Friday, March 23, 2018

Philip Kerr: R.I.P.

What incredibly sad news. Philip Kerr, author of the Bernie Gunther novels, died at the age of 62. I just started his latest book. What an amazing writer. What a loss. Philip Kerr wrote historical fiction, children's books and non-fiction. I loved the Bernie Gunter novels and his stand-clones. He will be missed.

From The Guardian:

His death on Friday was confirmed by his publisher. Tributes poured in on social media for the award-winning author who penned a series of historical thrillers set in Germany during the second world war and cold war.
Ian Rankin tweeted: “Numbed by the news that Philip Kerr has died. His Bernie Gunther novels are extraordinary, a mix of great storytelling and brilliant research, with a believable (a)moral hero.”
Kerr, who wrote more than 30 books, including 12 Bernie Gunther novels as well as standalone thrillers and non-fiction, was married to fellow novelist Jane Thynne, with whom he had three children.
His wife wrote on Twitter: “RIP beloved Philip Kerr. Creator of the wonderful #BernieGunther. Genius writer and adored father and husband. 1956-2018.”
Kerr’s publisher Quercus Books said: “We are very sad to have lost Philip Kerr today, a wonderful man and a great author. We are thinking of @janethynne and all his family, friends and colleagues at this difficult time.”
Edinburgh-born Kerr studied law at university before working as a copywriter at a number of advertising agencies including Saatchi & Saatchi. He is said to have spent much of his time in the job researching an idea for a book about a Berlin-based policeman. 
Following several trips to Germany his first novel, March Violets, was published in 1989 and Bernie Gunther was born. . 
Kerr went on to trace the career of the tough-talking detective from 1930s Berlin through the horrors of the Third Reich, into the post-war era and to the cold war.
He also wrote the Scott Mason novels and a number children’s books under the name P B Kerr including the Children of the Lamp series.

Cartoon of the Day: Flight Risk

Tuesday, March 20, 2018

Earl Derr Biggers: Guest Post by Barbara Gregorich

Let There Be Light 

During the 1910s Earl Derr Biggers, a 29-year-old Midwesterner, achieved immediate success and fame with Bobbs-Merrill’s publication of his first novel, Seven Keys to Baldpate, a romantic escapade. George M. Cohan bought stage rights to the book, and then movie rights. Biggers went on to write novellas and stage plays: his musical adaptation of his Love Insurance novella was highly praised for decades.

With the advent of the Golden Age of Mystery, Biggers turned his pen toward writing detective fiction, and it was this decision (and the detective he created) that catapulted him from national fame to world fame. The six Charlie Chan novels were translated into 23 languages, and when Biggers traveled abroad he was hailed as “Charlie Chan’s Poppa.”

And then . . . Earl Derr Biggers fell into a kind of obscurity. A dimness. A blurred distinctness. Three factors led to the world forgetting who Earl Derr Biggers was. First was the author’s early death (1933 at the age of 49), which brought a sudden halt to the series of Chan novels. Second was the subsequent domination of the hard-boiled school of detective fiction over the more genial school exemplified by Biggers. Third was Hollywood’s churning out dozens of Charlie Chan films one after the other, allowing the sheer number of the film versions to eclipse the six Chan novels.

When I first read the Chan novels, I was sixteen years old, and I had never heard of Earl Derr Biggers. The fact that I picked up the hard-bound, well-worn novels at all was due to the fact I grew up not far from Warren, Ohio, Biggers’ home town, and I happened to find his novels on a shelf titled Local Authors. By the time I was sixteen, I had been reading detective fiction (my mother’s books) for three or four years. I read Agatha Christie, Ngaio Marsh, Philip MacDonald, Erle Stanley Gardner, Ellery Queen, and Rex Stout — and I thought the Biggers’ novels fit right in with this company. They were well-plotted, with interesting characters and intriguing settings.

However, because there were only six Chan novels, and because they weren’t available to me except on the shelves of the Warren Public Library, I mostly forgot about them. Until the 1970s, when my husband and I won a trip to Hawaii and there, waiting for me as I stepped off the plane, was a rack of paperback novels — prominent among them the Bantam paperback editions of Biggers’ Chan novels. I bought the first one there, in Hawaii, and read it there. And then I bought the other five when we returned home, and read them, too.

My second reading of these novels stirred something inside me — a thought process of sorts, which got me to wondering why Biggers’ novels weren’t as well-known as the novels of other Golden Age authors. My initial reaction was that Biggers’ was less known because he ended up writing only six novels, whereas authors such as Christie, Marsh, and Gardner each wrote significantly more novels.

Fast forward into the 1990s, when I was searching for Ohio history topics to write about for Timeline, the magazine of the Ohio Historical Society. Biggers came to mind immediately. But there was so little known about him, I wasn’t sure I could write an entire article on him. A little sleuthing, though, and I learned that the Lilly Library at Indiana University was the repository of all the Bobbs-Merrill files after that publisher went out of business in 1959. Bobbs-Merrill was Biggers’ publisher. A few phone calls later and I had an appointment to do research at the Lilly Library. I spent two or three days there going through the Biggers files, reading every piece of correspondence and examining every postcard, poster, and piece of publicity material. Not a scrap of paper escaped me.

My article, “Charlie Chan’s Poppa: The Life of Earl Derr Biggers,” was published in the January-February 1999 version of Timeline — and as the internet grew, that article became ubiquitous. I was quite happy with this contribution to public knowledge of one of the main American authors of the Golden Age. And I had no thought of doing anything further.

But then, just as three factors led to Biggers falling into obscurity, so three different factors led to light shining on him, removing the dimness and sharpening his distinctness.

First, in 2008 Academy Chicago reissued the six Chan novels in beautiful trade paperback editions. After a long absence, the novels were readily available.

Second, Yunte Huang published Charlie Chan: The Untold Story of the Honorable Detective and His Rendezvous with American History (W.W. Norton, 2010). In 2011 the book won the Edgar for Best Critical/Biographical work.

Third, J.K. Van Dover published Making the Detective Story American: Biggers, Van Dine and Hammett and the Turning Point of the Genre, 1925-1930 (McFarland, 2010).

By 2010, a mystery fan could see that knowledge of Earl Derr Biggers was not dead. Writers and editors were discussing Biggers, writing about him, evaluating him. (Jon Breen had been doing this since the 1970s.) And so I decided I really should write a book about Earl Derr Biggers — partly because he and I were from the same patch of ground, partly because my love of the Chan novels goes back such a long way — and partly because I still had all the research notes I had taken at the Lilly Library.

Thus was born Charlie Chan’s Poppa: Earl Derr Biggers (CreateSpace, 2018), a small book which I hope contributes to letting more light shine on the creator of the endearing fictional sleuth, Charlie Chan.

Barbara Gregorich writes both fiction and nonfiction. Her mystery novels Dirty Proof and Sound Proof feature private eye Frank Dragovic, and her Guide to Writing the Mystery Novel: Lots of Examples, Plus Dead Bodies teaches through examples. She has been a fan of Earl Derr Biggers and Charlie Chan since she was in high school. 

Cartoon of the Day: Lesser Known Editing & Proofreading Marks

Monday, March 19, 2018

Cartoon of the Day: Dog Dating Sites

Dyslexia: Guest Post by J.D. Allen

J.D. Allen:

I get asked about my dyslexia often as I travel to book signings and conferences and do guest blogs. As a student, I struggled in grade school, and I even dropped out of North Texas State University after an English professor denigrated my work in front of the entire class.

Five years later, more mature and more determined, I returned to college, and at Ohio State University, I learned from a teaching assistant that I was not a slow learner who had abysmal spelling, but that I was dyslexic. He had a sibling who was profoundly affected by Dyslexia and spotted it in a shot from my answers on an archaeology test.

That diagnosis and the tools the resource center taught me changed my life. In hindsight, I feel my learning disability turned out to be a beautiful gift, requiring me to work harder to achieve and gain a focus others may have lacked.

I believe that the drive to work hard through adversity may be one of the reasons we see learning disabilities in many high achieving people, including Einstein, Benjamin Franklin, and Leonardo Da Vinci. Although those with learning disabilities typically have trouble with written communication, many authors are also members of the high achieving, learning disabled club:

Agatha Christie
Stephen J. Cannell
F. Scott Fitzgerald
Scott Adams
J.F. Lawton
Dav Pilkey
George Bernard Shaw
Jules Verne
Sherrilyn Kenyan
Jeanne Betancourt

I hid my struggles as a youngster, compensating in ways that have become talents or assets to me as an adult. I would memorize instead of reading from the page. I volunteered oral reports versus written ones. I enrolled in lots of debate classes and competed in theatre. Today, I enjoy public speaking and even like helping others get better at the skill. My love of story came from television, movies, and plays. I learned to think in big concepts and lateral positions.

I was in my 30s before I cultivated a love for reading and realized that being an author was possible for me. Technology has made that muse easier. Writing software, a unique font called Dyslexie that helps me read more smoothly, and programs such as Grammarly assist me with the minutia of getting words on paper in the grammatically correct order.

I have a couple of very good proofers who aid me in getting my publisher the cleanest draft I can. A few extra eyes on the page get rid of the challenges dyslexia gives me and lets me worry about the tale.

Because, in the end, books are story and character. Narrative is about expressing complicated emotions and actions and reactions. The intangible. Not the grammatic.

I think we all may have a little something that others might see as a dis-. Disability. Disfunction. Disadvantage. Disease. But the trick is to make that dis into a pro. Productivity. Profit. Profession. Progress.

Stephen J. Cannell, award-winning TV writer and novelist was also dyslexic. He penned more than a dozen TV shows including The Rockford Files and the A-Team. He also wrote more than a dozen novels. He died from complications of melanoma in 2010. Stephen was a spokesperson and advocate for children and adults with learning differences. His family maintains his website and it’s full of information and tools for the dyslexic: He was a fantastic storyteller and an even better person. I recommend the videos.


J.D. Allen is a Mystery Writers of America Freddie Award-winner. Her Sin City Investigations series launched with 19 SOULS earlier this year. She has a short story, in the ANTHONY AWARD WINNING anthology, Murder under the Oaks, as well as Carolina Crimes. She’s the chair of the Bouchercon National Board, a member of MWA, PI Writers of America, and president of her local Sisters in Crime chapter. She’s an Ohio State Univ. Alum with a degree in forensic anthropology and a creative writing minor.

Sunday, March 18, 2018

Cartoon of the Day: Books

BAY AREA BOOK FESTIVAL: Mystery Programming

The Bay Area Book Festival has moved its date but kept its exceptional programming. Over the weekend of April 28th and 29th, 2018, the fourth annual Bay Area Book Festival will fill downtown Berkeley (CA) with a literary extravaganza that offers pleasure to anyone who has ever loved a book.
Whether you’re a fan of science fiction, mystery, or history, of fiction or memoir, of poetry or food writing, of children’s literature or science, come experience one of the best book festivals on the planet! Tickets for the Festival and/or individual panels and talks are now available. Get tickets here.
In addition to panels and talks, there will be booths. Mystery Writers of America, NorCal chapter will have a booth with author signings. Be sure and check the booth when you arrive for times and signings.

Here are some panels of interest to mystery readers. Several of the panels are sponsored by Mystery Writers of America, Northern California Chapter.

Murder She Writes: 
Catherine Coulter Talks with Laurie R. King
Catherine Coulter interviewed by Laurie R. King
Saturday, April 28
10:00 AM - 11:15 AM

Catherine Coulter, No.1 New York Times best-selling suspense writer and author of 82 novels (almost all of them New York Times bestsellers!), is interviewed by Mystery Writers of America NorCal president Laurie R. King, herself a bestselling author of 25 novels. These two remarkable writers will talk about Coulter’s journey from Regency romances to FBI thrillers, the research she does for her widely varied stories, and her craft, art, and life of writing.
Hotel Shattuck Plaza - Crystal Ballroom

Insider, Outsider: Do PIs or Cops Do It Better?
Cara Black,Candice Fox, Matt Goldman, Rachel Howzell Hall, moderated by Bill Petrocelli
Saturday, April 28
11:45 AM - 1:00 PM

At the center of every good crime novel is a hero sniffing out the truth, whether a veteran police officer hardened and informed by years on the force, or a plucky private eye who takes on the case with little to no resources. Four accomplished crime writers battle it out to determine once and for all who does it better, cops or PIs? Vouching for private investigators, Cara Black (Aimée Leduc, PI) and Matt Goldman (Private detective Nils Shapiro) will go head to head with Candice Fox (Detective Harriet Blue) and Rachel Howzell Hall (Detective Elouise Norton). Mystery author Bill Petrocelli moderates.
Hotel Shattuck Plaza - Crystal Ballroom

Viet Thanh Nguyen on Art and Politics
Viet Thanh Nguyen interviewed by Karen Tei Yamashita
Saturday, April 28
1:30 PM - 2:45 PM

Winner of the Pulitzer Prize in 2016 for his novel “The Sympathizer,” Viet Thanh Nguyen—fiction writer, essayist, activist, and UC Berkeley doctoral alum—has become an outspoken voice for refugee rights and justice for immigrants. In 2017 he received a MacArthur Genius Grant, and while he was commended for “challenging popular depictions of the Vietnam War and exploring the myriad ways that war lives on for those it has displaced,” his latest efforts move outward to the plight of refugees across the world. His lauded story collection “The Refugees” explores immigration, identity, love, and family. His latest project, “The Displaced: Refugee Writers on Refugee Lives,” brings together a host of prominent writers. He joins us to today to talk with Karen Tei Yamashita, novelist and essayist on the immigrant experience, about the role of the writer in society, the importance of art to politics, and the power of the written word.
Freight & Salvage

Women Plot the Crime
Sara Blaedel, Anne Holt, and Yrsa Sigurdardóttir, moderated by Cara Black
Saturday, April 28
1:30 PM - 2:45 PM

The plot for the perfect crime may very well reside in the minds of these three cunning women. This panel of authors will discuss what it takes—and what it takes out of you—to write a complex, compelling, and believable (but un-guessable) crime story. Come plumb the minds of Sara Blaedel (Denmark’s “queen of crime”), Anne Holt (Norway’s best-selling female crime writer), and Icelandic best-selling author Yrsa Sigurdardóttir, as they talk with fellow crime writer Cara Black.
Hotel Shattuck Plaza - Crystal Ballroom

Utter Fascination: The Art of the Exceptionally Complex Character
Åsa Avdic, Therese Bohman, Carl Frode Tiller, Laleh Khadivi
Saturday, April 28
1:30 PM - 2:45 PM

How do writers create complex characters? These three authors discuss how they dream up, and then capture on the page, entirely new people who are exceptionally complicated. What narrative strategies do they use to create them? How did the characters develop in the authors’ minds? Don’t miss the complex characters on this panel: Asa Avdic, a journalist and breakout novelist whose debut, “The Dying Game,” is a chilling version of an Agatha Christie ensemble (characters trapped and slowly disappearing) in a futuristic Sweden; Therese Bohman, whose scintillating novel “Eventide” about a middle-aged woman’s life “explores complex inner worlds with great sensitivity and insight” (Kirkus); and Carl Frode Tiller with the “Encircling” trilogy, which endeavors to reconstruct a man’s mind piece by piece after he loses his memory.
The Brower Center - Tamalpais Room

Noir at the Bar: A Flight of Mystery! Sampling Bay Area Writers of Murder and Mayhem, with Drinks
Lillian Bell, Cara Black, Ellison Cooper, Reece Hirsh, Beth McMullen, Eileen Rendahl, Kelli Stanley, Domenic Stansberry, emceed by Sheldon Siegel
Saturday, April 28
5:00 PM - 6:15 PM

A Festival favorite returns! There’s no better way to celebrate the Bay Area’s love of noir than to toast mystery writers who have mastered the form. Feel like a bonafide gumshoe listening in on riveting short readings by these modern masters of noir. And while you’re at it, order your cocktail (or whiskey) of choice.
The Marsh - Cabaret

Know Thyself: The Ultimate Mystery
Azareen Van der Vliet Oloomi, Mark Sarvas, Carl Frove Tiller
Saturday, April 28
5:00 PM - 6:15 PM

It’s high literary tide mark on Saturday afternoon. Three of the smartest novelists working today discuss how fiction explodes the question of how we know ourselves. In “Call Me Zebra,” partly set in Spain, Azareen Van der Vliet Oloomi depicts a heroine on a Quixotic quest; the Wall Street Journal said, “Hearken ye fellow misfits, migrants, outcasts, squint-eyed bibliophiles, library-haunters and book stall-stalkers: Here is a novel for you.” Mark Sarvas’ “Memento Park,” partly set in Hungary, was praised by Salman Rushdie as “a gripping mystery novel about art that is also a powerful meditation on fathers and sons.” Norwegian writer Carl Frove Tiller has written a trilogy whodunit about a man who’s lost his memory and reconstitutes himself via letters from friends telling him who he is; you can imagine how that turns out. Said Kirkus, “A wholly satisfying story about how unreliable narrators tell tales not just about events, but about our core emotions.” Who are you? Come explore how we know ourselves.
The Marsh - Theater

Nordic Noir: The Enduring Genre of Cold Climate Thrillers
Sara Blaedel, Anne Holt, Karo Hämäläinen, Steffen Jacobsen, Yrsa Sigurdardóttir, moderated by Randal Brandt
Sunday, April 29
2:00 PM - 3:15 PM

One of the most popular sessions at the Festival returns for its fourth year. Traveling all the way from Scandinavia and Iceland to join us today, these authors will illuminate why their books—which situate grisly stories of murder and chaos in frigid regions—have the enduring power to captivate audiences worldwide. From Denmark, Sara Blaedel will discuss her internationally best-selling and female-led Louise Rick and Ilka Jensen series. Norway’s best-selling female crime writer Anne Holt will consider how her years working for police departments and as a lawyer have influenced her work. Finnish crime savant Karo Hämäläinen will let us in on how he became “a wicked and controlled writer who rarely allows his readers a moment of peace” (Toronto Sun). Hear from Icelandic best-selling author Yrsa Sigurdardóttir, who The Times UK said “is ensconced at or near the summit of Nordic crime writing.” And learn how Danish physician and thrill-master Steffen Jacobsen uses his talent for the macabre to create gripping reads.
Magnes Museum

Friday, March 16, 2018

Cartoon of the Day: St Patrick's Day Mixer in Limerick, Ireland

2018 British Book Awards: The Nibbies

Shortlists for the 2018 British Book Awards aka The Nibbies have just been released in several categories. Of interest to readers of this blo here is the shortlist in Crime & Thriller Book of the Year:

Crime & Thriller Book of the Year:

The Girl Before, by J.P. Delaney (Quercus)
The Midnight Line, by Lee Child (Bantam Press)
The Dry, by Jane Harper (Abacus)
Behind Her Eyes, by Sarah Pinborough (HarperFiction)
Spook Street, by Mick Herron (John Murray)
He Said/She Said, by Erin Kelly (Mulholland)

Winners will be announced on Monday, May 14 at a ceremony at London's Grosvenor Hotel. The British Book Awards are organized by the UK magazine The Bookseller.

See all the shortlists HERE.

HT: J. Kingston Pierce's The Rap Sheet

The Second Most Common Question: Guest post by Lexie Elliott

Lexie Elliott is the author of The French Girl (February 2018, Berkley) and lives in London. The French Girl is her debut novel and explores the shifting relationships, and memories, of London-based recruiter Kate as she becomes entangled in a murder investigation ten years after a seemingly idyllic French holiday. 

The Second Most Common Question 

As a writer, the most common question I get asked is, What’s your book about? (For the answer, see above!) The second most common question is, Where do you get your ideas from?

The idea for The French Girl first hit me when I was on holiday at a farmhouse in France during my university years. There was a group of seven or eight of us, all students, and the farmhouse belonged to the parents of the brother-sister pair in our midst, otherwise I couldn’t possibly have afforded to stay there — at that stage I was rather broke after something like five years as a student. As it was, it felt supremely decadent to be drinking rosé at lunchtime and lounging by a turquoise-blue pool set amongst the sun-drenched vineyards of the Dordogne. Supremely decadent, and a little like being in the opening scenes of a movie: bright young things enjoying themselves, little knowing the darkness that lies ahead of them… I remember baking on a sun-lounger, whilst in my brain the plot unfolded, bit by bit, until I knew what that darkness might be, and how it might insidiously stalk my characters until they could never again be those carefree bright young things.

The idea was one thing. Writing it was quite another. Writing requires mental space, and life eats that up. Life (and student debt) required me to get a job after I’d completed my doctorate, and just figuring out how to become competent enough at that job to keep it took all my energy at first. Then I bumped — quite literally — into a man in a swimming pool who became my husband, and life gave me two children who are enormously wonderful but who are also sleep thieves, and time thieves, and attention thieves. I did write sporadically, in any time I could snatch for myself, but not The French Girl. That was too daunting a project to even start. So instead I wrote short stories, fragments of novellas, even a complete novel in a lighter tone. And once I was writing regularly I found I didn’t want for ideas. I could be on my way to work and I’d notice something odd, a little out of kilter, and my mind would start to lazily spin out a web of a story… It was like developing a muscle that had always been there, but had been allowed to waste away: nothing but exercise can reverse the atrophy. Through it all, The French Girl hovered in the recesses of my mind but I wasn’t yet ready to roll up my sleeves and get to work.

And then, somehow, I was. Perhaps I’d emerged from the fug of general exhaustion that very small children create, or perhaps I’d gained enough confidence to make a start on a more demanding project. Whatever the reason, I started writing The French Girl. And eventually, somewhat inconceivably, I actually finished writing The French Girl. In between I must have had hundreds of ideas for new projects. I keep a note of the more promising ones, and there’s one in particular which I’m a little scared to write. I’m not quite ready for it yet. But now I wonder if that’s the mark of a really good idea: something that’s a challenge, that worries me, something I’m not quite sure I can pull off. I’m guessing there will come a time when I’m ready to roll up my sleeves on that one too. At least I hope so.

Thursday, March 15, 2018

Unforgotten: PBS Masterpiece Mystery!

PBS Masterpiece Mystery! has a new series coming up that starts Sundays April 8 and runs through May 13 (9 pm, but check local listings). Unforgotten is a really thoughtful, well acted, and plotted detective show and there are two seasons that will be aired. I binged the first season and found it mesmerizing. I highly recommend it.

Info: Two detectives confront a pair of baffling cold cases in back-to-back seasons of the British crime series Unforgotten. Nicola Walker (Last Tango in Halifax) and Sanjeev Bhaskar (Indian Summers) star as DCI Cassie Stuart and DS Sunny Khan, masters at solving long-past homicides—including a skeleton under a cellar and a corpse in a suitcase. Notable guest stars include Tom Courtenay, Gemma Jones, Trevor Eve, Bernard Hill, and others.

Cartoon of the Day: St Patrick's Day

Wednesday, March 14, 2018

Robert S. Levinson: R.I.P.

More sad news for the mystery community. LA Times bestselling author Robert S. Levinson had passed away March 13 after a battle with pneumonia. He will be missed.

I met Bob several times at Bcons and Left Coast Crimes, and we emailed about awards and books. Over the years he contributed several articles to Mystery Readers Journal on music and art and mysteries. I will miss him and his wit and humor.

From his website:

Robert S. Levinson was the bestselling author of the stand-alone novels “The Evil Deeds We Do,” "Finders, Keepers, Losers, Weepers," "Phony Tinsel," "A Rhumba in Waltz Time," "The Traitor in Us All," "In the Key of Death," "Where the Lies Begin" and "Ask a Dead Man," as well as the Neil Gulliver and Stevie Marriner series of mystery-thrillers, which to date comprises "The Elvis and Marilyn Affair," "The James Dean Affair, "The John Lennon Affair," "The Andy Warhol Affair (Hot Paint)," and now “The Stardom Affair.” 

He won the Short Mystery Fiction Society's Best Short Story Derringer Award for "The Quick Brown Fox," a short that originally appeared in Alfred Hitchcock Mystery Magazine. The short is also featured in the anthology, "Between the Dark and the Daylight and 28 More of the Year's Finest Crime and Mystery Stories. An original short, "Down in Capistrano," appears in "Orange County Noir," and another, "The Night of the Murder," in the anthology "Crime Square." Another original, "The Dead Detective," appears in "The Sound and the Furry: Stories to benefit the International Fund for Animal Welfare," as well as the “Coast to Coast” short story collection. 

Levinson, a Shamus award nominee, was an Ellery Queen Mystery Magazine Readers Award winner three consecutive years. To date, his short stories have been selected for inclusion in "year's best" anthologies eight consecutive years, including the cover title piece (from Alfred Hitchcock Mystery Magazine) in "A Prisoner of Memory and 24 of the Year’s Finest Crime and Mystery Stories." 

Another original short, "And the Winner is…" is included in "Hollywood and Crime: Original Crime Stories Set During the History of Hollywood." Earlier Levinson short stories appear in "The Deadly Bride and 21 of the Year's Finest Crime and Mystery Stories; "The Adventure of the Missing Detective and 19 of the Year's Finest Crime and Mystery Stories;" the 5th annual "World's Finest Crime & Mystery" anthology; and "Flesh & Blood: Guilty as Sin."

Plays by Levinson were featured at the inaugural and second annual International Mystery Writers Festival of RiverPark Center in Owensboro, KY. The first, "Transcript," was presented out-of-competition and subsequently developed by RiverPark in radio show format for international distribution. "Murder Times Two" was nominated for "Angie" award honors and published in the On Stage Press/Samuel French anthology, "Scripts." 

Levinson served four years on the Mystery Writers of America national board of directors, as well as two years as president of MWA's Southern California chapter. He wrote and produced two Annual Edgar Awards galas of the MWA and the inaugural and 2nd Annual Thriller Awards shows of the International Thriller Writers organization. In addition to MWA, ITW, Sisters-in-Crime, Private Eye Writers of America and the International Association of Crime Writers, Levinson is a member of the Writers Guild of America-West (past board of directors member) and the Academy of Television Arts and Sciences. He is past chairperson f the editorial board of the WGAw's monthly magazine, Written By, and served six terms as president of the Hollywood Press Club, which years later voted "The Elvis and Marilyn Affair" Best Novel About Hollywood in its annual HPC Awards of Distinction.

St Patrick's Day Mysteries - St. Patrick's Day Crime Fiction

Erin - Go - bragh! St. Patrick's Day figures in several mysteries, so here's my updated St. Patrick's Day Crime Fiction list. Irish aka Emerald Noir is very popular right now, so you can always add titles to your TBR pile from the many Irish crime writers available, although they may not take place specifically during St. Patrick's Day. Declan Burke has a great post on his blog CrimeAlwaysPays Overview: The St. Patrick's Day Rewind

Mystery Readers Journal had an issue that focused on Irish Mysteries. It's available as PDF or hardcopy.

As always, I welcome comments and additions to this list. 


Susan Wittig Albert: Love Lies Bleeding
Donna Andrews, Barb Goffman, & Marcia Talley (editors): Homicidal Holidays: Fourteen Tales of Murder and Merriment
Mary Kay Andrews (aka Kathy Hogan Trocheck): Irish Eyes
S. Furlong-Bollinger: Paddy Whacked
Harry Brandt (Richard Price): The Whites
Isis Crawford: A Catered St. Patrick's Day
Nelson DeMille: Cathedral
Janet Evanovich: Plum Lucky
Sharon Fiffer: Lucky Stuff 
S. Furlong-Bollinger: Paddy Whacked
Andrew Greeley: Irish Gold
Jane Haddam: A Great Day for the Deadly
Lyn Hamilton: The Celtic Riddle
Jonathan Harrington: A Great Day for Dying
Lee Harris: The St. Patrick's Day Murder
Dorothy Howell: Duffel Bags and Drownings 
Melanie Jackson: The Sham
Madison Johns: Lucky Strike
Diane Kelly: Love, Luck, and the Little Green Men 
Amanda Lee: The Long Stitch Good Night
Wendi Lee: The Good Daughter
Dan Mahoney: Once in, Never Out
Marion Markham: The St. Patrick's Day Shamrock Mystery (children's)
Leslie Meier: St. Patrick's Day Murder
Sister Carol Anne O’Marie: Death Takes Up A Collection
Ralph M. McInerny: Lack of the Irish
Janet Elaine Smith: In St. Patrick's Custody
JJ Toner: St. Patrick's Day Special
Kathy Hogan Trochek (aka Mary Kay Andrews): Irish Eyes
Debbie Viguié: Lie Down in Green Pastures
Noreen Wald: Death Never Takes a Holiday

Check out Dublin Noir, a collection of short stories edited by Ken Bruen, published by Akashic Books in the US and Brandon in Ireland and the UK.

Read Val McDermid's take on the Popularity of Irish Crime Fiction.

Read Lisa Alber's guest post on Travels to Ireland, or, Bah, I Scoff at "Write What You Know"

Some Irish crime writers you might want to read: Tana French, Erin Hart, Benjamin Black, Declan Hughes, Jane Casey, Brian McGilloway, Alan Glynn, John Brady, Stuart Neville, Adrian McKinty, John Banville (Benjamin Black), Ken Bruen, Jesse Louisa Rickard, Eoin Colfer.

Who are your favorite Irish authors?

May the road rise up to meet you and the wind be always at your back!


And, if you want something CHOCOLATE to go along with your stout, have a look at my DyingforChocolate blog for some Killer St. Patrick's Day Recipes including:

Guinness Chocolate Silk Pie
Chocolate Guinness Cake
Guinness Chocolate Stout Brownies
Chocolate Irish Soda Bread with Guinness Ice Cream
Bailey's Chocolate Trifle
You Make Me Want to Stout Cupcakes (Scharffen Berger)
Bailey's Irish Cream Fudge

Guinness Chocolate Cherry Bread & Guinness Brown Breads

Cartoon of the Day: K 9 GB

From the very funny RhymeswithOrange:

Tuesday, March 13, 2018

Re-Releasing a Backlist: Guest post by Elaine Viets

Today I welcome one of my favorite people and writers Elaine Viets who shares with us her experience of re-releasing a Backlist. This is a great article for writers with a backlist and for readers eager to read her series. The Dead-End Job novels are being re-issued by JABberwocky Literary Agency. Get the whole set or treat yourself to the books you missed. Prices start at $2.99 and go up. Check them out here.  

*** To win an ebook from Elaine Viets' Dead-End Job series, make a comment below. The winner will be notified by April 1 ***

Elaine Viets:
Re-Releasing a Backlist

I didn't realize it until I met with my new agent, Joshua Bilmes, but I am "backlist rich." That's how Joshua, president of JABberwocky Literary in New York, described me. He wanted to re-release my backlist. JABberwocky represents award-winning authors including Charlaine Harris, Brandon Sanderson, Toni Kelner and Tanya Huff. Joshua has made books available from two dozen of his clients within the agency's e-book program.

Done right, re-releases are expensive: re-releasing my 23 books (13 Dead-End Job and 10 Josie Marcus mystery shopper mysteries) can cost a solid five figures, and JABberwocky fronted the money.

It takes a lot of work.

First, Joshua got the rights back from the publishers – he sent them revision of rights letters, and the publishers granted most of those requests.

He decided to go with the Dead-End Job mysteries first. Helen Hawthorne is a St. Louis woman who once made six figures a year, had a beautiful home— and a good-for-nothing husband she caught in the act with their neighbor. When she divorced the bum, the judge saddled Helen with alimony. Helen refused to pay her ex, tossed her wedding ring in the Mississippi River, and went on the run. She wound up in Fort Lauderdale, working dead-end jobs for cash under the table. Helen – and I – had worked at everything from hotel maid to telemarketer. The pink collar jobs that Helen and I worked for that series make it even more relevant today than when the series first started in 2003.

The Dead-End Job novels get new covers and fresh cover copy. It was exciting to work with artist Jenn Reese at Tiger Bright Studios for new DEJ covers. She designed 13 clean, bright covers with a different symbol and color for each novel. They captured the series' lighthearted tone and Florida setting.

Meanwhile, I had to read all 13 Dead-End Job mysteries, and correct the small errors that happen when the files are converted to book formats, plus the occasional typo. I was blessed with good copyeditors for this series, but one was crazy for semicolons. I have a deep, abiding hatred for semicolons in novels. They should be banished to term papers. I rewrote to get rid of the pests.

Each book had new cover copy, and this slogan: "The thrilling mystery series about one woman trying to make a living . . . while other people are making a killing."

It had been awhile since I'd read my novels. Readers ask me about a scene or a character, and I can't remember what happened.

"Well, you wrote it," they'll say.

Yes, I did. But once I finish one book, I'm on to the next.

I can't read my novels when they're hot off the presses. That's when I see all the parts that sag and the phrases I wish were more graceful.

I wrote Shop till You Drop 15 years ago, so it was almost as if someone else had written those books. Some lines made me laugh. In Clubbed to Death, Helen's co-worker describes their hated boss this way: "Her heart is as hard as her fake boobs."

In Just Murdered, Helen talks about how when she caught her cheating husband with their next-door neighbor Sandy, "She hit Rob where it hurt the most—right in the radiator." Helen knew the way to really hurt a man was to destroy his car.

Some of Helen's quotes reflected her philosophy – and mine. In Murder with Reservations, she tells her husband Phil,

"I hate to cook but I love good food. Most nights I settle for scrambled eggs or tuna out of the can.”

"Life is too short for bad food," Phil said. "I could teach you to cook."

"I'm hopeless," Helen said.

"How come women who can't cook are proud of it?" Phil said.

"Because we've escaped a drudgery men never have to face. Some men think cooking is creative. Women like me think it's a trap. We're afraid we'll have to waste our time making meals instead of doing what we really want."

And some were wistful. In Clubbed to Death, when her awful ex disappears, Helen says, "How come when you finally got what you wanted, it wasn't what you needed?"

Elaine Viets returns to her hardboiled roots with Brain Storm, the debut novel in her Angela Richman, Death Investigator series. Charlaine Harris calls Brain Storm “a complex novel of crime, punishment, and medical malfeasance.” Elaine has 30 bestselling mysteries in four series: hardboiled Francesca Vierling, traditional Dead-End Job, cozy Josie Marcus Mystery Shopper, and Angela Richman, Death Investigator. Elaine passed the Medicolegal Death Investigator Training Course for forensic professionals. She’s won the Agatha, Anthony and Lefty Awards. 

Sunday, March 11, 2018

Peter Temple: R.I.P.

Sad News. Peter Temple, award-winning Australian Crime Writer has died of cancer at the age of 71.

From The Sydney Morning Herald:

Peter Temple was also the first Australian writer to win the British Crime Writers’ association major award, the Gold Dagger, which he did for The Broken Shore in 2007. It was Truth, the follow-up to that novel, that won the Miles Franklin in 2010. He won five Ned Kelly awards, the local crime-writing prizes, beginning in 1997 for his first book, Bad Debts.

Temple was perhaps best-known for his Jack Irish novels, which featured his Fitzroy-based solicitor-cum-fixer hero. The Jack Irish books – there were four – had a magnificent stable of recurring characters many of whom drank in a fictional pub, The Prince of Prussia. In total he wrote nine novels.

The Irish books were adapted for television with Guy Pearce as the eponymous lead.

At one festival appearance Temple was asked whether anything was taboo in crime writing. He said it was fine to boil a baby and eat it with truffles, but the real taboo was harming the family pet. He adored dogs and in The Broken Shore gave significant supporting roles to his protagonist Joe Cashin’s black poodles, Temple’s own breed of choice.

Read more here.

Saturday, March 10, 2018

Kate Wilhelm: R.I.P.

I just learned that Kate Wilhelm passed away on March 8. Kate Wilhelm was what I consider a Renaissance writer. She wrote award winning science fiction, fantasy, speculative fiction, magical realism, and mystery. She wrote stand-alones and series, poetry and non-fiction, short stories, and edited many collections. She was extremely prolific, and she was extremely good.

Kate Wilhelm wrote 14 novels in the Barbara Holloway legal mystery series and six novels in the Constance Leidl and Charlie Meiklejohn p.i./psychologist series, as well as several Collections, Short Stories in EQMM, and standalone mystery/suspense novels. Her works have been adapted for television and movies in the United States, England, and Germany. Wilhelm’s novels and stories have been translated to more than a dozen languages. She has contributed to Quark, Orbit, Magazine of Fantasy and Science Fiction, Locus, Amazing Stories, Asimov’s Science Fiction, Ellery Queen’s Mystery Magazine, Fantastic, Omni, Alfred Hitchcock’s Mystery Magazine, Redbook, and Cosmopolitan.

Kate Wilhelm won three Nebulas, two Hugos, and two Locus awards, and was an inductee to the Science Fiction Hall of Fame.

Thursday, March 8, 2018

2017 North American Hammett Prize Nominees

The North American Branch of the International Association of Crime Writers announced  the nominees for their annual HAMMETT PRIZE for a work of literary excellence in the field of crime writing by a US or Canadian author.

The nominees are as follows: 

The Marsh King’s Daughter: A Novel, by Karen Dionne (G. P. Putnam’s Sons)
The Tragedy of Brady Sims: A Novel, by Ernest J. Gaines (Vintage)
August Snow, by Stephen Mack Jones (Soho Crime)
Two Days Gone: A Novel, by Randall Silvis (Sourcebooks Landmark)

The organization will name the HAMMETT PRIZE winner, during the NoirCon conference in Philadelphia, November 1-4. The winner will receive a bronze trophy, designed by sculptor Peter Boiger.

Wednesday, March 7, 2018

Lambda Mystery Award Nominees

Lambda Literary, the nation’s oldest and largest literary arts organization advancing LGBTQ literature, announced the finalists of the 30th Annual Lambda Literary Awards – or the “Lammys,” as they are affectionately known.

The finalists were chosen from nearly 1,000 submissions and over 300 publishers. Submissions came from major mainstream publishers and from independent presses, from both long-established and new LGBTQ publishers, as well as from emerging publish-on-demand technologies. Visionary and Trustee Award honorees, the master of ceremonies, and celebrity presenters will be announced in April. The winners will be announced at a gala ceremony on Monday, June 4th in New York City.

“Celebrating our 30th year of Lambda Literary Award finalists is to recognize that this organization has been at the center of contemporary queer literature for decades,” said Lambda Literary Executive Director Tony Valenzuela. “This year is no different with another stellar list of authors demonstrating through their work that LGBTQ books tell richly textured stories about who we are in all our incredible diversity.”

Below are the nominees in Lesbian and Gay Mystery. Congratulations to All!

To Read All the Nominees, go Here.

Lesbian Mystery

Gay Mystery

Cartoon of the Day: Oxymoron Museum

Happy Birthday, Topper!

Here's an updated post about Topper, my golden retriever. Happy Birthday, Topper

I have three blogs: one for Mystery one for Chocolate and one for TeamBuilding. However, I don't have a general blog where I can post whatever comes to mind. Of course, I do that occasionally on one or the other of my blogs. I like to post photos and news about my animals, so today I'm posting on Mystery Fanfare for all you dog lovers out there. There is a mystery tie-in, sort of. Mystery Readers Journal had an issue focusing on Animal Mysteries (Volume 27:3) So, if you want to find out more about authors who write 'animal' mysteries, be sure and check out the Table of Contents or order a copy (available in hardcopy or as a PDF download).

Today is Topper's 11th Birthday. Happy Birthday, Boy! We adopted Topper when he was 8 months old, and he's such a happy boy! He loves just about everything, including loud noises. So glad he's in my life. Here's the perfect Birthday Cake for his birthday. Our friends Elaine and Patrick make this cake for their dogs every year. I have not tasted it. It's for dogs. Recipe is from The Honest Kitchen website (dehydrated, human-grade natural dog food and natural cat foods)

Be sure to scroll down for more photos of Topper. As you'll see, Topper and I share many of the same interests: Gardening, Books and the Beach. One passion we don't share is Chocolate. Chocolate is poisonous to dogs.

Pupalicious Birthday Cake

4 cups Force
2 table spoons Ice Pups
1 cup chicken stock
2 large eggs
3 tablespoons honey
1 cup plain yogurt

 ½ cups smashed up Smooches, Nuzzles or Pecks

For The Icing:
1 cup Plain Yogurt
2 strips Bacon

What To Do
Preheat oven to 350 degrees. Pre-grease a 10 inch cake pan (you can use butter or vegi oil). You can also line the pan with a strip of wax paper to encourage easy release. Combine in a bowl, the Force and the Ice pups and sift together. In a separate bowl combine the eggs and the yogurt. Whisk at high speed for 3 minutes. Gradually add in honey. Reduce the speed to low and add in the dry mixture cup by cup.
Then add in any extras you’d like and mix in.
Bake in oven for 25-35 minutes, until you can insert a toothpick and it comes out clean. Let cool on a rack for 10 minutes. Cook up 2 pieces of bacon and chop them into small pieces. Carefully invert cake onto a serving dish. Ice with plain yogurt and sprinkle with bacon bits.
Serve up!!!

Tuesday, March 6, 2018

Flavia de Luce coming to TV!

Alan Bradley just posted this:

Flavia de Luce is coming to TV. 

For those patient thousands of you who have been enquiring, here it is:

Alan Bradley’s New York Times bestselling series of mysteries starring adolescent British sleuth Flavia de Luce have been picked up for series development by producer Robert Mickelson for Canada’s CTV in Toronto, with Susan Coyne writing three scripts. 

The ten-volume book series, beginning with THE SWEETNESS AT THE BOTTOM OF THE PIE, is published by Delacorte in the USA, Orion in the UK, and Doubleday in Canada, as well as 35 other countries. The ninth volume, THE GRAVE’S A FINE AND PRIVATE PLACE, has just been released. 

For further information, see:

CrimeFest 2018!

CrimeFest is one of the best conferences! You won't want to miss it! Still time to sign up. 

May 17-20, 2018: Bristol, UK!

From the CrimeFest newsletter:

We are delighted to announce that Martina Cole, Peter James, Yrsa Sigurðardóttir and Gunnar Staalesen join Lee Child and Jeffery Deaver in finalising our line-up of Featured Guest Authors. Lee and Jeff where our guests at the Bristol visit of US convention Left Coast Crime in 2006, then came back for the fifth anniversary of CRIMEFEST, and we asked them two years ago to pencil the dates in for our tenth. We’re using the occasion to invite some of our other favourite Featured Guests back as well: Peter and Yrsa. New headliners are Martina and Gunnar. As she is one of the most popular and bestselling authors in the UK, we’ve been trying to get Martina as a featured guest for years, and we're delighted that she is appearing in that role this year! Of course Gunnar has attended before and in light of his continued excellence in writing, recognised with last year’s Petrona Award, we’ve invited him back as one of our headliners. And to do something different for our celebrations, we’re pairing everyone up for their interviews: ‘anniversary’ guests Lee & Jeff, mates Martina & Peter, and translated guests and former Petrona winners Yrsa & Gunnar. We’re hoping that they do joint speeches at the Gala Awards Dinner on Saturday as well.

Every year we have one or more pairs of highlighted guests in conversation. This year will see John Banville (aka Benjamin Black) and John Simenon, son of the great Georges Simenon, being interviewed by Maxim Jakubowski. In ‘Maigret and Beyond’, delegates will find out how John S keeps his father’s legacy alive for fans of the legendary Maigret police procedurals. John B is one of those fans but is, of course, a highly respected novelist as well, having written - in the guise of Benjamin Black - the much loved Quirke books and his one-off continuation of Raymond Chandler’s Marlowe series.

There are lots of other highlights as well. These include a complimentary copy of Ten Year Stretch, an anthology which celebrates a decade of CRIMEFEST (more info further down), as well as a debate on who the better spy novelist is: Ian Fleming or John le Carré. Making their cases are Charlie Higson, author of the young James Bond books, and Adam Sisman, le Carré’s biographer, respectively. There will also be two receptions, one of them to announce the nominees for the Crime Writer Association’s Dagger Awards, which are open to all Full Weekend Pass holders, as well as Thursday’s traditional pub quiz with Peter Guttridge. In addition to many more exciting events, we close the anniversary year by welcoming back Mike Ripley and his ‘I’m Sorry I Haven’t A Cluedo’. This anarchic quiz – a highlight of 2016 – has very few rules (those that do exist are rarely abided by) but lots of laughs (some of them intentional). And somewhere amongst the quiz rounds – will ‘Feel the Author’ be back? (yes, you read that correctly) – one or more members of the audience will win prizes.

All of this leads nicely into the announcement that this year’s itinerary is now up on the website on the PROGRAMME page! Authors, please check that your panels correspond with the details we sent you.

For the second year running the University of the West of England (UWE) are offering delegates special access to their Crime Scene experts who train the police and Forensic Science students. Delegates will be briefed on a crime scene and will identify clues, get hands-on experience of searching for evidence, testing for fingerprints, identifying blood and other substances and getting to use mysterious pieces of forensic kit. Forensics experts will also be on hand to guide you through and answer specific questions, focusing on modern-day procedures in a historic setting. The excursion is based on UWE’s campus and a minibus will pick delegates up at 9.30am outside the Marriott Hotel and deliver them back at 12.30, in plenty of time for the first panel. Spaces are limited, in order to ensure a great experience for all participants. For more information – including details of this year’s special crime scene – visit FORENSIC CRIME SCENE EXCURSION or, to register, visit the TICKETS page.

Pitch an Agent returns again in 2018 with Pitch originator Camilla Wray (from the Darley Anderson Agency), Broo Doherty (from the DHH Literary Agency) and Philip Patterson (from Marjacq Scripts). Some of the authors these agencies represent include Lee Child, Martina Cole, Stuart Macbride, L.C. Tyler, and Luca Veste. The best description for Pitch an Agent is ‘speed dating for an agent meets BBC’s Dragon’s Den’ (or Shark Tank if you are in the US). You make your pitch to all three agents simultaneously (but privately, so no public humiliation – or triumph…) If you are looking for an agent, have not previously participated, and are not commercially published, then this is for you! Pitch an Agent is only open to delegates with a Full, Friday or Saturday CRIMEFEST Pass. Visit PITCH AN AGENT for more information or buy TICKETS.

Also returning is the One-on-One Manuscript Assessment Service for those who are looking for feedback on a finished (or almost completed) manuscript. Based on a submitted sample of your writing, crime novelist Janet Laurence will provide constructive feedback allowing manuscripts to be submitted in the best possible format to agents and/or editors. Manuscript Assessment slots are only open to delegates who are not commercially published, are without an agent and who have registered for a Full, Friday or Saturday CRIMEFEST Pass. Visit ONE-ON-ONE MANUSCRIPT ASSESSMENT for more information or buy TICKETS.

And finally…

Thanks to devoted CRIMEFEST delegate Jane Burfield, who wished to sponsor something special to mark CRIMEFEST’s 10th anniversary, we have been able to commission Ten Year Stretch: Celebrating A Decade Of CrimeFest. The proceeds of this anthology of twenty new stories go to the convention’s longstanding charity of choice: the reading library of the RNIB. Full Pass holders attending this year receive a complimentary copy of the Ten Year Stretch: Celebrating A Decade of CrimeFest with a foreword by Peter James and contributions from current and former attending authors Bill Beverley, Simon Brett, Lee Child, Ann Cleeves, Jeffery Deaver, Martin Edwards (also co-editor), Kate Ellis, Peter Guttridge, Sophie Hannah, John Harvey, Mick Herron, Donna Moore, Caro Ramsay, Ian Rankin, James Sallis, Zoë Sharp, Yrsa Sigurðardóttir, Maj Sjöwall (translated by Catherine Edwards), Michael Stanley and Andrew Taylor. The anthology is being published in the UK by No Exit Press and in the US by Poisoned Pen Press, and the stories see the return of much-loved series characters, and cover every conceivable category that makes up the rich crime fiction genre. The publication has already been covered by the Kirkus Review and Publishers Weekly, and we can’t be prouder of the collection or more thankful to the contributors and those who made it possible. So, buy TICKETS to CRIMEFEST now to guarantee your complimentary copy.

Monday, March 5, 2018

2018 Bouchercon Anthology Contributors

2018: Bouchercon Anthology:

The contributors to the 2018 Bouchercon Anthology! More news about the anthology (including the cover) to come..

Patricia Abbott, "When Agnes Left Her House"
J.D. Allen, "The Unidentifieds"
Jack Bates, "The Fakahatchee Goonch"
Lawrence Block, untitled as yet (it's a surprise!)
Susanna Calkins, "Postcard for the Dead"
Reed Farrel Coleman, "The Ending"
Angel Luis Colón, "Muscle Memory"
Hilary Davidson Books, "Mr. Bones"
Brendan DuBois, "Breakdown"
John Floyd, "Frontier Justice"
Barb Goffman, "The Case of the Missing Pot Roast"
Greg Herren, "Cold Beer No Flies"
Eleanor Cawood Jones, "All Accounted for at the Hooray for Hollywood Motel"
John D. MacDonald, "The Hangover"
Paul D. Marks, "There's an Alligator in My Purse"
Craig Pittman, "How to Handle a Shovel"
Neil Plakcy's, "Southernmost Point"
Alex Segura, "Quarters for the Meter"
Debra Lattanzi Shutika, "Frozen Iguana"
Holly West, "The Best Laid Plans"
Michael Wiley, "Winner"

From Greg Herren: We are immensely grateful to everyone who submitted stories. We had a record number of submissions, and choosing from this embarrassment of riches was a monumental task.