Writing Christmas Cozies: Guest Post by Vicki Delany

This guest post from Vicki Delany is a great way to start the holiday season! Rest Ye Murdered Gentleman is the first in Vicki's new series of Year Round Christmas mysteries. As the owner of Mrs. Claus’s Treasures, Merry Wilkinson knows how to decorate homes for the holidays. That’s why she thinks her float in the semi-annual Santa Claus parade is a shoe-in for best in show. But when the tractor pulling Merry’s float is sabotaged, she has to face facts: there’s a Scrooge in Christmas Town. Merry isn’t ready to point fingers, especially with a journalist in town writing a puff piece about Rudolph’s Christmas spirit. But when she stumbles upon the reporter’s body on a late night dog walk—and police suspect he was poisoned by a gingerbread cookie crafted by her best friend, Vicky—Merry will have to put down the jingle bells and figure out who’s really been grinching about town, before Vicky ends up on Santa’s naughty list…

Vicki Delany
Just for Fun: Writing Christmas Cozies   

I am the author of 20 published books. I’ve written intense psychological suspense, gritty police procedurals, a book about a serial killer in South Sudan, and a series about the rough and tumble of the Klondike Gold Rush.

And now I write cozies. Why? Because I was asked to, and because I found out that I love writing cozies.

Sometimes it’s fun just to write for fun. And I hope you’ll find my new Year Round Christmas series from Berkley Prime Crime to be fun.

It’s about the town of Rudolph, New York, self-anointed as America’s Christmas Town. The protagonist is Merry Wilkinson, owner of Mrs. Claus’s Treasures, where you can find everything you need for need for holiday decorating. And, if her father Noel, the town’s Santa Claus has been in before you, you might find things you didn’t know you need. But you really do!

Everyone in town gets into the spirit of the thing. Victoria’s Bake Shoppe is famous for its gingerbread. There’s Candy Cane Sweets, the North Pole Ice Cream Parlour, The Elves Lunchbox, Cranberries Coffee Bar, Touch of Holly Restaurant, The Yuletide Inn, the Carolers Motel. (Looking at this list it seems as though the residents and visitors to Rudolph like to eat a lot. Come to think of it, they do.)

In the first book in the series a newcomer to town questions Rudolph’s commitment to the real spirit of Christmas.

“This town has a mercenary attitude toward Christmas.”

“We’re trying to keep Rudolph afloat. Provide people with a good living. Stop families from moving away in search of jobs or opportunities like they’ve had to in so many other places. Do you have a problem with that?”

“No.”

“Good. Because if you’re going to live in Rudolph, you need to realize that Christmas is how people like me, like Vicky Casey, and almost everyone else in town, makes their living, in one way or another. But Christmas is above all what we love. Maybe we seem to go overboard at times, but that’s like criticizing my mother for going overboard because she sings opera arias rather than advertising jingles. Opera is what she loves.” 

But, in mystery novels even into the nicest towns murder and mayhem must fall. Everyone is thrilled when a journalist from an international travel magazine comes to Rudolph to write an article on the town. They are not so pleased when he dies from eating a poisoned gingerbread cookie made by none other than Merry’s best friend, Vicky, owner of Victoria’s Bake Shoppe. It might be up to Merry to find the killer and save the reputation of the town before it becomes the Ghost of Christmas Towns Past.

This holiday season, why not pop into America’s Christmas Town and meet Merry and Vicky and the gang and help them celebrate Christmas.

Cartoon of the Day: The Raven Today

From Rhymes with Orange

Noir City Christmas: December 16

NOIR CITY once again offers the dark gift of film noir for the holidays.
Where? San Francisco's historic Castro Theatre
When? Wednesday, December 16
Why and What? For a fabulous double dose of Noir Noël: Max Ophüls' The Reckless Moment (1949) at 7:30 and Henry Hathaway's Kiss of Death (1947) at 9:30.

Both films will screen in 35mm, and tickets for this exceptional event are only $12 for the double bill—less than the cost of a single holiday eggnog at any bar in town!

In addition to a seasonally themed double bill of vintage noir films, host Eddie Muller will be revealing the complete schedule (and scorching new poster!) for the eagerly anticipated NOIR CITY 14.

Cartoon of the Day: Booksigning

What do you mean by Jewish Noir? Guest Post by Kenneth Wishnia

Jewish Noir, edited by Kenneth Wishnia, is a unique collection of all-new stories by Jewish and non-Jewish literary and genre writers, including numerous award-winning authors such as Marge Piercy, Harlan Ellison, S.J. Rozan, Nancy Richler, Moe Prager Reed Farrel Coleman), Wendy Hornsby, Charles Ardai, and Kenneth Wishnia. The stories explore such issues as the Holocaust and its long-term effects on subsequent generations, anti-Semitism in the mid- and late-20th century United States, and the dark side of the Diaspora (e.g., the decline of revolutionary fervor, the passing of generations, the Golden Ghetto, etc.). The stories in this collection also include many “teachable moments” about the history of prejudice, and the contradictions of ethnic identity and assimilation into American society. Jewish Noir is available directly from PM Press. Mystery Readers NorCal was treated in October to an amazing Literary Salon with Editor, Publisher, and 7 contributors to this amazing volume of short stories.

KENNETH WISHNIA:
WHAT DO YOU MEAN BY JEWISH NOIR?

A message from the Department of Unexpected Experiences: On every leg of our extensive tour for Jewish Noir outside of the New York area, the first question was invariably some form of, “What do you mean by Jewish noir?”

At first, I didn’t know where to begin. Did I really have to explain it?

Yes, apparently I did.

Some thought it was a joke. (How is it Jewish? Do the killers eat bagels while they’re shooting people?) But they weren’t laughing once I finished setting them straight.

Maybe it has to do with the high visibility of American Jews in two prominent areas: Wall Street and Hollywood. Yes, American Jews have been quite successful overall. But some people (OK, a lot of people) clearly have no idea how dark the general Jewish experience of history has been.

And so it falls to me to correct that impression.

Never mind the horrors of government-sponsored pogroms in Tsarist Russia in the early twentieth century. Never mind the attempted genocide at the hands of the Nazis and their collaborators in mid-twentieth century Europe. Never mind that overt systemic discrimination against Jews continued well into the 1960s in many otherwise enlightened regions of the United States.

The Jewish experience is noir from the beginning. Literally. In the first chapter of Genesis, God subdues the forces of chaos and sets up an orderly, balanced world. Then in chapter two, he turns a couple of innocent creatures loose amid his creation, and through a series of slip-ups and miscommunications, things start rapidly going sideways, and by the end of chapter three—that is, 7 pages into a text that runs 2,023 pages in the JPS edition—young humanity is exiled from Paradise.

To quote James Ellroy’s definition of noir: On page one everyone’s fucked. Then it gets worse.

The Jewish experience of noir is so ingrained in our psyches that one of the contributors to Jewish Noir, Tasha Kaminsky, while maintaining that she really isn’t a “noir” writer, included a line in her story, “Your Judaism,” that came from her experience as a twenty-first century American Jew, which fellow contributor and esteemed noirchaeologist Charles Ardai cited as a defining condition of noir: “the idea that maybe the universe isn’t indifferent and it’s actively against me.” Not really a noir writer, eh?

Tasha Kaminsky was also on a panel with Reed Farrel Coleman and me at a recent Jewish Noir-related event at the Houston JCC when we were asked to name the “first writer of Jewish noir.”

Her answer: George Eliot, for the novel, Daniel Deronda.

My answer: Moses.

Followed by the authors of Ecclesiastes, Job, and Lamentations.

For it is said that despite being the pivotal figure of the Hebrew Bible, Moses still “felt like a stranger on earth” (in the words of one commentator, known as Or HaChaim).

And let’s not forget the angry prophets, for example, Jeremiah 17:5: “Cursed is he who trusts in man.”

Not your typical Sunday school Jesus-loves-you stuff, is it?

Another contributor, Rabbi Fisher, summed up our condition as follows: The Jews are the eternal people who are always dying.

And yet we still manage to laugh. In fact, one book of Jewish humor says that the first recorded joke in Jewish literature occurs in Genesis 4:9, when God asks Cain, “Where is your brother Abel?” and Cain answers, “I don’t know. Am I my brother’s keeper?”

That is some seriously dark humor, folks.

So, yeah. Jewish Noir. Reed Farrel Coleman says it’s the most redundant title in literature.

And now you know why.

P.S.: On a related note, to be considered for further discussion elsewhere, in true Talmudic fashion: It seems like at every event we do for Jewish Noir, someone asks us for a definition of noir as well. Why is that? Nobody asks the romance writers for a definition of romance, or the writers of police procedurals for a definition of the police procedural. What is it about “noir” that occasions such questions? I expect some answers by the time we do our “Jewish Noir” panel at Left Coast Crime 2016 in Phoenix, AZ. See you there!

Cartoon of the Day: Take Your Cat to Work Day

This is an oldie but goodie from Rhymes with Orange. 

Post a photo of your cat at the keyboard.