Showing posts with label Scottish. Show all posts
Showing posts with label Scottish. Show all posts

Saturday, July 19, 2025

McIlvanney Prize Scottish Crime Novel of the Year Longlist


2025 McIlvanney Prize Scottish Crime Novel of the Year Longlist

 Whispers of the Dead, by Lin Anderson (Macmillan)
 The Midnight King, by Tariq Ashkanani (Viper)
 The Dying Light, by Daniel Aubrey (HarperNorth)
 Carnival of Lies, by D.V. Bishop (Macmillan)
 Unsound, by Heather Critchlow (Canelo)
 The Moon’s More Feeble Fire, by Allan Gaw (Polygon)
 The Good Father, by Liam McIlvanney (Bonnier)
 Paperboy, by Callum McSorley (Pushkin Press)
 The Good Liar, by Denise Mina (Vintage)
 Gunner, by Alan Parks (John Murray)
 Death of Shame, by Ambrose Parry (Canongate)
 Midnight and Blue, by Ian Rankin (Orion)
 A Thief’s Blood, by Douglas Skelton (Canelo)

The McIlvanney Prize, named in honor of author William McIlvanney, will be presented on Friday, September 12, during Bloody Scotland International Crime Writing Festival. 

Monday, September 16, 2024

McILVANNEY PRIZE: Bloody Scotland

The McIlvanney Prize was announced at Bloody ScotlandThe award, previously known as the Bloody Scotland Prize for Scottish Crime Writing, was presented on Friday, September 13, on the first night of the Bloody Scotland Festival. 

Chris Brookmyre is this year’s winner of the McIlvanney Prize for his latest crime thriller, The Cracked Mirror.

The Cracked Mirror, published by Sphere, has been described as a “cross genre hybrid of Agatha Christie and Michael Connelly”, with judges declaring it “a brilliant piece of storytelling”.

The judges were BBC Scotland presenter Bryan Burnett; category manager for Waterstones, Angie Crawford; and journalist and editor, Arusa Qureshi.

Read more Here. 


The Shortlist:




Wednesday, September 4, 2024

McILVANNEY PRIZE SHORTLIST 2024

The Shortlist for the McIlvanney Prize has been announced by Bloody ScotlandThe award, previously known as the Bloody Scotland Prize for Scottish Crime Writing, will be presented on Friday, September 13, on the first night of the Bloody Scotland Festival. Congratulations to all!




Saturday, June 29, 2024

BLOODY SCOTLAND DEBUT PRIZE SHORTLIST


I missed posting the shortlist for the Bloody Scotland Debut Prize, so here it is. Thanks to TheRapSheet, I now have the info. There are five nominees for this year’s Bloody Scotland Debut Prize. And, if you missed it, here is the Longlist for the McIlvanney Prize. 

BLOODY SCOTLAND DEBUT PRIZE SHORTLIST

 Crow Moon, by Suzy Aspley (Orenda)
 Dark Island, by Daniel Aubrey (Harper North)
 The Silent House of Sleep, by Allan Gaw (SA Press)
 Blood Runs Deep, by Doug Sinclair (Storm)
 Double Proof, by Martin Stewart (Polygon)

The 2024 festival will be held in Stirling, Scotland, September 13 to 15, where the winners will be announced.


Sunday, June 16, 2024

BLOODY SCOTLAND International Crime Writing Festival: Sneak Peek


Bloody Scotland, Scotland's International Crime Writing Festival (September 13-15, 2024)
 
announced a Peek at the Program, just ahead of next week's launch. These are the authors released as part of the 'sneaky peek.' Sounds fabulous..and this is only part of the program. 

Richard Armitage: Headlining the opening nightone of the UK’s most popular actors will talk about his debut thriller, Geneva. His string of acting credits include The Hobbit, North and South, Into the Storm, and Spooks.

Ann Cleeves: The creator of three outstanding crime series, two television dramas in Vera and Shetland and 26 novels translated into over 20 languages will be in conversation with Lin Anderson.  

Peter May: Launching the much-anticipated fourth book in the Lewis series, will be in conversation with Craig Robertson.

Louise Minchin: The BBC Breakfast TV presenter will talk about her debut novel, Isolation Island. The book draws heavily on her TV experience.

Ruth Ware: – The international bestselling crime writer, in conversation with Louise Minchin, discussing her new mystery, One Perfect Couple, chaired by TV and radio presenter, Bryan Burnett.

Tickets for all of these events are now on sale! See https://bloodyscotland.com/whats-on/ for details.

Tuesday, September 5, 2023

2023 McIlvanney Prize Shortlist: Bloody Scotland


The Shortlist for the 2023 McIlvanney Prize for Scotland's prestigious annual crime writing award, was announced. The Prize is named in memory of the 'Godfather of Tartan Noir', the great William McIlvanney

SQUEAKY CLEAN by Callum McSorley (Pushkin): the judges said: "A wonderfully rich and funny new voice in Scottish crime. McSorley has created characters you invest in and plot that keeps you hooked right from the start."
 
THE SECOND MURDERER by Denise Mina (Vintage): the judges said: "Seriously stylish and oozing with attitude, this Philip Marlowe mystery is an exquisite read."
 
CAST A COLD EYE by Robbie Morrison (Macmillan): the judges said: "A story inhabited by brilliantly drawn characters. Not just a crime novel but a vivid and immersive account of life in Glasgow in the 1930s."
 
THE DEVIL'S PLAYGROUND by Craig Russell (Little, Brown): the judges said: "Mesmerising from the start. Devilishly dark and dripping with menace. A breath-taking masterclass in twisty crime writing."

These events are part of a three-day annual showcase of crime writing at Bloody Scotland, which is Scotland's international crime writing festival. Both prizes are again sponsored by The Glencairn Glass, Kirsty Nicholson, Design and Marketing Manager at Glencairn Crystal, said: 
"Now in our third year of sponsoring these prestigious awards with the Glencairn Glass, we’re very proud to be a part of this amazing Scottish annual event in the world of crime fiction. We continue to be impressed and enthralled by the talented authors who enter and we wish everyone the very best of luck."
The 2023 Bloody Scotland festival begins at 1: 30pm on Friday, September 15 , with the final event concluding at 2pm on Sunday September 17. It takes place at various venues in the historic centre of Stirling, including the Albert Halls, Trinity Church, and the Golden Lion Hotel. 

Monday, January 30, 2023

Scottish Mysteries: Mystery Readers Journal

Mystery Readers Journal: Scottish Mysteries (Volume 31:3) is a great issue, filled with articles, reviews, and essays by your favorite writers. It's still available as a PDF. Buy the PDF.  Here's the Table of Contents and a few sample articles. Enjoy! 

MYSTERY READERS JOURNAL:
SCOTTISH MYSTERIES

TABLE OF CONTENTS

ARTICLES
  • Performing Scottish Crime: Ian Rankin’s Dark Road by Charlotte Beyer
  • The Many Hues of Tartan Noir by Nancie Clare
  • Escape Through Idyllic Scotland by Ann-Marie Lamb
  • Tartan Noir: Scottish Mystery Fiction by Chris Longmuir
  • Beautiful Mysterious Scotland by Patricia Smiley
AUTHOR! AUTHOR!
  • Crime Writing — Scotland’s Other National Export by Lin Anderson
  • Beatrice Who? Some Thoughts on Scotland by Rhys Bowen
  • Rain and Scottish Crime Writing by G.J. Brown
  • The Deadly Flower of Scotland by Lillian Stewart Carl
  • At Home in Edinburgh by C.S. Challinor
  • Casanova and the Scottish Connection by Myra Duffy
  • Finding My Scottish Essence by David Hagerty
  • By Yon Bonnie Braes by Jo A. Hiestand
  • A Brief History of Bodysnatching by Anna Lee Huber
  • My Search To Belong by Coco Ihle
  • Scottish Heads and Scottish Hearts by Paul Johnston
  • Mystery and Murder in the Heart of Scotland by Chris Longmuir
  • Ghosts, Whisky, Fire… and a Single Flower by Bonnie MacBird
  • The Angel’s Share by Diane Gilbert Madsen
  • The Emergence of Muirteach Macphee by Susan McDuffie
  • Writing About Scotland by Peter May
  • Land of My Heart by Catriona McPherson
  • Grunt Goes to Canada by Grant McKenzie
  • What’s in a Name? by T. Frank Muir
  • Childhood Adventures in Scotland by Gigi Pandian
  • A Tale of Haggis, Neeps, and Tatties by Martha Reed
  • Scotland the Grave by Craig Robertson
  • My Heart’s in the Highlands by A.D. Scott
  • An American Guide to Scotland by Alexandra Sokoloff
  • Shetland? But what do you find to do with yourself up there… ? by Marsali Taylor
  • Is This Edinburgh? by Marty Wingate
COLUMNS
  • Mystery in Retrospect: Reviews by Sandie Herron, John Patrick Lang, Lesa Holstine, L.J. Roberts, Craig Sisterson
  • Scotland and British Crime Fiction: Some Observations by Philip L. Scowcroft
  • Children’s Hour: Scotland by Gay Toltl Kinman
  • Crime Seen: Detecting Scotsmen by Kate Derie
  • In Short: The Short Scottish Mystery by Marvin Lachman
  • Scotland’s Classic Mysteries by Cathy Pickens
  • From the Editor’s Desk by Janet Rudolph

Tuesday, June 28, 2022

SCOTTISH CRIME DEBUT OF THE YEAR SHORTLIST


The Shortlist for the Scottish Crime Debut of the Year. Winner will be announced at Bloody Scotland in September. Congratulations to all!

Scottish Crime Debut of the Year Shortlist

Tariq Ashkanani, Welcome to Cooper (Thomas & Mercer, Amazon)

Frankie Boyle, Meantime (John Murray).

Amanda Mitchison, The Wolf Hunters (Fledgling Press).

George Paterson, The Girl, The Crow, The Writer and The Fighter (Into Books).

Sarah Smith, Hear No Evil (Two Roads).

***

Bloody Scotland is Scotland’s International Crime Writing Festival, providing a showcase for the best crime writing from Scotland and the world, unique in that it was set up by a group of Scottish crime writers in 2012. Full information at bloodyscotland.com The festival takes place in various venues (including The Albert Halls, The Tollbooth and the social hub of the festival, The Golden Lion Hotel) in the historic town of Stirling from 15-18 September 2022.

Wednesday, June 8, 2022

McILVANNEY PRIZE LONGLIST 2022


The Longlist for the McIlvanney Prize 2022 was announced today to mark book festival Bloody Scotland’s 10th anniversary. The annual prize goes to the best Scottish crime book of the year.

McILVANNEY PRIZE LONGLIST 2022

A Matter of Time, Claire Askew (Hodder)

The Sound of Sirens, Ewan Galt (Leamington Books)

The Blood Tide, Neil Lancaster (Harpercollins)

From the Ashes, Deborah Masson (Transworld)

The Heretic, Liam McIlvanney (Harpercollins)

Rizzio, Denise Mina (Polygon)

May God Forgive, Alan Parks (Canongate)

A Corruption of Blood, Ambrose Parry (Canongate)

A Rattle of Bones, Douglas Skelton (Polygon)

The Second Cut, Louise Welsh (Canongate)

The shortlist will be revealed in early September, with the winner being announced on September 15 at Bloody Scotland in Stirling.

The Debut Prize Shortlist will be announced in July.

 

 

Tuesday, August 31, 2021

McILVANNY PRIZE SHORTLIST: Scottish Crime Book of the Year


McIlvanney Prize for Scottish Crime Book of the Year 2021

Silent Daughter by Emma Christie 

The Coffin Maker’s Garden by Stuart MacBride 

Edge of the Grave by Robbie Morrison 

The April Dead by Alan Parks 

Hyde by Craig Russell

The winners of both the McIlvanney Prize and the Scottish Crime Debut of the Year will be revealed at the Albert Halls in Stirling at 5.15pm on Friday 17 September and broadcast live on-line. This year, the prize ceremony will be free but ticketed to watch or attend! 

Get your free ticket for in-person attendance or online viewing.

Monday, June 28, 2021

Bloody Scotland Scottish Crime Debut of the Year 2021: Shortlist


Bloody Scotland Scottish Crime Debut of the Year 2021: Shortlist

The Silent Daughter, Emma Christie 

No Harm Done, AJ Liddle 

Edge of the Grave, Robbie Morrison 

Waking the Tiger, Mark Wightman 

The winners of the Bloody Scotland Scottish Crime Debut of the Year and the 2021 McIlvanney Prize will be revealed on Friday 17 September in the historic town of Stirling.

Congratulations to all!

Tuesday, June 15, 2021

BLOODY SCOTLAND McILVANNEY PRIZE LONGLIST: Scottish Crime Book of the Year


Bloody Scotland
announced the Longlist for the McIlvanney Prize for the Scottish Crime Book of the Year 2021. The McIlvanney Prize recognizes excellence in Scottish crime writing, and includes a prize of £1,000 and nationwide promotion in Waterstones.

 The Cut, Chris Brookmyre
The Silent Daughter, Emma Christie
Before the Storm, Alex Gray
Dead Man’s Grave, Neil Lancaster
The Coffinmaker’s Garden, Stuart MacBride
Still Life, Val McDermid
Bad Debt, William McIntyre
The Less Dead, Denise Mina
How To Survive Everything, Ewan Morrison
Edge of the Grave, Robbie Morrison
The April Dead, Alan Parks
Hyde, Craig Russell
Waking the Tiger, Mark Wightman


 

Friday, June 28, 2019

MCILVANNEY PRIZE LONGLIST: Scottish Crime Book of the Year

The Bloody Scotland International Crime Writing Festival (September 20-22, 2019) organizers announced the shortlists for the McIlvanney Prizes. 

McIlvanney Prize Longlist:
 All the Hidden Truths, by Claire Askew (Hodder)
 No Man’s Land, by Neil Broadfoot (Little, Brown)
 Fallen Angel, by Chris Brookmyre (Little, Brown)
 Breakers, by Doug Johnstone (Orenda)
 All That’s Dead, by Stuart MacBride (HarperCollins)
 In the Silence, by M.R. Mackenzie (Bloodhound)
 Broken Ground, by Val McDermid (Little, Brown)
 A Breath on Dying Embers, by Denzil Meyrick (Polygon)
 Conviction, by Denise Mina (Vintage)
 The Way of All Flesh, by “Ambrose Parry” (Canongate), aka Chris Brookmyre and Marisa Haetzman
 In a House of Lies, by Ian Rankin (Orion)
 A Treachery of Spies, by Manda Scott (Transworld)
 Thunder Bay, by Douglas Skelton (Polygon)

McIlvanney Debut Prize Shortlist:
 All the Hidden Truths, by Claire Askew (Hodder)
 From the Shadows, by G.R. Halliday (Vintage)
 Black Camp 21, by Bill Jones (Polygon)
 In the Silence, by M.R. Mackenzie (Bloodhound)
 The Peat Dead, by Allan Martin (Thunderpoint)

The winners of both awards will be announced on Friday, September 20, during the opening reception at the Bloody Scotland convention in Stirling.

These annual awards recognize “excellence in Scottish crime writing,” are named in honor of William McIlvanney, author of the novel Laidlaw.

HT: The Rap Sheet

Wednesday, September 5, 2018

McIlvanney Prize Shortlist: Scottish Crime Book of the Year


2018 McIlvanney Prize Shortlist: Scottish Crime Book of the Year. The winner will be announced on September 21 at the opening gala at the Church of the Holy Rude in Stirling at Bloody Scotland.

Forty-one years ago, William McIlvanney rocked the British literary world with Laidlaw, a gritty and socially conscious crime novel that brought Glasgow to life more vividly than anything before. This year’s longlistees for the McIlvanney Prize demonstrate how modern Scottish crime writing has flourished from those seeds. From debutants to authors with more than 20 books, spy thrillers to long-running detective series, nineteenth-century mysteries to futuristic space station noir, there’s an amazing range of talent on show. – Craig Sisterson, chair of the 2018 judges  

2018 McIlvanney Prize Shortlist

Lin Anderson, Follow the Dead (Macmillan)
Chris Brookmyre, Places in the Darkness (Little, Brown)
Charles Cumming, The Man Between (Harper Collins)
Liam McIlvanney, The Quaker (Harper Collins)

Thursday, August 30, 2018

The Blood Road: Guest Post by Stuart MacBride

Stuart MacBride:
The Blood Road

I’ve been writing about the northeast of Scotland for about sixteen years now. Which is a lot of time. That’s about the same length of time you’d serve over here for murdering someone. I suppose, to be fair, I have murdered dozens and dozens of people, but they weren’t real people – I made them up, so that’s OK.

Most of my murderous rampage has been in and around Aberdeen, the city where I grew up. This is for two reasons. 1: it’s my hometown and why should Edinburgh and Glasgow get all the serial killers, and 2: there’s a lot less travel involved when I have to research something. That kind of thing is important when you’ve not had to commute to work for thirteen years. These days my journey to work involves making a cup of tea in the kitchen, then wandering through to the study and the desk where I seem to spend about 90% of my life. The only traffic jams I get stuck in involve cats.

Which is all very different to how it used to be, struggling along tiny winding back roads, in one huge line of traffic after the next, in order to get to an industrial estate in the Bridge of Don for half eight in the morning. And then back again after six. Always in rush hour. Which makes me appreciate my feline traffic jams even more.

Of course, that’s all about to change. Because, at long last, Aberdeen is getting a bypass!

This probably seems like a weird thing for a crime writer to bang on about in a piece for Mystery Readers International, but bear with me.

In some ways a bypass is like the aftermath of a crime. It allows us to skirt around something without ever having to face/drive through it. It keeps what it bypasses hidden. But more than that – and a lot less pretentious – is the fact that it provided the inspiration for THE BLOOD ROAD. See, I told you I was going somewhere with this. I was driving into town last September, caught in yet another long line of slow-moving traffic, so had time to look around as we crawled between the lines of orange cones. There, up on the hill to the right, in the distance, was the bypass being built. A swathe of brown churned-up earth reached down from the top of the hill towards us, bright yellow earth movers growling away on the brow. Flapping lines of tape, caught between marker pegs.

Now, Aberdeen has been waiting for its bypass for over forty years. Eighteen wheelers thunder along the little side roads for miles around the city, trying to avoid going through it. We’re talking the kind of road that has passing places. Not much fun when you turn the corner and come bumper to radiator with an articulated lorry (or “truck”, if you’re of the American persuasion) doing sixty. That’s change-of-pants time (or “underwear”, if you’re still American after the whole “truck/lorry” incident). They could have built it decades ago, when the Oil industry was at its peak. Back in the seventies, the oil companies actually offered the city council millions of pounds to build a ring road, but the council, like the stalwart geniuses that they were, turned the money down and left Aberdeen to be crushed under the weight of its own traffic. Ah, politicians – aren’t they great? But at long last we’re getting a bypass to relieve the city’s clogged arteries.

And as I sat there in the crawling traffic, looking up at the earthmoving equipment bringing our new bypass down the hill, I thought, “What would happen if those diggers and bulldozers found something buried? Something that someone would kill to keep hidden?”

From that dark and twisted seed THE BLOOD ROAD grew.

***

Stuart MacBride is a Scottish writer, most famous for his crime thrillers set in the "Granite City" of Aberdeen and featuring Detective Sergeant Logan McRae. Stuart MacBride was born Feb 27 1969 in Dumbarton, Scotland and raised in Aberdeen. His careers include scrubbing toilets offshore, graphic design, web design and IT/computer programming. MacBride's publishing deal was secured with the writing of Halfhead, however the publishers were more interested in Cold Granite, concerning DS Logan MacRae. His books have sold over 2.5 million copies worldwide, been translated into 18 languages and won numerous awards, including the ITV crime thriller award. In 2015 he was awarded an honorary doctorate by Dundee University. He now lives in north-east Scotland with his wife, Fiona and their cat Grendel. He is reputed to be a passionate potato grower, but claims to have a "vegetable patch full of weeds". The Blood Road, the latest in the Logan McRae series, will be published on September 4.

Monday, December 5, 2016

So Why is Fruitcake Funny? Guest Post by Catriona McPherson

Today I welcome back one of my favorite Scottish Authors...and with a very timely topic. Catriona McPherson is the author of eleven novels in the Dandy Gilver series, featuring Dandy Gilver, her sidekick Alec Osborne, and Bunty the Dalmatian, set in Scotland in the 1920s and 30s. They have won Agatha, Macavity and Lefty awards and been shortlisted for a UK Dagger. The series is currently in development for television, at STV in Scotland. She also writes contemporary standalones, including The Child Garden and Quiet Neighbors, which have won two Anthonys and been shortlisted for an Edgar and a Mary Higgins Clark award. Find out more at www.catrionamcpherson.com.

CATRIONA MCPHERSON:
SO WHY IS FRUITCAKE FUNNY?

It’s one of the more unexpected differences between Christmas in the US and the UK, where a rich, dark, boozy fruitcake glistening with mixed peel and studded with chopped nuts is not only the cake to gorge on at this time of year, but is also the cake under all that fancy icing at a wedding.

Don’t get me wrong, not everyone over there likes fruitcake. But then not everyone likes chocolate or ice-cream either (hey, my dad doesn’t like mashed potato; takes all kinds) but there’s no sniggering about it. There’s no muttering that anyone who manages to choke a slice down is a sucker. For Brits, the comedy Christmas food is Brussels sprouts.

So when it comes to a seasonal recipe to share (Did I say I’ve got a Christmas-set mystery coming out? See below.), I know there’s no point doing the cake walk. I rattled through the other options: Black Bun – all the same ingredients but with the fruit and nuts inside and the flour in the form of a pastry shell around them; Clootie Dumpling – basically a Christmas cake with added suet, boiled in a cloth bag; Mince Pies – guess what’s minced.

Then I remembered shortbread! No fruit. No nuts. No peel. No suet. And (especially for Janet Rudolph) you can dip it in chocolate if you want to.

So here is my easy-peasy, comedy-free, recipe for Scottish shortbread, as served at New Year with a wee glass of whatever takes your fancy.


Ingredients: 
9oz plain flour
6oz cold butter
3 oz sugar
Extra sugar for dusting.
You will need a large flat baking sheet.

Method 
Set the oven to 325F.
Mix the flour and sugar.
Chop up the butter into little cubes, the smaller the better, with a cold knife.
Grease the baking sheet with the butter wrapper.
Using the tips of your fingers (avoiding the warmth of your palms) rub the butter into the flour/sugar. (This means lifting up pinches and twizzling your fingers and thumbs as if you’re trying to decide whether something is real silk or rayon.) Eventually the pile of flour/sugar plus butter lumps combines to look like fine breadcrumbs. 
Now work the mixture with one hand until it’s a ball sitting in a clean bowl.
Divide it into two halves. Shape each one into a round and roll them out on a board until they’re about ¼ inch thick.
Move the rounds onto the baking sheet. They should slide if you tip the board.
Mark them out into portions (like a pizza), prick holes in each slice with a fork and, again with the fork, press crimps into the perimeter (like the flounce on a petticoat. (Lightbulb! This might be why we sometimes call these Petticoat Tails.))
Bake for about half an hour, until the shortbread is pale gold in colour.
Dredge with sugar as soon as you remove it from the oven.
Snap into individual pieces when it’s completely cold.

Shortbread keeps for weeks in an airtight tin, but rarely gets the chance to (even if there’s fruitcake, black bun, mince pies and clootie dumpling in the house).


Full disclosure: this is not a picture of my shortbread. I’ve scoured my files and concluded that I’ve never taken a picture of my shortbread. But this is as close to honest as the internet could bring me. Happy Holidays, everyone.


THE REEK OF RED HERRINGS, set in an Aberdeenshire fishing village at the wedding season (aka Christmas) in 1931, comes out on the 13th of December. If you pre-order between now and midnight on the 12th, I’ll send you an exclusive short story and enter you in a drawing to win a bundle of all eleven Dandy Gilver novels. And I’ll send you some shortbread too. See here for details.