Green Slime Swamp (Children's)
Frank Schätzing's The Swarm
L.J. Seller's Crimes of Memory
Paige Shelton's Cold Wind
Patricia Skalka's Death Stalks Door County

Barry Siegel's Actual Innocence
Sheila Simonson's An Old Chaos 
Jessica Speart's Bird Brained, Blue Twilight, Gator Aide, Tortoise Soup
Dana Stabenow's A Cold Day for Murder, A Deeper Sleep, A Fine and Bitter Snow, Midnight Come Again, A Taint in the Blood, and many others
John Stanley's The Woman Who Married a Bear, The Curious Eat Themselves, 
Neal Stephenson's Zodiac
Mark Stevens' Buried by the Roan; Antler Dust; Lake of Fire 
David Sundstrand's Shadow of the Raven
William Tapply's Cutter's Run
Peter Temple's The Broken Shore

Ngugi wa Thiong'o's Petals of Blood
Craig Thomas's A Wild Justice
Olga Tokarczuk's Drive Your Plow Over the Bones of the Dead

Antti Tuomainen's The Healer
Judith Van Gleson's "Neil Hamel" series, including The Wolf Path & Parrot Blues
David Rains Wallace's The Turquoise Dragon
Lee Wallingford's Clear-Cut Murder; Cold Tracks
Joseph Wambaugh's Finnegan's Week
Sterling Watson's Deadly Sweet
Betty Webb's Desert Wind; The Anteater of Death 
Randy Wayne White's White Captiva
Robert Wilson's Blood is Dirt

K.J.A. Wishnia's The Glass Factory; 23 Shades of Black; Red House Soft Money
Qiu Xialolong's Don't Cry, Tai Lake
Brooks Birdwell Yeager's Chilly Winds
John Yunker's The Tourist Trail; Where Oceans Hide Their Dead
Greg Zeigler's Rare as Earth; Some Say Fire; The Straw That Broke

Anthology: 
Crimes Against Nature: New Stories of Environmental Villainy, edited by Robert Lopresti

Reservoir Noir

Crime Fiction that deals with intentional flooding of towns and villages because of building dams and reservoirs for water supply, irrigation, power and other reasons--a sad addition to the environmental crime fiction list.

Stephen Bacon's Murmured in Dreams; "The Summer of Bradbury" in Terror Tales of Yorkshire, edited by Paul Finch 
Andrea Barrett: The Forms of Water
Alan Dipper's Drowning Day
Eileen Dunlop's Valley of the Deer (YA)
Lee Harris's The Christening Day Murder
JoeAnn Hart's Arroyo Circle
Carl Hiassen's Star Island; Skinny Deep
Mabel Esther Allan: Pendron Under the Water  (YA)
John Blackburn: Bury Him Darkly
Scott Carson's The Chill
Matthew J. Costello's Beneath Still Waters (horror)

Reginald Hill's On Beulah Height
Donald James' Walking the Shadows
Jane Langton's Emily Dickenson is Dead
Tim Lebbon's "The Flow" in Terror Tales of Wales, ed. by Paul Finch
James D. Landis' The Taking (Artist of the Beautiful)

Julia Wallis Martin's A Likeness in Stone
Sharyn McCrumb's Zombies of the Gene Pool
Michael Miano's The Dead of Summer
Nicholas Olde's "The Monstrous Laugh" in The Incredible Adventures of Rowland Hern

Ron Rash's One Foot in Eden
Rick Riordan's The Devil Went Down to Austin
Peter Robinson's In a Dry Season
Lisa See's Dragon Bones
Nova Ren Suma's Imaginary Girls (YA)

Paul Somers' Broken Jigsaw
Julia Spencer-Fleming's Out of the Deep I Cry
Jonathan Thomas's The Color Over Occum

John Milliken Thompson's The Reservoir Reservoir 13
Donald Westlake's Drowned Hopes
John Morgan Wilson's Rhapsody in Blood
Robert Wilson's Blood is Dirt
Stuart Woods's Under the Lake

*** 

Non-Fiction about Drowned Towns

Thomas Conuel: Quabbin: The accidental Wilderness
James L. Douthat: Cherokee Reservoir Grave Removals by T.V.A.
David and Joan Hay: Mardale, The Drowned Village: Being a Lakeland Journey into Yesterday
Allen Holt: Watergrove: A History of the Valley and Its Drowned Village
David Howarth: The Shadow of the Dam
Elizabeth Peirce: Quabbin Valley: People and Places
Joyce Hunsinger Pogany: Austintown
Les Ross, Editor: Before the Lake: Memories of the Chew Valley
***

Let me know any other author/titles that should be included. Make a comment below.


Tuesday, October 29, 2024

HALLOWEEN NON-FICTION

I always post my Halloween Mystery List, but this year I thought I'd add a short-list of Halloween Non-Fiction. 

Halloween Non-Fiction

Halloween Merrymaking: An Illustrated Celebration Of Fun, Food, And Frolics From Halloweens Past by Diane C. Arkins
Halloween: An American Holiday, an American History; Halloween Nation: Behind the Scene's of America's Fright Night by Lesley Pratt Bannatyne
Witches, Pumpkins, and Grinning Ghosts: The Story of the Halloween Symbols by Edna Barth, Illustrated by Ursula Arndt
Sundays with Vlad: From Pennsylvania to Transylvania, One Man’s Quest to Live in the World of the Undead by Paul Bibeau
October Dreams: A Celebration of Halloween edited by Richard Chizmar and Robert Moorish
The Pagan Book of Halloween by Gerina Dunwich
Frankenstein: A Cultural History by Susan Tyler Hitchcock
The Book of Halloween by Ruth E. Kelley
The True History of Halloween by Kurt LeRoy
The Pagan Mysteries of Halloween: Celebrating the Dark Half of the Year by Jean Markale
The Halloween Handbook by Ed Morrow
The Halloween Encyclopedia; Trick or Treat: A History of Halloween  by Lisa Morton
The Dead Travel Fast: Stalking Vampires from Nosferatu to Count Chocula by Eric Nuzum
Halloween: Customs, Recipes & Spells by Silver RavenWolf
Halloween: From Pagan Ritual to Party Night by Nicholas Rogers
Death Makes a Holiday by David J. Skal

The Better Days Books Vintage Halloween Reader by Various Authors: 

And don't forget to check out my Halloween Mystery List

Wednesday, August 16, 2023

INTERROGATION: Courtroom Dramas on the Stage -- Guest Post by Amnon Kabatchnik

While many books have been published about courtroom fiction in film and on television, the topic of stage courtrooms has been largely ignored. In order to fill the void, I penned  Courtroom Dramas on the Stage Volume I and Courtroom Dramas on the Stage Volume II, both published recently by BearManor Media. 

Volume I deals with trial plays produced in Ancient Greece, Ancient Rome, the Middle Ages, the Elizabethan era, early America, and beyond. Aeschylus, Sophocles, Euripides, Aristophanes, Christopher Marlowe, William Shakespeare, Lope de Vega, Pierre Corneille, Lord Byron, and Nikolas Gogol are among the playwrights represented.

In Volume II, I concentrated on trial plays mounted  during  the twentieth century. The first decade featured notable dramas by Leo Tolstoy (The Living Corpse, Russia, 1900), Alexander Bisson (Madame X, France, 1908), and John Galsworthy (Justice, England, 1910). The trend continued with authors of the main stream writing plays populated with judges, prosecutors, defense attorneys, jurors, witnesses, and the accused, often charged with murder in the first degree. Elmer Rice, Ayn Rand, Ernst Toller,  W. Somerset Maugham, Richard Wright, Maxwell Anderson, and Arthur Miller, Herman Wouk, Jean Genet, Aldous Huxley, William Faulkner, William Saroyan, James Baldwin, Terence Rattigan, Jeffrey Archer, Aaron Sorkin, others. 

Veteran mystery writers joined the fray, concocting courtroom melodramas. Among them were Gaston Leroux (TheMystery of the Yellow Room, 1912), A.E.W. Mason (No Other Tiger, 1928), Agatha Christie (Witness for theProsecution, 1953), and Henry Cecil (Settled Out of Court, 1960).
 Both volume I and volume II present the trial plays chronologically, including a plot synopsis, production data, opinions by critics and scholars,  as well as biographical sketches of playwrights and key actors-directors.

Following are several tidbits of plays that feature an Interrogation by the authorities which may or not lead to indictment and trial.

Oedipus the King (429 B.C.) by Sophocles is the first known play to introduce the motif of crime and punishment, and the step-by-step investigation of a murder by interrogating witnesses. The city of Thebes is afflicted with a terrible pestilence and the  priests decree that salvation can only occur by learning who had killed the former king, Laius, who apparently has been murdered by a band of highwaymen. King Oedipus undertakes to solve the case by summoning and questioning palace attendants, shepherds, and priests.

The Victorian melodrama The Courier of Lyons (1854), by Charles Reade, is based on an actual robbery-and-murder that took place in France in 1796. An innocent man is accused of multiple homicides committed during a mail heist until a judge draws the confession of a look-like culprit.  Victorien Sardou's play La Tosca (1887), written as a star vehicle for the famous French actress Sarah Bernhardt, unfolds in Rome of 1800. Through a cross examination, Scarpia, chief of the secret police, an early, perhaps the first of sadistic, lecherous police chieftains seen on stage, breaks the resistance of the opera singer Floria Tosca to find out the hiding place of an escaped Republican leader. 

"Innocent until proven guilty" is the ruling principle of the American judicial system. But in The Third 
 Degree (1909), playwright Charles Klein spotlights a perversion of this precept. Howard Jeffries, an unhappy young man who was in the wrong place at the wrong time, confesses to murder after enduring a "third-degree" questioning.  Adapted by Sidney Kingsley from an Arthur Koestler novel, the grim action of Darkness at Noon (1951) is confined to a Russian prison, where one of the inmates, a Communist commissar, is grilled to admit that he had been part of a plot to assassinate a political leader. The Prisoner (1954), by Bridget Boland, unfolds in a gloomy set divided into an interrogation room and a prison cell. A battle of wits develops between an interrogator who represents a totalitarian government and a Cardinal considered a national leader. A Shot in the Dark (1961), by Frenchman Marcel Achard, introduces a young, idealistic magistrate who is assigned his first case -- seemingly a cut-and dried murder -- and faces a prime suspect, a sexy maid who was found unconscious, nude, and clutching a gun alongside her dead lover, the chauffeur.

In the Matter of J. Robert Oppenheimer (1964), by Germany's Heinar Kipphardt, goes back to the hysterical era of McCarthyism when in 1954 J. Robert Oppenheimer, "the father of the atomic bomb," was summoned to a congressional hearing regarding his security clearance.  In Agnes of God (1980) by John Pielmeier, a court-appointed psychiatrist is assigned to determine the sanity of a young nun accused of strangling her own newly born baby with its umbilical cord.  Ariel Dorfman's Death of a Maiden (1991) is the story of Pauline Salas, a married South American lady, who recognizes in a guest house, Doctor Roberto Mirnada, the man she believes raped and tortured her fifteen years earlier as she lay blindfolded in a military detention center. Pauline slips into Roberto's bedroom, hits him with a blunt instrument, binds him to a chair, and gags him with her panties. Then, at gun point, she orders her shocked husband to serve as the doctor's defense attorney in "a trial."

In addition to the section about interrogations, the two volumes of Courtroom Dramas on the Stage contain chapters about Lawyers and judges out of court, trials that occur off stage, and jury room plays.

***
Amnon Kabatchnik, now retired, was a professor of theater at SUNY Binghamton, Stanford University, Ohio State University, Florida State University, and Elmira College. He directed numerous dramas, comedies, thrillers, and musicals in New York and across the United States. He is the author of Sherlock Holmes on the Stage as well as the seven-volume series Blood on the Stage.

 

Monday, March 13, 2023

The Unique Pleasures of Writing Both Non-Fiction and Fiction: Guest Post by John McNellis

John McNellis:
 The Unique Pleasures of Writing Both Non-Fiction and Fiction
 
Switching to fiction after a lifetime of writing non-fiction is akin to a Parisian deciding to learn Spanish. It can be done, but not without effort. While many nouns are common to French and Spanish, even the occasional verb, they are different languages. Even within the world of non-fiction, there are different dialects, mostly having to do with timing. A reporter writing an ephemeral piece against a daily deadline has no time for polishing or rewriting, her style is subsumed within the facts, her voice is discouraged, she knows her words will be forgotten, all that matters is setting out the facts in a coherent, logical fashion. Who, how, what, where and why in the lead paragraph.  
 
Writing a monthly essay allows one to use his voice, more time to choose words and phrasing with care, words that will hopefully resonate, perhaps even recalled by readers days and weeks later. Yet newspaper essays, too, must be timely, rooted in the moment, tied to a current event. 
 
Writing a non-fiction book—in my case, a real estate primer—permits one all the time in the world to write, rewrite and rewrite some more. As opposed to articles and essays, the book must be timeless, its lessons hopefully evergreen. One’s voice can be relatively full-throated, but in business writing at least, everything must be explicit, the dots connected, nothing left to the imagination. The non-fiction is grounded in facts and informed opinion—flights of fancy would be as out of place as a rose in a wheat field. 
 
Writing fiction is both liberating and terrifying. Freed from the gravitational pull of the real world, one can float in the clouds, writing whatever comes to mind, however implausible. This freedom is, however, more curse than blessing. Without a strong foundation in fact—if not in setting, then in realistic characters—fiction all often becomes unsatisfying fairy tale. 

O’Brien’s Law is so heavily fact-based that some readers have supposed it my autobiography, while friends realize it’s a fiction, a painting stretched over a detailed and accurate canvas of time and place: the swinging 70’s of San Francisco. I’d say my novel is a bit like concrete, which is roughly half sand and half cement. With too much sand, concrete is loose and collapses; with too much cement, concrete is brittle and susceptible to stress fractures. That 50-50 formula works for writing; O’Brien’s Law is about half fact and half fiction. The fun part is guessing which is which. 

Frankly, my novel is heavily fact-based because, not unlike my protagonist Michael O’Brien, I’m lazy and I truly dislike doing research. I lived in San Francisco for six years in the 1970’s, kept personal journals and could thus ground the tale with a verisimilitude impossible with any other city. Setting the story in San Francisco enabled me to write about what I know and, happily, to avoid any location research. While the story is dependent upon neither San Francisco nor the 1970’s—it could unfold anywhere at any time—the City in the 70’s was so alive, crackling with everything from great culture to mediocre professional sports to counter-culture events like the Fillmore to fabulous food, all in the most beautiful physical setting of any city in America. To a 25-year-old like O’Brien, the City promised—or at least gave the illusion of—endless possibilities. That this fabulous care-free setting would have a dark underbelly of suspense and murder is what—hopefully—makes the novel enchanting. 

As for my writing process, I knew the basic story arc from the first, did an outline before any writing it and yes—spoiler alert—I always knew it would have a happy ending. But the rewriting upon rewriting upon rewriting would make even a persnickety line editor proud. 
 
***
A journalism undergraduate at Berkeley, John McNellis went to Hastings Law College, practiced law in San Francisco for half a dozen years before until he switched to real estate. Despite his successful business career, John was always writing: comedy shows for a theatrical club, a monthly column for the Registry Magazine and the San Francisco Business Timesand, ultimately, a critically acclaimed real estate primer, Making it in Real Estate: Starting Out as A Developer, now an industry standard and taught in universities nationwide.