Showing posts with label Scandinavian crime. Show all posts
Showing posts with label Scandinavian crime. Show all posts

Tuesday, April 12, 2022

PAASKEKRIM: Norway's Easter Crime Wave!

I've posted about Paaskekrim before, but with the increased interest in Scandinavian crime, especially the large number of Scandinavian authors now available in English, I thought I would repost about Norway's Paaskekrim (Easter Crime)! It takes place Holy Thursday through Easter Monday and is a public holiday in Norway. It's a time when just about everyone in Norway reads crime novels. Bookstore displays are full of detective novels, television and radio stations run crime serials and newspapers publish special literary supplements.


This is a very peculiar national activity. Publishers in Norway actually time series of books known as "Easter-Thrillers"or Påskekrim, and dates of publication are moved to Spring and released at this time when the sale of mysteries goes up 50%. TV stations, radio and newspapers follow suit by running detective series based on the works of famous crime novelists such as Agatha Christie, P.D. James, Simenon and Ruth Rendell. Many of the Norwegian crime series are rerun.

 
Why does Norway choose Easter to delve into crime solving? According to one widely accepted theory, the tradition began in 1923 as the result of a marketing coup. Advertisements that resembled news items were published on the front pages of several newspapers, shocking readers who failed to grasp that it was a publicity stunt. This idea spread like wildfire among other publishing houses, and the crime novel became one of the few forms of entertainment available during the Easter break. Cafes, restaurants and movie theatres were closed during Easter, which was supposed to be a time of introspection and repentance. There was no radio, and of course no television either. But everyone could read, and so the Easter crime novel was born.

Some Norwegian Crime Writers
 
Jorgen Brekke 
Thomas Enger 
Karin Fossum 
Jo Nesbo 
Kjersti Sceen 
Gunnar Staalesen 
Jon Michelet 
Anne Holt 
Pernille Rygg 
K.O. Dahl 
Linn Ullman 
Agnes Ravatn 
Alex Dahl 
Jorn Lier Horst 
Thomas Enger 
Unni Lindell 
Samuel Bjork

Great websites about Norwegian crime writers
Scandinavian Crime Fiction
Scandinavian Books
International Noir Fiction
Detectives without Borders
Euro Crime
 
There are 2 Scandinavian issues of Mystery Readers Journal 
 

Volume 30:4 (Winter 2014-15)
Volume 23:3 (Fall 2007)
 

Hardcopy and PDF -- Reviews, articles and Author! Author! essays, many by and about Norwegian crime writers.

Subscribe to Mystery Readers Journal HERE.

Tuesday, November 24, 2020

PETRONA AWARD SHORTLIST 2020

PETRONA AWARD SHORTLIST: Six outstanding crime novels from Finland, Iceland, Norway and Sweden have been shortlisted for the 2020 Petrona Award for the Best Scandinavian Crime Novel of the Year.

THE COURIER by Kjell Ola Dahl, tr. Don Bartlett (Orenda Books; Norway) 

INBORN by Thomas Enger, tr. Kari Dickson (Orenda Books; Norway) 

THE CABIN by Jørn Lier Horst, tr. Anne Bruce (Michael Joseph; Norway) 

THE SILVER ROAD by Stina Jackson, tr. Susan Beard (Corvus; Sweden) 

THE ABSOLUTION by Yrsa Sigurðardóttir, tr. Victoria Cribb (Hodder & Stoughton; Iceland) 

LITTLE SIBERIA by Antti Tuomainen, tr. David Hackston (Orenda Books; Finland) 

The winning title, usually announced at the international crime fiction convention CrimeFest, will now be announced on Thursday 3 December 2020. The winning author and the translator of the winning title will both receive a cash prize, and the winning author will receive a full pass to and a guaranteed panel at CrimeFest 2022. 

The Petrona Award is open to crime fiction in translation, either written by a Scandinavian author or set in Scandinavia, and published in the UK in the previous calendar year. 

The Petrona team would like to thank our sponsor, David Hicks, for his continued generous support of the Petrona Award. We would also like to thank Sarah Ward, who has now stood down from the judging panel, for her valuable contributions over many years. We wish her every success with her new Gothic thriller, The Quickening, published under the name Rhiannon Ward. We are delighted to have Jake Kerridge, The Daily Telegraph’s crime fiction critic, join the Petrona team as a guest judge for this year’s Award. 

The judges’ comments on the shortlist: 

There were 37 entries for the 2020 Petrona Award from six countries (Denmark, Finland, France, Iceland, Norway, Sweden). The novels were translated by 24 translators and submitted by 21 publishers/imprints. There were 13 female and 24 male authors. 

This year’s Petrona Award shortlist sees Norway strongly represented with three novels; Finland, Iceland and Sweden each have one. The crime genres represented include the police procedural, historical crime, literary crime, comedy crime and thriller. 

The Petrona Award judges selected the shortlist from a rich field. The six novels stand out for their writing, characterisation, plotting, and overall quality. They are original and inventive, often pushing the boundaries of genre conventions, and tackle highly complex subjects such as legacies of the past, mental health issues and the effects of grief. Three of the shortlisted titles explore the subject of criminality from an adolescent perspective. 

We are extremely grateful to the six translators whose expertise and skill have allowed readers to access these gems of Scandinavian crime fiction, and to the publishers who continue to champion and support translated fiction. 

The judges’ comments on each of the shortlisted titles: 

THE COURIER by Kjell Ola Dahl, tr. Don Bartlett (Orenda Books; Norway) 

Kjell Ola Dahl made his debut in 1993, and has since published seventeen novels, most notably those in the ‘Gunnarstranda and Frølich’ police procedural series. In 2000, he won the Riverton Prize for The Last Fix, and the prestigious Brage and Riverton Prizes for The Courier in 2015. In much the same way as Icelandic author Arnaldur Indriðason, Dahl explores the experience of the Second World War by moving away from the linear murder mystery to something far more searching and emotionally driven. The Courier is an intelligent and absorbing standalone that offers a perceptive and highly moving exploration of Scandinavian history. It traverses changing times and cultural norms, and traces the growing self-awareness of a truly memorable female protagonist

INBORN by Thomas Enger, tr. Kari Dickson (Orenda Books; Norway) 

Thomas Enger worked for many years for Norway’s first online newspaper, Nettavisen, and as an author is best-known for his five novels featuring the journalist-sleuth Henning Juul, one of which – Pierced – was shortlisted for the Petrona Award in 2013. He has also won prizes for his thrillers for young adults. Inborn, his first standalone novel to be translated into English, tells the story of a murder trial from the perspective of the seventeen-year-old defendant, and combines a gripping courtroom drama with a tender and intriguing portrait of Norwegian small-town life, and the secrets bubbling away beneath its surface. 

THE CABIN by Jørn Lier Horst, tr. Anne Bruce (Michael Joseph; Norway) 

Having previously worked as a police officer, Jørn Lier Horst has established himself as one of the most successful Scandinavian authors of the last twenty years. Horst’s previous ‘William Wisting’ novel, The Katharina Code, won the 2019 Petrona Award for Best Scandinavian Crime Novel, as well as the Nordic Noir Thriller of the Year in 2018. The Cabin sees Chief Inspector Wisting juggling the demands of two testing cases, leading him into the path of an old adversary and plunging him into the criminal underworld. Horst has once again produced an impeccably crafted police procedural with a deft control of pace and tension. 

THE SILVER ROAD by Stina Jackson, tr. Susan Beard (Corvus; Sweden) 

The Silver Road is Stina Jackson’s highly accomplished debut. It has achieved remarkable success, winning the 2018 Award for Best Swedish Crime Novel, the 2019 Glass Key Award, and the 2019 Swedish Book of the Year Award. Set in northern Sweden, where Jackson herself grew up, the novel explores the aftermath of teenager Lina’s disappearance, and her father Lelle’s quest to find her by driving the length of the Silver Road under the midnight sun. Three years on, young Meja arrives in town: her navigation of adolescence and first-time love will lead her and Lelle’s paths to cross. The Silver Road is a haunting depiction of grief, longing and obsession, with lots of heart and a tremendous sense of place. 

THE ABSOLUTION by Yrsa Sigurðardóttir, tr. Victoria Cribb (Hodder & Stoughton; Iceland) 

A full-time civil engineer as well as a prolific writer for both adults and children, Yrsa Sigurðardóttir is one of Iceland’s best-selling and most garlanded crime novelists, and the winner of the 2015 Petrona Award for The Silence of the Sea. The Absolution is the third entry in her ‘Children’s House’ series, and features a very modern killer who targets teenagers with an MO involving Snapchat. This artfully plotted and thought-provoking book continues the series’ focus on the long-lasting impact of childhood trauma, with welcome light relief provided by the mismatched investigators, detective Huldar and child psychologist Freyja

LITTLE SIBERIA by Antti Tuomainen, tr. David Hackston (Orenda Books; Finland) 

Antti Tuomainen is a versatile crime writer, whose works draw on genres as varied as the dystopian thriller and comedy crime caper. His third novel, The Healer, won the Clue Award for Best Finnish Crime Novel in 2011 and he has been shortlisted for the Glass Key, Petrona and Last Laugh Awards, as well as the CWA Crime Fiction in Translation Dagger. Little Siberia, set in an icy northern Finland, opens with a bang when a meteorite unexpectedly lands on a speeding car. Transferred to the local museum for safe keeping, the valuable object is guarded from thieves by local priest Joel, who is grappling with both a marital crisis and a crisis of faith. Absurdist black humour is expertly combined with a warm, perceptive exploration of what it means to be human.

Monday, April 30, 2018

Petrona Award for Translated Scandinavian Crime Fiction

The Shortlist for the 2018 Petrona Award for Translated Scandinavian Crime Fiction.

The winning title will be announced at CrimeFest in Bristol. The winning author and the translator of the winning titles will both receive a cash prize and the winning author will receive a full pass and guaranteed panel at CrimeFest 2019.

What My Body Remembers, by Agnete Friis,
translated by Lindy Falk van Rooyen (Soho Press; Denmark)
Quicksand, by Malin Persson Giolito,
translated by Rachel Willson-Broyles (Simon & Schuster; Sweden)
After the Fire, by Henning Mankell,
translated by Marlaine Delargy (Vintage/Harvill Secker; Sweden)
The Darkest Day, by Håkan Nesser,
translated by Sarah Death (Pan Macmillan/Mantle; Sweden)
The White City, by Karolina Ramqvist,
translated by Saskia Vogel (Atlantic Books/Grove Press; Sweden)
The Man Who Died, by Antti Tuomainen,
translated by David Hackston (Orenda Books; Finland)

HT: J. Kingston Pierce, TheRapSheet

Thursday, March 30, 2017

Petrona Award Shortlist: Scandinavian Crime

Six crime novels from Finland, Iceland, Norway and Sweden have been shortlisted for the 2017 Petrona Award for the Best Scandinavian Crime Novel of the Year.

The award, established to celebrate the work of the late Maxine Clarke, one of the first online crime fiction reviewers and bloggers, is open to crime fiction in translation, either written by a Scandinavian author or set in Scandinavia and published in the UK in the previous calendar year.

The shortlist, revealed today (30th March), was judged by journalist Barry Forshaw, Dr Kat Hall, researcher at Swansea University, and novelist Sarah Ward. It includes two entries hailing from Finland, two from Norway, one from Sweden and one from Iceland.

Neil Smith, whose translations have won the Petrona Awards for the past two years running, translated two books on the shortlist: The Dying Detective by Leif G.W. Persson (Doubleday; Sweden), in which a retired Swedish police chief is drawn into investigating a cold case, and The Wednesday Club by Kjell Westö (MacLehose Press, Finland), a novel set in 1938 Helsinki on the eve of the Second World War. The latter, by taking on a larger historical dimension, was described by the judges as offering "an insightful exploration into the legacy of the Finnish Civil War, and the rise of German and Finnish fascism in the present".

Half of the shortlist is published by Orenda Books:  

The Exiled by Kati Hiekkapelto, translated by David Hackston (Orenda Books, Finland), exploring discrimination faced by Roma people and the lot of refugees migrating through Europe;  

The Bird Tribunal, a "haunting" psychological thriller by Agnes Ravatn, translated by Rosie Hedger (Orenda Books, Norway) and  

Where Roses Never Die by Gunnar Staalesen, translated by Don Bartlett (Orenda Books, Norway), said to be written in the traditional US-style genre "but with abrasive Scandi-crime social commentary".

Why Did You Lie? by Yrsa Sigurđardóttir, translated by Victoria Cribb (Hodder & Stoughton, Iceland), rounds off the shortlist, praised "a compelling exploration of guilt and retribution, which builds to a nerve-jangling finale."

The judges commented:
“It was difficult to choose just six crime novels for the Petrona Award shortlist this year, given the number of truly excellent submissions from around the Scandinavian world. Our 2017 Petrona Award shortlist testifies to the extremely high quality of translated Scandi crime, with authors from Finland, Iceland, Norway and Sweden making expert use of police investigations, psychological thrillers, private eye novels and historical crime fiction both to entertain and to explore pertinent social, political and historical issues. We are extremely grateful to the translators for their skill and expertise in bringing us these outstanding examples of Scandinavian crime fiction.”

The winner of 2017 Petrona Award, sponsored by David Hicks, will be announced at the Gala Dinner on 20th May during the annual international crime fiction event CrimeFest, held in Bristol 18th - 21st May 2017. 

The above is from The Bookseller. Hat Tip: Craig Sisterson

Monday, March 11, 2013

The Petrona Award for the Best Scandinavian Crime Novel of the Year

Introducing a New Annual Award for Scandinavian Crime Fiction:
The Petrona Award for the Best Scandinavian Crime Novel of the Year

The Petrona Award has been established to celebrate the work of Maxine Clarke, one of the first online crime fiction reviewers and bloggers, who died in December 2012. Maxine, whose online persona and blog was called Petrona, was passionate about translated crime fiction but in particular that from the Scandinavian countries.

The shortlist for the 2013 award, which is based on Maxine's reviews and ratings is as follows:

PIERCED by Thomas Enger, tr. Charlotte Barslund (Faber and Faber)
BLACK SKIES by Arnaldur Indridason, tr. Victoria Cribb (Harvill Secker)
LAST WILL by Liza Marklund, tr. Neil Smith (Corgi)
ANOTHER TIME, ANOTHER LIFE by Leif GW Persson tr. Paul Norlen (Doubleday)

The winning title will be announced at the annual international crime fiction event CrimeFest, held May 30 to June 2, 2013. The winning author will receive a full pass for the 2014 CrimeFest event plus a guaranteed panel at the 2014 event.

From 2014 onwards a team of judges will, as well as drawing on their own expertise, apply the criteria that Maxine considered essential in a well-written crime novel: quality of plot, strength of characterisation and the consideration of contemporary social issues.

The judges are:
Barry Forshaw – Writer and journalist specialising in crime fiction and author of two books on Scandinavian crime fiction: ‘Death in a Cold Climate’ and ‘Nordic Noir’ and a biography of Stieg Larsson.
Dr Kat Hall – Academic and international crime fiction reviewer/blogger at Mrs Peabody.
Sarah Ward – Online crime fiction reviewer and blogger at Crimepieces.

Leading Scandinavian crime fiction expert Barry Forshaw said “I’m delighted to be judging an award that is unique in recognising the influence of Scandinavian crime fiction in both the UK and abroad”.

The award is open to crime fiction in translation, either written by a Scandinavian author or set in Scandinavia and published in the UK in the previous calendar year.

Details on eligibility and how to enter for the 2014 Petrona Award can be found on the Petrona Award page (http://petronaremembered.com/the-petrona-award/) of Petrona Remembered, a tribute website (http://petronaremembered.com/), where fans of crime fiction can contribute by writing about a favorite book.

Tuesday, June 5, 2012

SWEDISH CRIME QUEEN: CARIN GERHARDSEN

Today I welcome Carin Gerhardsen, author of The Gingerbread House, that releases today. She has written the Hammarby series, crime novels that take place in the southern parts of Stockholm. This is the first in Gerhardsen’s series. This novel explores schoolyard bullying among young children and the effect it has on them when people look the other way. "Known for thrillers with taut, suspenseful plots and unexpected twists and turns, her novels linger in the reader’s mind long after the finish."

Swedish digital-first publisher, Stockholm Text, has published 4 popular and prolific Swedish writers. Available in paperback and e- book format, the following four Swedish novels are perfect reading for the summer: The Dead of Summer by Mari Jungstedt, Death of a Carpet Dealer by Karin Wahlberg, Killer's Island by Anna Jansson and The Gingerbread House by Carin Gerhardsen.

To win a paperback copy of The Gingerbread House, after you've read Carin's guest post, make a comment about why you'd like to read this novel. Be sure and leave your email address (ex: Jane  at  yahoo dot com), so I can contact the winner.

CARIN GERHARDSEN:

My name is Carin Gerhardsen, and I am the author of “The Hammarby Series”. I was born in 1962 and grew up in Katrineholm where the first book, The Gingerbread House, takes place. Educationally, I am a mathematician and now live in Stockholm with my husband and our two children. I made my literary debut twenty-years ago with the philosophical novel Escape from Time, but thereafter I abandoned my writing in favor of a career within IT consultancy. But my writing aspirations never left, and I decided to have one final go of it.

Since I’ve always loved reading crime novels and on top of that take a great interest in solving problems – mathematical problems, crosswords, Sudoku and all that – I decided to give crime a try. But - very importantly – without giving up my philosophical ambitions and literary quality claims. I asked myself what’s significant for a good crime novel and what ingredients from the point of view of content that applies to me specifically. And then I started writing, and just in case, I wrote three books in order to convince the intended publisher of my productivity.

Now I’m working on the sixth novel of the series. Right now the fourth and fifth novels are topping the bestselling charts of Sweden, which makes the hard work a lot easier. Naturally I am very happy about the success. An old dream I’ve nourished since I was a child has been fulfilled. But I blame myself that I didn’t take action before. If I hadn’t been so lazy I could have done it twenty-five years earlier.

The three things in all my crime novels that are most important to me are that they are thrilling, credible and captivating. By help of parallel stories and abrupt filmic cuts, I create thrill. By credibility I mean that the story must work all the way to the end. I’m allergic to crime novels that end up in a mess of improbability and emergency solutions. Like multiple personalities and identical twins for example… my starting point is that the same things captivate the reader and me. I am interested in the story of the individual, so I step inside all my characters, no matter whether they are main or minor characters, murderers or victims. Furthermore the best crime novels contain much more than the actual crime, which gives intellectual gratification, and it is also my aim to accomplish that bonus for the reader.

I figure that however I create my police team some people will criticize. In order not to be excessively politically correct and remove focus too much from the actual story, I create a credible team with a set of characters that I like to explore. I’m equally interested in the complexity of men and women myself, so to me the gender of a specific character is of less importance. I hope that goes for my readers as well, as long as the character in question is a human being of interest.

I was bored with the stigmatized crime novel inspector. I wanted my inspector to be like most people in my surroundings: nice, friendly and a good honest person without any drinking problems. All that without being a superhero of course, which I obviously find not so realistic. Same thing with the rest of the team. I prefer not to exaggerate their characteristics, which would misdirect the focus.

The Gingerbread House is a crime novel about evil and the consequences of a horrible childhood. About how disrespect from the people around you will ruin your self-confidence and your hopes for the future. As a child I was subjected to bullying and harassment, so the plot of The Gingerbread House came easy to me. Many of the scenes in the book are my own experiences. I wanted to explore how different people react differently in times of misfortune, how bad childhood experiences could form a human being. The Gingerbread House is a novel about how we all should take responsibility for the well-being of the people around us.

Finally I’d like to say that I’m very grateful that you are interested in my writing and me! I sincerely hope that you will enjoy my novels and love my characters. Keep on reading!

Tuesday, November 22, 2011

Scandinavian Crime Series Meets Midsomer Murders

Scandinavian Crime Series meets Midsomer Murders on this hilarious YouTube Video--for anyone who likes mysteries!

Thanks to @crimeficreader and @marzillk via @whyjay99.
Be sure and check out Rhian Davies' Blog: It's a crime! (Or a mystery...)

Sunday, January 17, 2010

Scandinavian Crime: Red Blood and White Snow

This isn't news to anyone who's been reading Crime Fiction for the past few years, but Scandinavian Crime is Hot. No that's not an oxymoron. Anyone who reads, knows about Stieg Larrson, and readers of crime fiction know more and have read more Scandinavian mysteries by such authors as Henning Mankell, Helene Tursten, the Sjowalls, Arnaldur Indriason, and many others. Today and yesterday there were two feature articles in two different papers about Scandinavian Crime Fiction.

Laura Miller writes in today's Wall Street Journal about "The Strange Case of the Nordic Detectives: The growing appeal of Scandinavian crime fiction; existential malaise and bad coffee."

I love her first paragraph: "It's a truth universally acknowledged—in literary circles, at least—that gloomy novels don't sell. Inform a reader that the book in his or her hands tells a grim story about depressed characters in a bleak setting, and you'll see it dropped instantly in favor of some breathless thriller about secret messages implanted in famous paintings or a sentimental yarn about love that transcends time. There's one big exception, though: Take that wintery landscape and add a dead body, then take that mopey main character and make him a sleuth trying to figure out who's responsible for the corpse. Double check to make sure we're not far from the Arctic Circle, and suddenly you have the recipe for an international best seller."

Read the rest of the article
HERE.

And Julia Keller wrote in yesterday's L.A. Times, "Scandinavian mystery novels are hot with readers." She poses the question why the rising fever for Nordic noir and answers it.

Read the the article HERE.

Want to learn more about Scandinavian Crime? Mystery Readers Journal had an issue on Scandinavian Mysteries. Many of the contributors to the Author! Author! section have not yet been translated into English, except perhaps for these essays. Since I'm the editor of the Mystery Readers Journal, I can honestly say we were on the cutting edge. This issue came out in 2007. Check the Table of Contents here.

There are several Blogs devoted to Scandinavian sleuths and crime fiction, one of which is Scandinavian Crime Fiction This blog is part of a project to document and celebrate the amazing amount of high-quality crime fiction coming from the Scandinavian countries and being translated into English. Start up funding for the project was provided by a Research, Scholarship and Creativity grant from Gustavus Adolphus College, a Swedish-heritage liberal arts college in Minnesota. Its companion website The Gustavus Folke Bernadotte Memorial Library has an impressive list of Scandinavian Crime Fiction in English with links to author websites and reviews.

And a few other Blogs and websites on Scandinavian Crime: The Nordic Bookblog This blog on Scandinavian literature presents reviews of books, information about authors, and literary news from Scandinavia. The blog focuses on current literature, primarily fiction, and mostly crime fiction, thrillers, and mystery books. This is an extension of ScandinavianBooks.

And, a few other Blogs and Sites that always or often are about Scandinavian Crime Fiction

Tuesday, December 9, 2008

More Scandinavian Crime Articles

I can't wait to see Kenneth Branagh as Kurt Wallander. We in the U.S. have to wait to get our British shows. I'm a big fan of Scandinavian novels, and the Mystery Readers Journal had a great issue on Crime in Cold Climates: Scandinavian Mysteries. I thought I'd link some recent articles on Cold Crime.

Boyd Tonkin: Beyond Mankell: our fiends in the north


The Nordic Mystery Boom: Forget Holmes, Marple and Poirot. The Scandinavians have a clue by Joe Queenan

Crime Pays in a law-abiding Land There are numerous Blogs devoted to Scandinavian crime and well worth a look.