Today I welcome Carin Gerhardsen, author of The Gingerbread House, that releases today. She has written the Hammarby series, crime novels that take place in the southern parts of Stockholm. This is the first in Gerhardsen’s series. This novel explores schoolyard bullying among young children and the effect it has on them when people look the other way. "Known for thrillers with taut, suspenseful plots and unexpected twists and turns, her novels linger in the reader’s mind long after the finish."
Swedish digital-first publisher, Stockholm Text, has published 4 popular and prolific Swedish writers. Available in paperback and e- book format, the following four Swedish novels are perfect reading for the summer: The Dead of Summer by Mari Jungstedt, Death of a Carpet Dealer by Karin Wahlberg, Killer's Island by Anna Jansson and The Gingerbread House by Carin Gerhardsen.
To win a paperback copy of The Gingerbread House, after you've read Carin's guest post, make a comment about why you'd like to read this novel. Be sure and leave your email address (ex: Jane at yahoo dot com), so I can contact the winner.
My name is Carin Gerhardsen, and I am the author of “The Hammarby Series”. I was born in 1962 and grew up in Katrineholm where the first book, The Gingerbread House, takes place. Educationally, I am a mathematician and now live in Stockholm with my husband and our two children. I made my literary debut twenty-years ago with the philosophical novel Escape from Time, but thereafter I abandoned my writing in favor of a career within IT consultancy. But my writing aspirations never left, and I decided to have one final go of it.
Since I’ve always loved reading crime novels and on top of that take a great interest in solving problems – mathematical problems, crosswords, Sudoku and all that – I decided to give crime a try. But - very importantly – without giving up my philosophical ambitions and literary quality claims. I asked myself what’s significant for a good crime novel and what ingredients from the point of view of content that applies to me specifically. And then I started writing, and just in case, I wrote three books in order to convince the intended publisher of my productivity.
Now I’m working on the sixth novel of the series. Right now the fourth and fifth novels are topping the bestselling charts of Sweden, which makes the hard work a lot easier. Naturally I am very happy about the success. An old dream I’ve nourished since I was a child has been fulfilled. But I blame myself that I didn’t take action before. If I hadn’t been so lazy I could have done it twenty-five years earlier.
The three things in all my crime novels that are most important to me are that they are thrilling, credible and captivating. By help of parallel stories and abrupt filmic cuts, I create thrill. By credibility I mean that the story must work all the way to the end. I’m allergic to crime novels that end up in a mess of improbability and emergency solutions. Like multiple personalities and identical twins for example… my starting point is that the same things captivate the reader and me. I am interested in the story of the individual, so I step inside all my characters, no matter whether they are main or minor characters, murderers or victims. Furthermore the best crime novels contain much more than the actual crime, which gives intellectual gratification, and it is also my aim to accomplish that bonus for the reader.
I figure that however I create my police team some people will criticize. In order not to be excessively politically correct and remove focus too much from the actual story, I create a credible team with a set of characters that I like to explore. I’m equally interested in the complexity of men and women myself, so to me the gender of a specific character is of less importance. I hope that goes for my readers as well, as long as the character in question is a human being of interest.
I was bored with the stigmatized crime novel inspector. I wanted my inspector to be like most people in my surroundings: nice, friendly and a good honest person without any drinking problems. All that without being a superhero of course, which I obviously find not so realistic. Same thing with the rest of the team. I prefer not to exaggerate their characteristics, which would misdirect the focus.
The Gingerbread House is a crime novel about evil and the consequences of a horrible childhood. About how disrespect from the people around you will ruin your self-confidence and your hopes for the future. As a child I was subjected to bullying and harassment, so the plot of The Gingerbread House came easy to me. Many of the scenes in the book are my own experiences. I wanted to explore how different people react differently in times of misfortune, how bad childhood experiences could form a human being. The Gingerbread House is a novel about how we all should take responsibility for the well-being of the people around us.
Finally I’d like to say that I’m very grateful that you are interested in my writing and me! I sincerely hope that you will enjoy my novels and love my characters. Keep on reading!